Author: Guido Kaschnitz von Weinberg
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 356
Book Description
Sculture Del Magazzino Del Museo Vaticano
Author: Guido Kaschnitz von Weinberg
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 356
Book Description
Sculture del magazzino del Museo Vaticano
Author: Vaticano. Direzione Generale dei Monumenti, Musei e Gallerie Pontificie
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Sculture del magazzino del Museo Vaticano: Testo
Author: Guido Kaschnitz von Weinberg
Publisher:
ISBN:
Category : Museums
Languages : it
Pages : 0
Book Description
Publisher:
ISBN:
Category : Museums
Languages : it
Pages : 0
Book Description
Sculture del magazzino del Museo Vaticano
Author: Monumenti, Musei e Gallerie Pontificie (Città del Vaticano)
Publisher:
ISBN:
Category :
Languages : it
Pages : 230
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 230
Book Description
Sculture del magazzino del Museo Vaticano
Author: Guido Kaschnitz von Weiberg (Freiherr).)
Publisher:
ISBN:
Category :
Languages : it
Pages : 317
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 317
Book Description
Sculture del magazzino del Museo Vaticano
Author: Guido Kaschnitz von Weinberg
Publisher:
ISBN:
Category : Sculpture
Languages : de
Pages : 315
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : de
Pages : 315
Book Description
Monumenti Vaticani di archeologia e d'arte
Author: Guido Kaschnitz von Weinberg
Publisher:
ISBN:
Category :
Languages : it
Pages : 315
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 315
Book Description
Greek Sculpture and Painting
Author: Beazley
Publisher: Cambridge University Press
ISBN: 0521041317
Category : History
Languages : en
Pages : 242
Book Description
A reprint of the original book, first issued in 1932.
Publisher: Cambridge University Press
ISBN: 0521041317
Category : History
Languages : en
Pages : 242
Book Description
A reprint of the original book, first issued in 1932.
Sculpture I, 1952-1967
Author: Mary Carol Sturgeon
Publisher: ASCSA
ISBN: 0876619340
Category : Excavations (Archaeology)
Languages : en
Pages : 322
Book Description
This volume presents sculptural finds made by the University of Chicago at Isthmia during their excavations from 1952 to 1967. Sculpture found by the UCLA team in excavations from 1967 onwards are published elsewhere (Isthmia VI). The finds range in date from the seventh century B.C. to third century A.D. but are mostly fragmentary objects of Roman date. The two most important works are the Archaic perirrhanterion (a large shallow bowl) from the sanctuary of Palaimon, and a cult statue group of Amphitrite and Poseidon on a base decorated with reliefs depicting the Calydonian board hunt and the slaughter of the Niobids.
Publisher: ASCSA
ISBN: 0876619340
Category : Excavations (Archaeology)
Languages : en
Pages : 322
Book Description
This volume presents sculptural finds made by the University of Chicago at Isthmia during their excavations from 1952 to 1967. Sculpture found by the UCLA team in excavations from 1967 onwards are published elsewhere (Isthmia VI). The finds range in date from the seventh century B.C. to third century A.D. but are mostly fragmentary objects of Roman date. The two most important works are the Archaic perirrhanterion (a large shallow bowl) from the sanctuary of Palaimon, and a cult statue group of Amphitrite and Poseidon on a base decorated with reliefs depicting the Calydonian board hunt and the slaughter of the Niobids.
Ancient Greek Portrait Sculpture
Author: Sheila Dillon
Publisher: Cambridge University Press
ISBN: 0521854989
Category : Art
Languages : en
Pages : 238
Book Description
This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, that is was only in the late Hellenistic period, under Roman influence, that Greek portraits exhibited a wide range of styles, including descriptive realism; and second, that in most cases, one can easily tell a subject's public role - that is, whether he is a philosopher of an orator - from the visual traits used in this portrait. The sculptures studied here instead show that the proliferation of portrait styles takes place much earlier, in the late Classical period; and that the identity encoded in these portraits is much more complex and layered than has previously been realized. Despite the fact that these portraits lack the one feature most prized by scholars of ancient portraiture - a name - they are evidence of utmost importance for the history of Greek portraiture.
Publisher: Cambridge University Press
ISBN: 0521854989
Category : Art
Languages : en
Pages : 238
Book Description
This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, that is was only in the late Hellenistic period, under Roman influence, that Greek portraits exhibited a wide range of styles, including descriptive realism; and second, that in most cases, one can easily tell a subject's public role - that is, whether he is a philosopher of an orator - from the visual traits used in this portrait. The sculptures studied here instead show that the proliferation of portrait styles takes place much earlier, in the late Classical period; and that the identity encoded in these portraits is much more complex and layered than has previously been realized. Despite the fact that these portraits lack the one feature most prized by scholars of ancient portraiture - a name - they are evidence of utmost importance for the history of Greek portraiture.