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Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9780367787240
Category : Sculpture
Languages : en
Pages : 262
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Book Description
The British School of Sculpture, c. 1760-1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.
Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9780367787240
Category : Sculpture
Languages : en
Pages : 262
Get Book Here
Book Description
The British School of Sculpture, c. 1760-1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.
Author: Paul Usherwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 402
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Book Description
Documents some 450 public monuments and sculptures of the northeast of England. Entries on each piece contain bandw photos and details on materials, physical conditions, ownership and commissioning, and use and interpretation at various times in history. From this emerges a picture both of the development of public sculpture and monuments in the region and of the contribution these objects make to ideas of local identity. Material is arranged geographically. Includes bandw maps, a glossary, introductory essays, and brief biographies of sculptors and architects. Distributed by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
Author: Imogen Hart
Publisher: Bloomsbury Publishing USA
ISBN: 1501341278
Category : Art
Languages : en
Pages : 353
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Book Description
By foregrounding the overlaps between sculpture and the decorative, this volume of essays offers a model for a more integrated form of art history writing. Through distinct case studies, from a seventeenth-century Danish altarpiece to contemporary British ceramics, it brings to centre stage makers, objects, concepts and spaces that have been marginalized by the enforcement of boundaries within art and design discourse. These essays challenge the classed, raced and gendered categories that have structured the histories and languages of art and its making. Sculpture and the Decorative in Britain and Europe is essential reading for anyone interested in the history and practice of sculpture and the decorative arts and the methodologies of art history.
Author: Anne Middleton Wagner
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300106855
Category : Art
Languages : en
Pages : 304
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Book Description
In Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity. Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somnolent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural innovation. She situates British sculpture fully within the new reality of “bio-power”—the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture’s main concerns and formal language.
Author: Raymond McKenzie
Publisher:
ISBN: 0853239274
Category : Art
Languages : en
Pages : 538
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Book Description
This volume contains important sculptures by most of the greatest British sculptors and some continental sculptors - John Flaxman, Auguste-Nicolas Cain, John Gibson, Francis Chantrey, Carlo Marochetti, Hamo Thornycroft, George Frampton, J. H. Foley and many others." "The study of architectural sculpture, falling between the history of art and the history of architecture, has been until very recently generally neglected - even by that great pioneer, Rupert Gunnis. Ray Mackenzie has in this volume for the first time demonstrated the importance of Glasgow's architectural sculpture and explained its function with a wealth of detail."--BOOK JACKET.
Author: Martina Droth
Publisher: Yc British Art
ISBN: 9780300208030
Category : ART
Languages : en
Pages : 0
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Book Description
This book examines the unprecedented florescence of sculpture during the reign of Queen Victoria
Author: Philip Ward-Jackson
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 556
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Book Description
As the financial capital of the British Empire, the City commissioned imposing statues of those who had made it what it was. More surprising is the wealth of architectural sculpture, including the friezes of the Institute of Chartered Accountants, the most important of the 'New Sculpture'.
Author: Philip Ward-Jackson
Publisher: Public Sculpture of Britain Lu
ISBN: 9781846316623
Category : Art
Languages : en
Pages : 500
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Book Description
The Westminster Borough of London, which includes much of the city's fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. Public Sculpture of Historic Westminster: Volume I documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.
Author: Penelope Curtis
Publisher: Tate
ISBN: 9781849763318
Category : Art
Languages : en
Pages : 0
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Book Description
Renowned for her elegantly sleek sculptures in stone, wood, and bronze, Barbara Hepworth (1903-1975) is among Britain's most important modern artists. This groundbreaking new publication focuses on the spaces and contexts, physical and conceptual, in which the artist is positioned. It examines her interest in staging and presenting work--indoors and out--in studio, film, garden, stage, architecture, photography, and print. As well as placing her work alongside her British and international contemporaries, a broad range of distinguished contributors also consider wider technical and intellectual concerns. Richly illustrated with more than 200 color images drawn from her entire career, the catalog represents some of Hepworth's best-known works in addition to introducing some of her less familiar pieces. The book features previously unseen documentary material, including photographs and film stills that cast new light on one of the 20th century's greatest artists.
Author: Matthew Withey
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848220010
Category : Art
Languages : en
Pages : 0
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Book Description
This final volume in the British Sculptors and Sculpture series addresses the work of the important but neglected British sculptor Francis Derwent Wood RA (1871-1926). A student of Edouard Lanteri at the Royal College of Art, Derwent Wood's early artistic career was distinguished. His reputation grew rapidly and a period as Director of Modelling at the Glasgow School of Art saw him working on public commissions with many of the city's most important architects. Simultaneously, he built his London practice, perfecting the art of the rapidly executed, observationally astute portrait bust, and becoming a well-connected member of the Chelsea set. He exhibited at the Royal Academy every year from 1895 until his death in 1926, becoming a full Academician in 1920. During the First World War he carried out pioneering work in the field of facial prosthetics. He was appointed Professor of Sculpture at the Royal College of Art in 1918, where Henry Moore was amongst his many pupils. Derwent Wood's Machine Gun Corps memorial at Hyde Park Corner in London, completed in the year of his death, is amongst the best-known and most consistently reviled sculptures in Britain. Matthew Withey offers readers a subtle and layered interpretation of the career that led up to this iconic and misunderstood work, together with a comprehensive catalogue of Derwent Wood's diverse body of work.
