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Author: Douglas Merritt
Publisher: Public Sculpture of Britain Lu
ISBN: 9781846316388
Category : Art
Languages : en
Pages : 306
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Book Description
Situated on the scenic River Avon, the West Country city of Bristol, England, has an abundance of public sculpture adorning its historic streets, buildings, and squares. This volume draws attention to over two hundred of these works through illustrations, biographical entries, and essays, including a detailed survey of Bristol's church monuments. Dating back to Anglo-Saxon times, Bristol was a major regional center as infamous for its slave trade as it was renowned for its sherry and manufacturing, and its fascinating history lives on in its monuments. The wealth of information that Public Sculpture of Bristol makes available will entice visitors to this vibrant city as well as encourage its guardians to plan for the conservation of its rich heritage.
Author: Douglas Merritt
Publisher: Public Sculpture of Britain Lu
ISBN: 9781846316388
Category : Art
Languages : en
Pages : 306
Get Book Here
Book Description
Situated on the scenic River Avon, the West Country city of Bristol, England, has an abundance of public sculpture adorning its historic streets, buildings, and squares. This volume draws attention to over two hundred of these works through illustrations, biographical entries, and essays, including a detailed survey of Bristol's church monuments. Dating back to Anglo-Saxon times, Bristol was a major regional center as infamous for its slave trade as it was renowned for its sherry and manufacturing, and its fascinating history lives on in its monuments. The wealth of information that Public Sculpture of Bristol makes available will entice visitors to this vibrant city as well as encourage its guardians to plan for the conservation of its rich heritage.
Author: Charlie Revelle-Smith
Publisher:
ISBN: 9781730798665
Category :
Languages : en
Pages : 270
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Book Description
Did you know that a hoard of gold is probably buried somewhere under Bristol? Did you know that a statue in Bristol actually depicts the moment a king is about to die? Based on the popular Twitter feed from acclaimed author Charlie Revelle-Smith, Weird Bristol is an adventure through the dark, mysterious and secret history of an ancient city. From plagues, wars, ghosts and pirates to inventors, fraudsters, suffragettes and radicals. Only one thing is certain, you'll never look at Bristol in quite the same way again...
Author: Francis Greenacre
Publisher:
ISBN:
Category : Bristol School of Artists
Languages : en
Pages : 284
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Book Description
Author: Douglas Merritt
Publisher: Redcliffe Press Limited
ISBN:
Category : Art
Languages : en
Pages : 150
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Book Description
Author: Paul Gough
Publisher: Redcliffe Press Limited
ISBN: 9781906593964
Category : Graffiti
Languages : en
Pages : 0
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Book Description
In the summer of 2009 Bristol saw a remarkable phenomenon that made international news. An estimated 300,000 people queued for hours, often in pouring rain, for admission to the city's museum & art gallery. They had been attracted by the media hype surrounding an exhibition ambiguously entitled 'Banksy vs the Bristol Museum'. There have been many celebratory books about Banksy, but this is the first non-partisan documentation of the Bristol event and an attempt to assess its local and wider impact. ..The book raises a raft of questions: Is Banksy a subversive influence or merely a bit of fun? Why is Banksy so important to Bristol? Is he really important? Where does the exhibition leave Bristol as an epicentre of 'street art'? It looks at the setting up of the show and questions the need - other than to conform to the required Banksy mystique - for secrecy.
Author: Thomas Houlton
Publisher: Routledge
ISBN: 0429588828
Category : Art
Languages : en
Pages : 238
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Book Description
Monuments as Cultural and Critical Objects explores monuments as political, psychical, social, and mystical objects. Incorporating autoethnography, psychoanalysis, deconstruction, postcolonialism, and queer ecology, Houlton argues for a radical, interdisciplinary approach to our monument-culture. Tracing historical developments in monuments alongside contemporary movements such as Rhodes Must Fall and Black Lives Matter, Houlton provides an in-depth critique of monument sites, as well as new critical and conceptual methodologies for thinking across the field. Alongside analysis of monuments to the Holocaust, colonial figures, and LGBTQIA+ subjects, this book provides new critical engagements with the work of D.W. Winnicott, Marion Milner, Jacques Derrida, Edward Said, Eve Sedgwick, and others. Houlton traces the potential for monuments to exert great influence over our sense of self, nation, community, sexuality, and place in the world. Exploring the psychic and physical spaces these objects occupy—their aesthetics, affects, politics, and powers—this book considers how monuments can challenge our identities, beliefs, and our very notions of remembrance. The interdisciplinary nature of Monuments as Cultural and Critical Objects means that it is ideally placed to intervene across several critical fields, particularly museum and heritage studies. It will also prove invaluable to those engaged in the study of monuments, psychoanalytic object relations, decolonization, queer ecology, radical death studies, and affect theory.
Author: Patrick Eyres
Publisher: Routledge
ISBN: 1351549588
Category : Art
Languages : en
Pages : 197
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Book Description
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
Author: Dr Peter Dent
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409412318
Category : Art
Languages : en
Pages : 257
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Book Description
This book introduces a new impetus to the discussion of the relationship between touch and sculpture by setting up a dialogue between art historians and individuals who are working in disciplines beyond art history. The collection brings together a diverse set of approaches, with essays tackling subjects from prehistoric figurines to the work of contemporary artists, from pre-modern ideas about the physiology of touch to tactile interaction in the museum, and from the phenomenology of touch in philosophy to the findings of scientific study.
Author:
Publisher:
ISBN: 9781911306795
Category : Single-parent families
Languages : en
Pages : 0
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Book Description
Overworked, under-appreciated and often vilified: it's hard being a lone parent in a society still geared to the two-parent family. And yet one in four families are single parents households. Around 90% are headed up by a single mother. In the summer of 2019, Polly Braden, a single parent herself, started to document the day-to-day reality of what it means to be a single parent in the UK.
Author: Garth Evans
Publisher: Philip Wilson Publishers
ISBN: 1781300046
Category : Art
Languages : en
Pages : 113
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Book Description
Garth Evans is a sculptor as capable of evoking intimacy and simplicity as he is of dealing with the monumental and the timeless. This complete survey of his unique career is long overdue, and reveals a wealth of innovative and powerful work, much of it previously unseen in print. As narratives of British sculpture are reconsidered, Evans is emerging as one of the most creative and influential artists to bridge the generation of Antony Caro and Philip King with that of Tony Cragg, Richard Deacon, Antony Gormley, Alison Wilding and Bill Woodrow. This investigation into Evans's hugely varied, visually eventful and challenging practice explores connections across geographies and timeframes as well as contextualizing major changes and new departures in his work. Garth Evans was born in Manchester in 1934 and settled in the USA at the midpoint of his career. He has exhibited widely in Europe and America since the early 1960s, and his work is represented in major public and private collections in Australia, Brazil, Portugal, USA and UK (including the Arts Council Collection, Leeds City Art Galleries, the British Museum, the V&A and Tate). Evans has been the recipient of numerous awards as well as holding a number of distinguished teaching positions. Since 1988, he has taught at the Studio School in New York City where he is head of sculpture.
