Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Medieval Sculpture in France
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 644
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 644
Book Description
A Handbook of Modern French Sculpture
Author: Daniel Cady Eaton
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 566
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 566
Book Description
"French Sculpture Following the Franco-Prussian War, 1870?0 "
Author: Michael Dorsch
Publisher: Routledge
ISBN: 1351566407
Category : Art
Languages : en
Pages : 373
Book Description
French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falgui?, Merci?Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.
Publisher: Routledge
ISBN: 1351566407
Category : Art
Languages : en
Pages : 373
Book Description
French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falgui?, Merci?Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.
"Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Painting and Sculpture in France, 1700-1789
Author: Michael Levey
Publisher: Yale University Press
ISBN: 9780300064940
Category : Art
Languages : en
Pages : 344
Book Description
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
Publisher: Yale University Press
ISBN: 9780300064940
Category : Art
Languages : en
Pages : 344
Book Description
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.
French Sculpture of the Thirteenth Century
Author: Arthur Gardner
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 138
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 138
Book Description
André Salmon on French Modern Art
Author: André Salmon
Publisher: Cambridge University Press
ISBN: 9780521856584
Category : Art
Languages : en
Pages : 238
Book Description
This book is the first English-language translation of Andre Salmon's first two books.
Publisher: Cambridge University Press
ISBN: 9780521856584
Category : Art
Languages : en
Pages : 238
Book Description
This book is the first English-language translation of Andre Salmon's first two books.
The Pietà in French Late Gothic Sculpture
Author: William H. Forsyth
Publisher: Metropolitan Museum of Art
ISBN: 0870996819
Category : Pietà
Languages : en
Pages : 221
Book Description
The image of the Virgin Mary holding the dead body of Christ in her lap caught the popular imagination in Europe in the 15th and 16th centuries. Forsyth, Curator Emeritus of Medieval Art at The Metropolitan Museum, surveys 167 Pieta sculptures, examining the image's rise, spread, and significance and focusing on the intriguingly diverse depictions of the Virgin's emotional state, as well as other distinctive regional variations. In addition, written sources of the Pieta image and its references in mystical writings are discussed. A catalogue provides summary information about some 1,250 Pietas. Includes 200 bandw illustrations and five maps. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870996819
Category : Pietà
Languages : en
Pages : 221
Book Description
The image of the Virgin Mary holding the dead body of Christ in her lap caught the popular imagination in Europe in the 15th and 16th centuries. Forsyth, Curator Emeritus of Medieval Art at The Metropolitan Museum, surveys 167 Pieta sculptures, examining the image's rise, spread, and significance and focusing on the intriguingly diverse depictions of the Virgin's emotional state, as well as other distinctive regional variations. In addition, written sources of the Pieta image and its references in mystical writings are discussed. A catalogue provides summary information about some 1,250 Pietas. Includes 200 bandw illustrations and five maps. Annotation copyright by Book News, Inc., Portland, OR
A Test-book of the History of Sculpture
Author: Allan Marquand
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 336
Book Description
The Dawn of the French Renaissance
Author: Arthur Augustus Tilley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 740
Book Description