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Author: John Rink
Publisher: Routledge
ISBN: 1000109003
Category : Art
Languages : en
Pages : 594
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Book Description
This anthology brings together representative examples of the most significant and engaging scholarly writing on Chopin by a wide range of authors. The essays selected for the volume portray a rounded picture of Chopin as composer, pianist and teacher of his music, and of his overall achievement and legacy. Historical perspectives are offered on Chopin’s biography ’as cultural discourse’, on the evolution and origins of his style, and on the contexts of given works. A fascinating contemporary overview of Chopin’s oeuvre is also provided. Seven source studies assess the status and role of Chopin’s notational practices as well as some enigmatic sketch material. Essays in the field of performance studies scrutinise the ’cultural work’ carried out by Chopin’s performances and discuss his playing style along with that of his contemporaries and students. This paves the way for a body of essays on analysis, aesthetics and reception, considering aspects of genre and including an overview of analytical approaches to select works. The remaining essays address Chopin’s handling of form, rhythm and other musical elements, as well as the ’meaning’ of his msuic. The collection as a whole underscores one of the most important aspects of Chopin’s legacy, namely the paradoxical manner in which he drew from the past - in particular, certain eighteenth-century traditions - while stretching inherited conventions and practices to such an extent that a highly original ’music of the future’ was heralded.
Author: John Rink
Publisher: Routledge
ISBN: 1000109003
Category : Art
Languages : en
Pages : 594
Get Book Here
Book Description
This anthology brings together representative examples of the most significant and engaging scholarly writing on Chopin by a wide range of authors. The essays selected for the volume portray a rounded picture of Chopin as composer, pianist and teacher of his music, and of his overall achievement and legacy. Historical perspectives are offered on Chopin’s biography ’as cultural discourse’, on the evolution and origins of his style, and on the contexts of given works. A fascinating contemporary overview of Chopin’s oeuvre is also provided. Seven source studies assess the status and role of Chopin’s notational practices as well as some enigmatic sketch material. Essays in the field of performance studies scrutinise the ’cultural work’ carried out by Chopin’s performances and discuss his playing style along with that of his contemporaries and students. This paves the way for a body of essays on analysis, aesthetics and reception, considering aspects of genre and including an overview of analytical approaches to select works. The remaining essays address Chopin’s handling of form, rhythm and other musical elements, as well as the ’meaning’ of his msuic. The collection as a whole underscores one of the most important aspects of Chopin’s legacy, namely the paradoxical manner in which he drew from the past - in particular, certain eighteenth-century traditions - while stretching inherited conventions and practices to such an extent that a highly original ’music of the future’ was heralded.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 928
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category :
Languages : en
Pages : 2236
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Book Description
Part 1, Books, Group 1, v. 22 : Nos. 1-131 (Issued April, 1925 - April, 1926)
Author: Ben Earle
Publisher: Cambridge University Press
ISBN: 0521844037
Category : History
Languages : en
Pages : 321
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Book Description
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Author: Cecilia Bacherini
Publisher: Istituto Italiano per la Storia della Musica
ISBN: 8895349156
Category : Music
Languages : it
Pages : 54
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Book Description
Maria Adelaide Bartoli Bacherini (1935-2014) è stata bibliotecaria, musicologa, promotrice di concerti e mostre dedicate alla musica. Fondò nel 1968 e diresse fino al 2002 la Sala Musica della Biblioteca Nazionale Centrale di Firenze, un punto di riferimento fondamentale per la ricerca musicologica unico all'epoca in Italia – e rimasto tale – nell'ambito delle biblioteche pubbliche statali. Grazie al suo impegno, il patrimonio della Biblioteca Nazionale Centrale di Firenze si è arricchito di importati fondi musicali, come gli autografi di Ildebrando Pizzetti, le collezioni di Luigi Dallapiccola, Massimo Mila e Gisella Selden-Goth, nonché i manoscritti e i carteggi di Spartaco Copertini. Nel 2002 è stata insignita della medaglia di bronzo ai benemeriti della cultura e dell'arte dal Presidente della Repubblica. I saggi contenuti nel presente volume, promosso dalla figlia Cecilia e dall’Istituto Italiano per la Storia della Musica, vogliono omaggiare Maria Adelaide per l'impegno profuso nella tutela e nella valorizzazione del patrimonio musicale italiano e, più in generale, nell'approfondimento storico-critico della cultura musicale, specialmente attraverso la ricerca sulle fonti archivistiche e documentarie.
Author: Nicolò Palazzetti
Publisher: Boydell & Brewer
ISBN: 1783276207
Category : History
Languages : en
Pages : 320
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Book Description
Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
Author: KatherineA. McIver
Publisher: Routledge
ISBN: 1351575678
Category : Music
Languages : en
Pages : 434
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Book Description
The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.
Author: Sydney Robinson Charles
Publisher: New York : Free Press ; London : Collier-Macmillan
ISBN:
Category : Music
Languages : en
Pages : 522
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Book Description
Author: Valerio Lanfranco Meletti
Publisher: Lulu.com
ISBN: 1291284605
Category : Performing Arts
Languages : it
Pages : 92
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Book Description
Percussionista folk ed editore musicale Valerio L. Meletti suona (o ha suonato) il bodhràn ed altre percussioni etniche con F.B.A., Celtic Harp Orchestra ed Aysar Capys, esibendosi nelle principali rassegne di musica etnica in Italia ed in Europa e partecipando a decine di registrazioni discografiche come musicista e/o come produttore. "Suonare il Bodhràn" é un metodo molto agile, adatto ai principianti assoluti, che condensa l'esperienza ultradecennale dell'autore nella veste di insegnante dello strumento. Gli "Scritti sulla World Music" sono raccolti per la prima volta in un libro.
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311039099X
Category : Art
Languages : en
Pages : 1359
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Book Description
The Handbook of International Futurism is the first reference work ever to presents in a comparative fashion all media and countries in which the movement, initiated by F.T. Marinetti in 1909, exercised a particularly noteworthy influence. The handbook offers a synthesis of the state of scholarship regarding the international radiation of Futurism and its influence in some fifteen artistic disciplines and thirty-eight countries. While acknowledging the great achievements of the movement in the visual and literary arts of Italy and Russia, it treats Futurism as an international, multidisciplinary phenomenon that left a lasting mark on the manifold artistic manifestations of the early twentieth-century avant-garde. Hundreds of artists, who in some phase in their career absorbed Futurist ideas and stylistic devices, are presented in the context of their national traditions, their international connections and the media in which they were predominantly active. The handbook acts as a kind of multi-disciplinary, geographical encyclopaedia of Futurism and gives scholars with varying levels of experience a detailed overview of all countries and disciplines in which the movement had a major impact.
