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Author: Isar P Godreau
Publisher: University of Illinois Press
ISBN: 025209686X
Category : Social Science
Languages : en
Pages : 321
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Book Description
The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism. Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black. Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture.
Author: Isar P Godreau
Publisher: University of Illinois Press
ISBN: 025209686X
Category : Social Science
Languages : en
Pages : 321
Get Book Here
Book Description
The geopolitical influence of the United States informs the processes of racialization in Puerto Rico, including the construction of black places. In Scripts of Blackness, Isar P. Godreau explores how Puerto Rican national discourses about race--created to overcome U.S. colonial power--simultaneously privilege whiteness, typecast blackness, and silence charges of racism. Based on an ethnographic study of the barrio of San Antón in the city of Ponce, Scripts of Blackness examines institutional and local representations of blackness as developing from a power-laden process that is inherently selective and political, not neutral or natural. Godreau traces the presumed benevolence or triviality of slavery in Puerto Rico, the favoring of a Spanish colonial whiteness (under a hispanophile discourse), and the insistence on a harmonious race mixture as discourses that thrive on a presumed contrast with the United States that also characterize Puerto Rico as morally superior. In so doing, she outlines the debates, social hierarchies, and colonial discourses that inform the racialization of San Antón and its residents as black. Mining ethnographic materials and anthropological and historical research, Scripts of Blackness provides powerful insights into the critical political, economic, and historical context behind the strategic deployment of blackness, whiteness, and racial mixture.
Author: Noémie Ndiaye
Publisher: University of Pennsylvania Press
ISBN: 1512822647
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques—black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)—in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.
Author: Noémie Ndiaye
Publisher: Raceb4race: Critical Race Stud
ISBN: 9781512822632
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.
Author: E. Patrick Johnson
Publisher:
ISBN: 9780810129474
Category : Drama
Languages : en
Pages : 0
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Book Description
"This collection features seven solo performance scripts by black feminist performance artists from the past three decades. The scripts are accompanied by interviews with the artists and critical essays, as well as a DVD showcasing the performances."--Page 4 of cover.
Author: Ronald L. Jackson
Publisher: SUNY Press
ISBN: 0791466256
Category : Social Science
Languages : en
Pages : 192
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Book Description
Traces the origins of Black body politics in the United States and its contemporary manifestations in hip-hop music and film.
Author: Natalia Molina
Publisher: Univ of California Press
ISBN: 0520280075
Category : History
Languages : en
Pages : 232
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Book Description
How Race Is Made in America examines Mexican AmericansÑfrom 1924, when American law drastically reduced immigration into the United States, to 1965, when many quotas were abolishedÑto understand how broad themes of race and citizenship are constructed. These years shaped the emergence of what Natalia Molina describes as an immigration regime, which defined the racial categories that continue to influence perceptions in the United States about Mexican Americans, race, and ethnicity. Molina demonstrates that despite the multiplicity of influences that help shape our concept of race, common themes prevail. Examining legal, political, social, and cultural sources related to immigration, she advances the theory that our understanding of race is socially constructed in relational waysÑthat is, in correspondence to other groups. Molina introduces and explains her central theory, racial scripts, which highlights the ways in which the lives of racialized groups are linked across time and space and thereby affect one another. How Race Is Made in America also shows that these racial scripts are easily adopted and adapted to apply to different racial groups.
Author: Joan Howard Maurer
Publisher:
ISBN: 9780806509334
Category : Three Stooges films
Languages : en
Pages : 255
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Book Description
Author: Riche Richardson
Publisher: University of Georgia Press
ISBN: 082033667X
Category : Social Science
Languages : en
Pages : 311
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Book Description
This pathbreaking study of region, race, and gender reveals how we underestimate the South's influence on the formation of black masculinity at the national level. Many negative stereotypes of black men--often contradictory ones--have emerged from the ongoing historical traumas initiated by slavery. Are black men emasculated and submissive or hypersexed and violent? Nostalgic representations of black men have arisen as well: think of the philosophical, hardworking sharecropper or the abiding, upright preacher. To complicate matters, says Riché Richardson, blacks themselves appropriate these images for purposes never intended by their (mostly) white progenitors. Starting with such well-known caricatures as the Uncle Tom and the black rapist, Richardson investigates a range of pathologies of black masculinity that derive ideological force from their associations with the South. Military policy, black-liberation discourse, and contemporary rap, she argues, are just some of the instruments by which egregious pathologies of black masculinity in southern history have been sustained. Richardson's sources are eclectic and provocative, including Ralph Ellison's fiction, Charles Fuller's plays, Spike Lee's films, Huey Newton's and Malcolm X's political rhetoric, the O. J. Simpson discourse, and the music production of Master P, the Cash Money Millionaires, and other Dirty South rappers. Filled with new insights into the region's role in producing hierarchies of race and gender in and beyond their African American contexts, this new study points the way toward more epistemological frameworks for southern literature, southern studies, and gender studies.
Author: Neil Gaiman
Publisher: HarperCollins
ISBN: 006289692X
Category : Performing Arts
Languages : en
Pages : 507
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Book Description
Neil Gaiman’s complete original scripts for the highly anticipated six-episode original series, adapted from the classic novel he wrote with Terry Pratchett. First published nearly thirty years ago, the novel Good Omens has sold more than five million copies worldwide and is beloved by Gaiman and Pratchett fans alike. Collected here are Neil Gaiman’s original scripts for the Good Omens television series, offering readers deeper insight into Gaiman’s brilliant new adaptation of a masterwork. A tale of good and evil and the end of the world, Good Omens stars Michael Sheen as the angel Aziraphale; David Tennant as the demon Crowley; and Jon Hamm as the archangel Gabriel, as well as Anna Maxwell Martin, Josie Lawrence, Adria Arjona, Michael McKean, Jack Whitehall, Miranda Richardson, and Nick Offerman.
Author: Bernard L. Peterson Jr.
Publisher: Greenwood
ISBN: 0313266212
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This reference volume addresses an often overlooked area in the history of the American theatre, the contributions of early black playwrights and dramatic writers. At a time when they were denied full participation in many aspects of American life, including the mainstream of the theatre itself, black artists were compiling an impressive record of achievement on the American stage. This book, the most comprehensive on the subject, provides a complete look at these achievements by offering biographical information and a catalog of works for approximately 200 writers, including playwrights, librettists, screenwriters, and radio scriptwriters. From the emergence of black playwrights in the time prior to the Civil War, to the early days of film and radio in this century, the efforts of early black writers are fully documented in this work. The book begins with an author's preface and is followed by an introductory essay that discusses the development of black American playwrights from the antebellum period to World War II. The heart of the book, the biographical directory, is organized alphabetically, with each entry providing highlights of the author's life and career; collected anthologies that include any works; and an annotated chronological list of individual dramatic works, including genre, length, synopses, production history, prizes and awards, and script sources. Three appendixes offer information on other playwrights and their works, additional librettists and descriptions of their shows, and a chronology of dramatic works by genre. A bibliography cites such information sources as reference books and critical studies, dissertations, play anthologies, and newspapers andperiodicals frequently consulted, as well as significant libraries and repositories. The book concludes with title and general indexes and an index to early black theatre organizations.
