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Author: George S. Larke-Walsh
Publisher: McFarland
ISBN: 0786456132
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The intense relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed, and the book tracks the trends in the genre up to and including the landmark HBO television series The Sopranos (1999-2007). A selected filmography is included. Instructors considering this book for use in a course may request an examination copy here.
Author: George S. Larke-Walsh
Publisher: McFarland
ISBN: 0786456132
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The intense relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed, and the book tracks the trends in the genre up to and including the landmark HBO television series The Sopranos (1999-2007). A selected filmography is included. Instructors considering this book for use in a course may request an examination copy here.
Author: Dana Renga
Publisher: University of Toronto Press
ISBN: 1487510470
Category : Performing Arts
Languages : en
Pages : 459
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Book Description
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
Author: David Geherin
Publisher: McFarland
ISBN: 1476654743
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
Thanks to writers like Mario Puzo, filmmakers like Francis Ford Coppola and Martin Scorsese, and actors like Al Pacino and James Gandolfini, American and Sicilian Mafia characters are well-known figures in contemporary popular culture. Other powerful organized crime groups appearing in popular media include the Neapolitan Camorra and Mexican drug cartels. This book takes a close look at all these examples of organized crime by examining the different ways these organizations and their members have been portrayed in many of our most popular novels, movies, and TV series, and how the gangster figure has evolved from its earliest depictions in a trio of Hollywood films in the 1930s up to the present day.
Author: George S. Larke-Walsh
Publisher: John Wiley & Sons
ISBN: 1119041732
Category : Art
Languages : en
Pages : 551
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Book Description
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
Author: Annette Kuhn
Publisher: Oxford University Press, USA
ISBN: 0199587264
Category : Performing Arts
Languages : en
Pages : 530
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Book Description
This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.
Author: Constancio R. Arnaldo, Jr.
Publisher: NYU Press
ISBN: 147982092X
Category : Social Science
Languages : en
Pages : 126
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Book Description
Examines the significance of sports in the lives of diasporic Filipino Americans Organized sports have occupied a central place in Filipino American life since US colonialism began in the Philippines in 1898. For Filipino diasporas in the United States, sports are important cultural sites through which men and women cultivate a sense of ethnic community and belonging to the American national fabric. Sports studies focused on Asian America have tended to focus on East Asians, largely ignoring Filipinos. Thus, we know very little about how sports work as critical arenas to understand larger questions about Filipino identity formations, racialization, gender dynamics, diasporic contours, and post-colonial sporting cultures. This book offers an in-depth ethnographic examination of the significance of sports to the lives of Filipino Americans under the shadow of US empire and neocolonial inequities. Through a close examination of Filipino American sporting cultures—from boxing and the Manny “Pac-Man” Pacquiao phenomenon to men’s basketball leagues to women’s flag football—this book shows how engagements with sports reveal the shifting nature of Filipino Americanness and Filipino American subjectivity. Drawing on over four years of data collected in Southern California, Las Vegas, Urbana-Champaign, and Arlington, Constancio R. Arnaldo, Jr. documents the intimate connections among Filipino American sports, transnationalism, and diasporic belonging. Filipino American Sporting Cultures adds an important voice to the body of work using sports as a lens to look at US culture and communities of color.
Author: Robin Pickering-Iazzi
Publisher: University of Toronto Press
ISBN: 1442629088
Category : History
Languages : en
Pages : 285
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Book Description
Pickering-Iazzi uses an array of cultural documents from 1990 to the present to examine the myths, values, codes of behaviour, and relationships produced by the Italian mafia through a wide cross-disciplinary lens.
Author: Dana Renga
Publisher: University of Toronto Press
ISBN: 1442668326
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy. Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished.
Author: P. David Gaubatz
Publisher: WND Books
ISBN: 1935071106
Category : Political Science
Languages : en
Pages : 445
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Book Description
As part of an undercover operation, Gaubatz and his team revealed a well-funded conspiracy to destroy American society and promote radical Islam.
Author: Michael Patrick Gillespie
Publisher: McFarland
ISBN: 1476635501
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Our love of films often leads us to discuss them in enthusiastic, if not necessarily sophisticated, conversations. Many moviegoers want a better understanding so that they might better articulate their experiences. This midpoint between theorizing and plot summary is not difficult to achieve. Since their introduction just before the turn of the 20th century, the vast majority of narrative films have followed the same structure--now known as Classic Hollywood Cinema. This book examines what "classic" means, particularly in Westerns, gangster films, film noir, horror, science fiction, slapstick comedy and screwball comedy/romance. The reader is introduced to concepts of film theory, which leads to a better and deeper appreciation of the movies. A 20-page comprehensive industry glossary of film terms is included for easy reference.
