Scottish Theatre Since the Seventies

Scottish Theatre Since the Seventies PDF Author: Randall Stevenson
Publisher: Edinburgh University Press
ISBN: 1474472869
Category : Art
Languages : en
Pages : 249

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Book Description
Written accessibly for the theatre-going general public, this is an ideal guide to the new Scottish theatre: its people, its plays, its politics, its companies and its audiences. Directors, playwrights, journalists and distinguished theatre critics offer personal, challenging and wide-ranging insights into the last 25 years of Scottish theatre.

Scottish Theatre Since the Seventies

Scottish Theatre Since the Seventies PDF Author: Randall Stevenson
Publisher: Edinburgh University Press
ISBN: 1474472869
Category : Art
Languages : en
Pages : 249

Get Book Here

Book Description
Written accessibly for the theatre-going general public, this is an ideal guide to the new Scottish theatre: its people, its plays, its politics, its companies and its audiences. Directors, playwrights, journalists and distinguished theatre critics offer personal, challenging and wide-ranging insights into the last 25 years of Scottish theatre.

Modernism and Scottish Theatre since 1969

Modernism and Scottish Theatre since 1969 PDF Author: Mark Brown
Publisher: Springer
ISBN: 3319986392
Category : Performing Arts
Languages : en
Pages : 266

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Book Description
This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre’s Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland’s theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.

Edinburgh Companion to Scottish Drama

Edinburgh Companion to Scottish Drama PDF Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748646345
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
Combines historical rigour with an analysis of dramatic contexts, themes and formsThe 17 contributors explore the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre, with particular attention to the last 100 years.The first part of the volume covers Scottish drama from the earliest records to the late twentieth-century literary revival, as well as translation in Scottish theatre and non-theatrical drama. The second part focuses on the work of influential Scottish playwrights, from J. M. Barrie and James Bridie to Ena Lamont Stewart, Liz Lochhead and Edwin Morgan and right up to contemporary playwrights Anthony Neilson, Gregory Burke, Henry Adams and Douglas Maxwell.

Theatre and Performance in Contemporary Scotland

Theatre and Performance in Contemporary Scotland PDF Author: Trish Reid
Publisher: Springer Nature
ISBN: 3031611918
Category :
Languages : en
Pages : 251

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Book Description


Theatre and Scotland

Theatre and Scotland PDF Author: Trish Reid
Publisher: Bloomsbury Publishing
ISBN: 113729664X
Category : Performing Arts
Languages : en
Pages : 120

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Book Description
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.

Edinburgh Festivals

Edinburgh Festivals PDF Author: Angela Bartie
Publisher: Edinburgh University Press
ISBN: 0748670327
Category : History
Languages : en
Pages : 229

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Book Description
This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza.

The Cambridge Companion to British Theatre since 1945

The Cambridge Companion to British Theatre since 1945 PDF Author: Jen Harvie
Publisher: Cambridge University Press
ISBN: 1108421806
Category : Drama
Languages : en
Pages : 325

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Book Description
The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.

Minority Literatures and Modernism

Minority Literatures and Modernism PDF Author: William Calin
Publisher: University of Toronto Press
ISBN: 080208365X
Category : Literary Criticism
Languages : en
Pages : 410

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Book Description
Calin explores the 20th-century renaissance of literature in the minority languages of Scots, Breton, and Occitan, and demonstrates that all three literatures have evolved in a like manner, repudiating their romantic folk heritage.

White Tie and Decorations

White Tie and Decorations PDF Author: Sir John Hope Simpson
Publisher:
ISBN: 9780802007193
Category : Depressions
Languages : en
Pages : 828

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Book Description
Blending poetic language and scientific fact, Carolyn Lesser explores how one magnificent bear lives throughout the year. Impressionistic paintings follow the bear as he hunts, swims, plays, and journeys in the far north. “Lyrical in tone and accurate in zoological detail, the narrative is ideal for one-on-one sharing.”--School Library Journal

Empathy as Dialogue in Theatre and Performance

Empathy as Dialogue in Theatre and Performance PDF Author: Lindsay B. Cummings
Publisher: Springer
ISBN: 1137593261
Category : Performing Arts
Languages : en
Pages : 226

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Book Description
Empathy has provoked equal measures of excitement and controversy in recent years. For some, empathy is crucial to understanding others, helping us bridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy’s genealogy through aesthetic theory, philosophy, psychology, and performance theory, Cummings illustrates how theatre artists and scholars have often overlooked the dynamic potential of empathy by focusing on its more “monologic” forms, in which spectators either project their point of view onto characters or passively identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.