Scotland and the Music Hall, 1850-1914

Scotland and the Music Hall, 1850-1914 PDF Author: Paul Maloney
Publisher: Manchester University Press
ISBN: 9780719061479
Category : Biography & Autobiography
Languages : en
Pages : 258

Get Book Here

Book Description
While London dominated the wider British music hall in the 19th century, Glasgow, the Second City of the Empire, was the center of a vigorous Scottish performing culture, one developed in a Presbyterian society with a very different experience of industrial urbanization. It drew heavily on older fairground and traditional forms in developing its own brand of this new urban entertainment. The book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It also explores issues of national identity, both in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad in America, Canada, Australia and throughout the English-speaking world.

Scotland and the Music Hall, 1850-1914

Scotland and the Music Hall, 1850-1914 PDF Author: Paul Maloney
Publisher: Manchester University Press
ISBN: 9780719061479
Category : Biography & Autobiography
Languages : en
Pages : 258

Get Book Here

Book Description
While London dominated the wider British music hall in the 19th century, Glasgow, the Second City of the Empire, was the center of a vigorous Scottish performing culture, one developed in a Presbyterian society with a very different experience of industrial urbanization. It drew heavily on older fairground and traditional forms in developing its own brand of this new urban entertainment. The book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It also explores issues of national identity, both in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad in America, Canada, Australia and throughout the English-speaking world.

Police Courts in Nineteenth-Century Scotland, Volume 2

Police Courts in Nineteenth-Century Scotland, Volume 2 PDF Author: Professor Susan Broomhall
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472449916
Category : History
Languages : en
Pages : 297

Get Book Here

Book Description
Taking the form of two companion volumes, Police Courts in Nineteenth-Century Scotland represents the first major investigation into summary justice in Scottish towns, c.1800 to 1892. Whereas Volume 1, subtitled Magistrates, Media and the Masses, analysed the establishment, development and practice of police courts, Volume 2 explores, through themed case studies, the role of police courts in moulding cultural ideas, social behaviours and urban environments in the nineteenth century.

Police Courts in Nineteenth-Century Scotland, Volume 2

Police Courts in Nineteenth-Century Scotland, Volume 2 PDF Author: David G. Barrie
Publisher: Routledge
ISBN: 1317079248
Category : History
Languages : en
Pages : 296

Get Book Here

Book Description
Volume 2 of this two-volume companion study into the administration, experience, impact and representation of summary justice in Scotland explores the role of police courts in moulding cultural ideas, social behaviours and urban environments in the nineteenth century. Whereas Volume 1, subtitled Magistrates, Media and the Masses, analysed the establishment, development and practice of police courts, Volume 2, subtitled Boundaries, Behaviours and Bodies, examines, through themed case studies, how these civic and judicial institutions shaped conceptual, spatial, temporal and commercial boundaries by regulating every-day activities, pastimes and cultures. As with Volume 1, Boundaries, Behaviours and Bodies is attentive to the relationship between magistrates, the police, the media and the wider community, but here the main focus of analysis is on the role and impact of the police courts, through their practice, on cultural ideas, social behaviours and environments in the nineteenth-century city. By intertwining social, cultural, institutional and criminological analyses, this volume examines police courts’ external impact through the matters they treated, considering how concepts such as childhood and juvenile behaviour, violence and its victims, poverty, migration, health and disease, and the regulation of leisure and trade, were assessed and ultimately affected by judicial practice.

Henry George Farmer and the First International Congress of Arab Music (Cairo 1932)

Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) PDF Author: Israel Katz
Publisher: BRILL
ISBN: 9004284141
Category : History
Languages : en
Pages : 460

Get Book Here

Book Description
Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, were never published. They reveal aspects and inner-workings of the Congress that have hitherto remained unknown. The illustrations and photos contained therein, as well as additional photos that were never seen, provide visual documentation of the Congress’s participants and musical ensembles.

Edinburgh Companion to the First World War and the Arts

Edinburgh Companion to the First World War and the Arts PDF Author: Ann-Marie Einhaus
Publisher: Edinburgh University Press
ISBN: 1474401643
Category : History
Languages : en
Pages : 480

Get Book Here

Book Description
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present

Cinema and Cinema-Going in Scotland, 1896-1950

Cinema and Cinema-Going in Scotland, 1896-1950 PDF Author: Trevor Griffiths
Publisher: Edinburgh University Press
ISBN: 0748668055
Category : History
Languages : en
Pages : 373

Get Book Here

Book Description
This book deals with the growth of cinema-going in Scotland in an extended scholarly manner, integrating the study of cinema into wider debates in social and economic history.

The Show Must Go On! Popular Song in Britain During the First World War

The Show Must Go On! Popular Song in Britain During the First World War PDF Author: John Mullen
Publisher: Routledge
ISBN: 1317016114
Category : Music
Languages : en
Pages : 275

Get Book Here

Book Description
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

The Show Must Go On! Popular Song in Britain During the First World War

The Show Must Go On! Popular Song in Britain During the First World War PDF Author: Dr John Mullen
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472441613
Category : Music
Languages : en
Pages : 265

Get Book Here

Book Description
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.

The Working-class Intellectual in Eighteenth- and Nineteenth-century Britain

The Working-class Intellectual in Eighteenth- and Nineteenth-century Britain PDF Author: Aruna Krishnamurthy
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754665045
Category : Literary Criticism
Languages : en
Pages : 272

Get Book Here

Book Description
This collection of essays contributes to scholarship on the emergence of the working classes, by filtering the formation of working-class identity through the rise of the working-class intellectual, a unique cultural figure at the crossroads of two disparate worlds. The essays cover a range of familiar and unfamiliar figures from the 1730s to the 1850s, shedding light on key moments of working-class self-expression.

Theatre and Scotland

Theatre and Scotland PDF Author: Trish Reid
Publisher: Bloomsbury Publishing
ISBN: 113729664X
Category : Performing Arts
Languages : en
Pages : 120

Get Book Here

Book Description
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.