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Author: Quentin Meillassoux
Publisher: U of Minnesota Press
ISBN: 1937561941
Category : Philosophy
Languages : en
Pages : 54
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Book Description
In Science Fiction and Extro-Science Fiction, Quentin Meillassoux addresses the problem of chaos and of the constancy of natural laws in the context of literature. With his usual argumentative rigor, he elucidates the distinction between science fiction, a genre in which science remains possible in spite of all the upheavals that may attend the world in which the tale takes place, and fiction outside-science, the literary concept he fashions in this book, a fiction in which science becomes impossible. With its investigations of the philosophies of Hume, Kant, and Popper, Science Fiction and Extro-Science Fiction broadens the inquiry that Meillassoux began in After Finitude, thinking through the concrete possibilities and consequences of a chaotic world in which human beings can no longer resort to science to ground their existence. It is a significant milestone in the work of an emerging philosopher, which will appeal to readers of both philosophy and literature. The text is followed by Isaac Asimov’s essay “The Billiard Ball.”
Author: Quentin Meillassoux
Publisher: U of Minnesota Press
ISBN: 1937561941
Category : Philosophy
Languages : en
Pages : 54
Get Book Here
Book Description
In Science Fiction and Extro-Science Fiction, Quentin Meillassoux addresses the problem of chaos and of the constancy of natural laws in the context of literature. With his usual argumentative rigor, he elucidates the distinction between science fiction, a genre in which science remains possible in spite of all the upheavals that may attend the world in which the tale takes place, and fiction outside-science, the literary concept he fashions in this book, a fiction in which science becomes impossible. With its investigations of the philosophies of Hume, Kant, and Popper, Science Fiction and Extro-Science Fiction broadens the inquiry that Meillassoux began in After Finitude, thinking through the concrete possibilities and consequences of a chaotic world in which human beings can no longer resort to science to ground their existence. It is a significant milestone in the work of an emerging philosopher, which will appeal to readers of both philosophy and literature. The text is followed by Isaac Asimov’s essay “The Billiard Ball.”
Author: Alfred Bester
Publisher: ibooks
ISBN: 0671039016
Category : Fiction
Languages : en
Pages : 321
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Book Description
Alfred Bester's first science fiction novel since The Stars My Destination was a major event—a fast-moving adventure story set in Earth's future. A band of immortal—as charming a bunch of eccentrics as you'll ever come across—recruit a new member, the brilliant Cherokee physicist Sequoya Guess. Dr. Guess, with group's help, gain control of Extro, the supercomputer that controls all mechanical activity on Earth. They plan to rid Earth of political repression and to further Guess's researches—which may lead to a great leap in human evolution to produce a race of supermen. But Extro takes over Guess instead and turns malevolent. The task of the merry band suddenly becomes a fight in deadly earnest for the future of Earth.
Author: Ernesto Castro
Publisher: Mohr Siebeck
ISBN: 3161618831
Category : Philosophy
Languages : en
Pages : 320
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Book Description
Author: Andrew C. Wenaus
Publisher: Rowman & Littlefield
ISBN: 1793614644
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
In the early twentieth century, the Dadaists protested against art, nationalism, the individual subject, and technologized war. With their automatic anti-art and cultural disruptiveness, Dadaists sought to “signify no thing.” Today, data also operates autonomously. However, rather than dismantling tradition, data organizes, selects, combines, quantifies, and simplifies the complexity of actuality. Like Dada, data also signifies nothing. While Dadaists protest with purpose, data proceeds without intention. The individual in the early twentieth century agonizes over the alienation from daily life and the fear of being converted into a cog in a machine. Today, however, the individual in twenty-first-century supermodernity merges, not with large industrial machinery, but with the processual and procedural logic of programming with innocuous ease. Both exclude human agency from self-narration but to differing degrees of abstraction. Examining the work of B.R. Yeager, Samuel Beckett, Jeff Noon, Kenji Siratori, Mike Bonsall, Allison Parrish, and narratives written by artificial intelligence, Wenaus considers the threshold of sensible narration and the effects that the shift from a culture of language to a culture of digital code has on lived experience. While data offers a closed system, Dadaist literature of exclusion, he suggests, promises a future of open, hyper-contingent, unprescribed alternatives for self-narration.
Author: David Sandner
Publisher: McFarland
ISBN: 1476677891
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Philip K. Dick was a visionary writer of science fiction. His works speak to contemporary fears of being continually watched by technology, and the paranoia of modern life in which we watch ourselves and lose our sense of identity. Since his death in 1982, Dick's writing remain frighteningly relevant to 21st century audiences. Dick spent his life in near poverty and it was only after his death that he gained popular and critical recognition. In this new collection of essays, interviews, and talks, Philip K Dick is rediscovered. Concentrating both on recent critical studies and on reassessing his legacy in light of his new status as a "major American author," these essays explore, just what happened culturally and critically to precipitate his extraordinary rise in reputation. The essays look for his traces in the places he lived, in the SF community he came from, and in his influence on contemporary American literature and culture, and beyond.
Author: Marshall B. Tymn
Publisher: Greenwood
ISBN:
Category : Fiction
Languages : en
Pages : 1022
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Book Description
This will be the basic tool for researchers studying the 100-year history of science fiction, fantasy, and weird fiction magazines. Reference Books Bulletin
Author: Arne De Boever
Publisher: Fordham Univ Press
ISBN: 0823279189
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Finance Fictions takes the measure of what it means to live in a world ruled by high finance by examining the tension between psychosis and realism that plays out in the contemporary finance novel. When the things traded at the center of the economy cease to be things at all, but highly abstracted speculations, how do we come to see the real? What sorts of narrative can accurately approach the actual workings of a neoliberal economy marked by accelerating cycles of market crashes, economic and political crisis, and austerity? Revisiting such twentieth-century classics of the genre as Tom Wolfe's Bonfire of the Vanities and Bret Easton Ellis’s American Psycho, De Boever argues that the twenty-first century is witnessing the birth of a new kind of realistic novel that can make sense of complex financial instruments like collateralized debt obligations, credit default swaps, and digital algorithms operating at speeds faster than what human beings or computers can record. If in 1989 Wolfe could still urge novelists to work harder to “tame the billion-footed beast of reality,” today’s economic reality confronts us with a difference that is qualitative rather than quantitative: a new financial ontology requiring new modes of thinking and writing. Mobilizing the philosophical thought of Quentin Meillassoux in the close reading of finance novels by Robert Harris, Michel Houellebecq, Ben Lerner and less well-known works of conceptual writing such as Mathew Timmons’ Credit, Finance Fictions argues that realism is in for a speculative update if it wants to take on the contemporary economy—an “if” whose implications turn out to be deeply political. Part literary study and part philosophical inquiry, Finance Fictions seeks to contribute to a new mindset for creative and critical work on finance in the twenty-first century.
Author: Burrows David Burrows
Publisher: Edinburgh University Press
ISBN: 1474432425
Category : Art
Languages : en
Pages : 623
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Book Description
Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate that which does not exist. In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the technics of fictioning through three focal points: mythopoesis, myth-science and mythotechnesis. These relate to three specific modes of fictioning: performance fictioning, science fictioning and machine fictioning. In this way, Burrows and O'Sullivan explore how fictioning can offer us alternatives to the dominant fictions that construct our reality in an age of 'post-truth' and 'perception management'. Through fictioning, they look forward to the new kinds of human, part-human and non-human bodies and societies to come.
Author: Benjanun Sriduangkaew
Publisher: John Hunt Publishing
ISBN: 1785358278
Category : Fiction
Languages : en
Pages : 146
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Book Description
Methods Devour Themselves is a dialogue between fiction and non-fiction. Inspired by Quentin Meillassoux's Science Fiction and Extro-Science Fiction that was paired with an Isaac Asimov short story, this book examines the ways in which stories can provoke philosophical interventions and philosophical essays can provoke stories. Alternating between Benjanun Sriduangkaew's fiction and J. Moufawad-Paul's non-fiction, Methods Devour Themselves is an interstitial project that brings fiction and essay into a unique, avant-garde whole.
Author: Kate Marshall
Publisher: University of Chicago Press
ISBN: 0226827836
Category : Extraterrestrial beings in literature
Languages : en
Pages : 226
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Book Description
"Twenty-first century fiction and literary study have taken a decidedly weird turn: they show a marked interest in the nonhuman and in the preternatural moods that the nonhuman often evokes. Writers of fiction and criticism are avidly experimenting with strange, even alien perspectives and protagonists. Kate Marshall's Novels by Aliens explores this development broadly while focusing on problems of genre fiction. She identifies three key generic hybrids that harness a longing for the nonhuman: The Old Weird, an alternative tradition within naturalism and modernism for the twenty-first century's cowboys and aliens; Cosmic Realism, the reach for words legible only from space in otherwise terrestrial narratives; and Pseudoscience Fiction, which imagines speculative futures beyond human life on earth. Marshall's book offers sharp and surprising insights about a breathtaking range of authors, from Edgar Rice Burroughs to Kazuo Ishiguro, Willa Cather to Maggie Nelson"--
