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Author: James Cahill
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Author: James Cahill
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Hugo Munsterberg
Publisher:
ISBN:
Category : Landscape painting
Languages : en
Pages : 294
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Book Description
Author: Michael Sullivan
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 312
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Book Description
Author: Glenn Taylor Webb
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 608
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Book Description
Author: Elizabeth Lillehoj
Publisher: University of Hawaii Press
ISBN: 9780824826994
Category : Art
Languages : en
Pages : 320
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Book Description
In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs
Author: Ellen P. Conant
Publisher: University of Hawaii Press
ISBN: 9780824829377
Category : Art
Languages : en
Pages : 346
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Book Description
The complex and coherent development of Japanese art during thecourse of the nineteenth century was inadvertently disrupted by apolitical event: the Meiji Restoration of 1868. Scholars of both thepreceding Edo (1615-1868) and the succeeding Meiji (1868-1912) erashave shunned the decades bordering this arbitrary divide, thus creatingan art-historical void that the former view as a period of waningtechnical and creative inventiveness and the latter as one threatenedby Meiji reforms and indiscriminate westernization and modernization.Challenging Past and Present, to the contrary, demonstrates that theperiod 1840-1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turnmade possible the creative achievements of the twentieth century
Author: Marsha Smith Weidner
Publisher: University of Hawaii Press
ISBN: 9780824811495
Category : Art
Languages : en
Pages : 376
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Book Description
For well over a thousand years Chinese and Japanese women created, commissioned, collected and used paintings, yet until recently this fact has scarcely been acknowledged in the study of East Asian art by Westerners.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
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Author: Penelope E. Mason
Publisher:
ISBN:
Category : Ink painting, Japanese
Languages : en
Pages : 40
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Author: Henry P. Bowie
Publisher:
ISBN: 9781294976844
Category :
Languages : en
Pages : 270
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
