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Author: Ethan Haimo
Publisher: Cambridge University Press
ISBN: 0521865425
Category : Music
Languages : en
Pages : 357
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Book Description
A study of the innovative music of the twentieth-century composer, Arnold Schoenberg.
Author: Ethan Haimo
Publisher: Cambridge University Press
ISBN: 0521865425
Category : Music
Languages : en
Pages : 357
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Book Description
A study of the innovative music of the twentieth-century composer, Arnold Schoenberg.
Author: Charlotte Marie Cross
Publisher: Taylor & Francis
ISBN: 9780815328308
Category : Modernism (Music)
Languages : en
Pages : 402
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
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Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Author: J. Daniel Jenkins
Publisher: Oxford University Press
ISBN: 0190614013
Category : Music
Languages : en
Pages : 505
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Book Description
In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a second volume to be called Program Notes. Inspired by this idea, Schoenberg's Program Notes and Musical Analyses can boast the most comprehensive study of the composer's writings about his own music yet published. Schoenberg's insights emerge not only in traditional program notes, but also in letters, sketch materials, pre-concert talks, public lectures, contributions to scholarly journals, newspaper articles, interviews, pedagogical materials, and publicity fliers. The editions of the texts in this collection, based almost exclusively on Schoenberg's original manuscript sources, include many items appearing in print in English for the first time, as well as more familiar texts that preserve musical and textual information eliminated from previous editions. The book also reveals how Schoenberg, desirous to communicate with and educate an audience, took every advantage of changes in technology during his lifetime, utilizing print media, radio broadcasts, record jackets--and had he lived, television--for this purpose. In addition to four chapters in which Schoenberg illuminates 42 of his own compositions, the book begins with chapters on his development and influences, his thoughts about trends in modern music, and, in a nod to the importance of the radio in providing a venue for music analysis, a chapter about Schoenberg's radio broadcasts.
Author: Amy Lynn Wlodarski
Publisher: Cambridge University Press
ISBN: 1107116473
Category : History
Languages : en
Pages : 255
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Book Description
The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.
Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 1107037530
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.
Author: Danielle Hood
Publisher: Rowman & Littlefield
ISBN: 1793653933
Category : Music
Languages : en
Pages : 213
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Book Description
This book shows how over the hundred years between the Vienna Congress and the dissolution of the Empire, the waltz altered from signifier of upper-class artifice—covering with glitz and glamour the poverty and war central to the time—to the link between the three classes, between man and nature, and between Viennese and “Other.”
Author: Joanna Bullivant
Publisher: Cambridge University Press
ISBN: 1108210163
Category : Music
Languages : en
Pages : 289
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Book Description
The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.
Author: Thomas Schuttenhelm
Publisher: Cambridge University Press
ISBN: 113986727X
Category : Music
Languages : en
Pages : 341
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Book Description
With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991–3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century.
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195382218
Category : Music
Languages : en
Pages : 273
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Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.
