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Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195383729
Category : Biography & Autobiography
Languages : en
Pages : 449
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Book Description
Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rosé, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offering invaluable insights into his daily life and working habits. New details emerge about his activities at Wolzogen's Buntes Theater in Berlin, his frequently confrontational interactions with his first publisher (Dreililien Verlag), the reactions of friends and critics to the premieres of his works, his role in the founding of the Vereinigung schaffender Tonkünstler, his activities as a teacher, and his (all too often unsuccessful) attempts to convince musicians to perform his music. Presented alongside the editors' extensive running commentary, the more than 300 letters in this volume create a vivid picture of the young Schoenberg and his times.
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195383729
Category : Biography & Autobiography
Languages : en
Pages : 449
Get Book Here
Book Description
Early in his career, the composer Arnold Schoenberg maintained correspondence with many notable figures: Gustav Mahler, Heinrich Schenker, Guido Adler, Arnold Rosé, Richard Strauss, Alexander Zemlinsky, and Anton von Webern, to name a few. In this volume of Oxford's Schoenberg in Words series, Ethan Haimo and Sabine Feisst present English translations of the entirety of Arnold Schoenberg's early correspondence, from the earliest extant letters in 1891 to those written in the aftermath of the controversial premieres of his String Quartet No. 1, Op. 7, and the Kammersymphonie, Op. 9. The letters provide a wealth of information on many of the crucial stages in Schoenberg's early career, offering invaluable insights into his daily life and working habits. New details emerge about his activities at Wolzogen's Buntes Theater in Berlin, his frequently confrontational interactions with his first publisher (Dreililien Verlag), the reactions of friends and critics to the premieres of his works, his role in the founding of the Vereinigung schaffender Tonkünstler, his activities as a teacher, and his (all too often unsuccessful) attempts to convince musicians to perform his music. Presented alongside the editors' extensive running commentary, the more than 300 letters in this volume create a vivid picture of the young Schoenberg and his times.
Author: Arnold Schoenberg
Publisher:
ISBN: 0195383575
Category : Biography & Autobiography
Languages : en
Pages : 977
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Book Description
The volume is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers, written between 1915 and 1951 in English and English translation and with commentary. It includes numerous unknown letters and casts new light on Schoenberg's American years, his American composers colleagues and his life and works in the United States. The book qualifies the concept of, and Schoenberg's association with, the Second Viennese School and reveals hitherto unknown aspects of Schoenberg's biography.
Author: Sabine Feisst
Publisher: Oxford University Press
ISBN: 0199792631
Category : Music
Languages : en
Pages : 752
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Book Description
Arnold Schoenberg was a polarizing figure in twentieth century music, and his works and ideas have had considerable and lasting impact on Western musical life. A refugee from Nazi Europe, he spent an important part of his creative life in the United States (1933-1951), where he produced a rich variety of works and distinguished himself as an influential teacher. However, while his European career has received much scholarly attention, surprisingly little has been written about the genesis and context of his works composed in America, his interactions with Americans and other émigrés, and the substantial, complex, and fascinating performance and reception history of his music in this country. Author Sabine Feisst illuminates Schoenberg's legacy and sheds a corrective light on a variety of myths about his sojourn. Looking at the first American performances of his works and the dissemination of his ideas among American composers in the 1910s, 1920s and early 1930s, she convincingly debunks the myths surrounding Schoenberg's alleged isolation in the US. Whereas most previous accounts of his time in the US have portrayed him as unwilling to adapt to American culture, this book presents a more nuanced picture, revealing a Schoenberg who came to terms with his various national identities in his life and work. Feisst dispels lingering negative impressions about Schoenberg's teaching style by focusing on his methods themselves as well as on his powerful influence on such well-known students as John Cage, Lou Harrison, and Dika Newlin. Schoenberg's influence is not limited to those who followed immediately in his footsteps-a wide range of composers, from Stravinsky adherents to experimentalists to jazz and film composers, were equally indebted to Schoenberg, as were key figures in music theory like Milton Babbitt and David Lewin. In sum, Schoenberg's New World contributes to a new understanding of one of the most important pioneers of musical modernism.
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195385578
Category : Music
Languages : en
Pages : 505
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Book Description
Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes.
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195382218
Category : Music
Languages : en
Pages : 273
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Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.
Author: Gordon Root
Publisher: Oxford University Press
ISBN: 0190865652
Category : Music
Languages : en
Pages : 273
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Book Description
Models for Beginners in Composition (1943) represents one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. In this newly revised edition, Gordon Root incorporates many of Schoenberg's corrections to the original manuscript. Significant commentary also traces Schoenberg's development of the two-measure phrase as the main component of his pedagogical method.
Author: Mark Berry
Publisher: Reaktion Books
ISBN: 1789140900
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
The most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s remarkable life and work, situating his tale within the wider symphony of nineteenth- and twentieth-century history. Born in the Jewish quarter of his beloved Vienna, Schoenberg left Austria for his early career in Berlin as a leading light of Weimar culture, before being forced to flee in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Introducing all of Schoenberg’s major musical works, from his very first compositions, such as the String Quartet in D Major, to his invention of the twelve-tone method, Berry explores how Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism. Essential reading for anyone interested in the music and history of the twentieth century, this book makes clear Schoenberg changed the history of music forever.
Author: Charlotte Marie Cross
Publisher: Taylor & Francis
ISBN: 9780815328308
Category : Art
Languages : en
Pages : 402
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Kenneth H. Marcus
Publisher: Cambridge University Press
ISBN: 1107064996
Category : History
Languages : en
Pages : 423
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Book Description
Kenneth H. Marcus shows how Schoenberg played a vital role in Southern California Modernism through his pedagogy, compositions, and texts.
Author: Hans Heinz Stuckenschmidt
Publisher: Alma Books
ISBN: 071454485X
Category : Biography & Autobiography
Languages : en
Pages : 583
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Book Description
The first complete study of one of the most important and controversial musicians of our time, Stuckenschmidt's book discusses all Schoenberg's works, some of them in great detail; it describes Schoenberg's relationship to his forerunners, contemporaries and successors not only in terms of music and the other arts, but also in connection with his social and psychological background.Many biographical details are revealed for the first time in this book; there had previously been no authoritative account of the last thirty years of Schoenberg's life. This book is thus both a biography of unique interest and a critical study.
