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Author: Charlotte Marie Cross
Publisher: Taylor & Francis
ISBN: 9780815328308
Category : Modernism (Music)
Languages : en
Pages : 402
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Charlotte Marie Cross
Publisher: Taylor & Francis
ISBN: 9780815328308
Category : Modernism (Music)
Languages : en
Pages : 402
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Book Description
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Gordon Root
Publisher: Oxford University Press
ISBN: 0199700311
Category : Music
Languages : en
Pages : 231
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Book Description
Models for Beginners in Composition was one of Arnold Schoenberg's earliest attempts to reach a broad American audience through his pedagogical ideas. The novelty of MModels for Beginners in Composition lay in its streamlined approach-one basing all aspects of composition including motivic design, harmony, and the construction of themes on the two-measure phrase. In its practical function as a syllabus for the American classroom, Models for Beginners in Composition stands alone. One of its most significant contributions to American music education was its use of the two-measure phrase as the building block for an entire compositional method. This revised edition of Models for Beginners in Composition by Gordon Root incorporates Schoenberg's corrections to the original manuscript and a commentary tracing the evolution of Schoenberg's unique pedagogical approach. These features allow readers to utilize and explore the text in greater depth. Students of composition, Schoenberg scholars, music theorists, and historians of music theory alike will no doubt welcome this new edition of Schoenberg's classic composition syllabus.
Author: Arnold Schoenberg
Publisher:
ISBN: 0195381963
Category : Biography & Autobiography
Languages : en
Pages : 449
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Book Description
Schoenberg's Correspondence with Alma Mahler documents a modern music friendship spanning a half century (1903-1951) and two continents.
Author: Arnold Schoenberg
Publisher: Gardners Books
ISBN: 9780571196586
Category : Music
Languages : en
Pages : 240
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Book Description
Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'. This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.
Author: Arnold Schoenberg
Publisher:
ISBN: 0195383575
Category : Biography & Autobiography
Languages : en
Pages : 977
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Book Description
The volume is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers, written between 1915 and 1951 in English and English translation and with commentary. It includes numerous unknown letters and casts new light on Schoenberg's American years, his American composers colleagues and his life and works in the United States. The book qualifies the concept of, and Schoenberg's association with, the Second Viennese School and reveals hitherto unknown aspects of Schoenberg's biography.
Author: Arnold Schoenberg
Publisher: Univ of California Press
ISBN: 9780520052949
Category : Biography & Autobiography
Languages : en
Pages : 564
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Book Description
One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.
Author: Arnold Schoenberg
Publisher: Oxford University Press
ISBN: 0195385578
Category : Music
Languages : en
Pages : 505
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Book Description
Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
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Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
Author: Allen Shawn
Publisher: Harvard University Press
ISBN: 9780674011014
Category : Biography & Autobiography
Languages : en
Pages : 372
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Book Description
In this text, Allen Shawn puts aside ultimate judgements about Arnold Schoenberg's place in music history to explore the composer's world in a series of linked essays that are searching and suggestive. Approaching Schoenberg primarily from a listener's point of view, Shawn plunges into the details of some of Schoenberg's works while at the same time providing a broad overview of his involvements in music, painting and the history through which he lived.
Author: P. Franklin
Publisher: Springer
ISBN: 1349179965
Category : Music
Languages : en
Pages : 194
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Book Description
Why has modern music evolved as it has? Why is it that certain leading composers from the first half of this century are now considered insignificant, while the responsibility for the development of a musical language of modernism has been attributed to Schoenberg and the Second Viennese School? In this book the author seeks to re-examine Schoenberg's innovations through a reassessment of the nature of artistic expression and artistic truth. Starting from the premise that Austro-German music in the late nineteenth century was dominated by philosophical ideas, he has focused on writing by Schoenberg, Adorno and Thomas Mann, setting these alongside a discussion of the music of Pfitzner, Schreker, Mahler, Richard Strauss and Schoenberg himself, in a compelling argument for a review of the standard historical account of the period.
