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Author: Max Wilk
Publisher: Hal Leonard Corporation
ISBN: 9781557835086
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
(Applause Books). "Where were you when the page was blank?!" a beleaguered screenwriter once asked a demanding director back in the golden age of movies. Max Wilk, an esteemed writer himself, admits "dignity for screenwriters is long overdue." That's why he has assembled this insightful homage to the men and women whose words created the foundation for our best and most-loved films. Here are face-to-face interviews with some of the historic giants of the industry, spanning the silent era to the 1960s, including Billy Wilder, Ernst Lubitsch, Sidney Buchman ( Mr. Smith Goes to Washington ), Donald Ogden Stewart ( The Philadelphia Story ), R.C. Sherriff ( Goodbye Mr. Chips ), Albert and Frances Hackett ( It's a Wonderful Life ), Evan Hunter ( The Birds ), John Collier, Edmund Hartmann, Ben Hecht, Nunnally Johnson and many more. In addition, Schmucks with Underwoods (a derogatory label for screenwriters coined by none other than the irascible Jack Warner) includes quotes and commentary about many other towering figures of the day, including Raymond Chandler, Edward Chodorov, Preston Sturges, Howard Koch, Dorothy Parker, Herman Mankiewicz and Paddy Chayefsky. Always entertaining, this book offers invaluable insight into the craft of writing, a fascinating portrait of a lost era of Hollywood, with enough hilarious anecdotes and behind-the-scenes trivia to please even the most casual movie buff.
Author: Max Wilk
Publisher: Hal Leonard Corporation
ISBN: 9781557835086
Category : Performing Arts
Languages : en
Pages : 364
Get Book Here
Book Description
(Applause Books). "Where were you when the page was blank?!" a beleaguered screenwriter once asked a demanding director back in the golden age of movies. Max Wilk, an esteemed writer himself, admits "dignity for screenwriters is long overdue." That's why he has assembled this insightful homage to the men and women whose words created the foundation for our best and most-loved films. Here are face-to-face interviews with some of the historic giants of the industry, spanning the silent era to the 1960s, including Billy Wilder, Ernst Lubitsch, Sidney Buchman ( Mr. Smith Goes to Washington ), Donald Ogden Stewart ( The Philadelphia Story ), R.C. Sherriff ( Goodbye Mr. Chips ), Albert and Frances Hackett ( It's a Wonderful Life ), Evan Hunter ( The Birds ), John Collier, Edmund Hartmann, Ben Hecht, Nunnally Johnson and many more. In addition, Schmucks with Underwoods (a derogatory label for screenwriters coined by none other than the irascible Jack Warner) includes quotes and commentary about many other towering figures of the day, including Raymond Chandler, Edward Chodorov, Preston Sturges, Howard Koch, Dorothy Parker, Herman Mankiewicz and Paddy Chayefsky. Always entertaining, this book offers invaluable insight into the craft of writing, a fascinating portrait of a lost era of Hollywood, with enough hilarious anecdotes and behind-the-scenes trivia to please even the most casual movie buff.
Author: Richard M. Cohen
Publisher: Simon and Schuster
ISBN: 1476796130
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
The writer and filmmaker Nora Ephron is captured by her long-time and dear friend Richard Cohen in a recollection of their decades-long friendship.
Author: Gottlieb Guntern
Publisher: University Press of America
ISBN: 0761850538
Category : Social Science
Languages : en
Pages : 505
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Book Description
The Spirit of Creativity is a systemic study of human creativity. It offers a fascinating visual model of the creative process consisting of four major stages: stage I, the interplay of chaos and order; stage II, creative production; stage III, cultural selection; stage IV, morpho-evolution and morpho-elimination of created products and forms. The author analyzes the seven phases (germination, inspiration, preparation, incubation, illumination, elaboration and evaluation) of stage II, leading from a vague hunch to a product meeting the criteria of creativity. A vast number of examples, taken from all continents and various cultures as well as from art, technology and science and other fields of human endeavor, illustrate how cultural recognition and rejection influence the creative processes of individuals and teams. The author demonstrates the tremendous impact of the Mongol Empire, the Silk Road, and the medieval Muslim golden age on the origin of the European Renaissance.
Author: Marc Norman
Publisher: Crown
ISBN: 0307393887
Category : Performing Arts
Languages : en
Pages : 578
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Book Description
“Fascinating.” —Los Angeles Times A brilliant, wildly entertaining history of Hollywood from the screenwriters’ perspective In this truly fresh take on the movies, veteran Oscar-winning screenwriter Marc Norman gives us the first comprehensive history of the men and women who penned some of the greatest movies of all time. Impeccably researched, erudite, and filled with unforgettable stories of the stars and scribes, amateurs and auteurs, directors, producers, and legendary moguls, What Happens Next is a unique and engrossing narrative of the quintessential art form of our time.
Author: Greil Marcus
Publisher: Harvard University Press
ISBN: 0674064100
Category : Literary Criticism
Languages : en
Pages : 1129
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Book Description
America is a nation making itself up as it goes alongÑa story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. In more than two hundred original essays, A New Literary History of America brings together the nationÕs many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what ÒMade in AmericaÓ means. Literature, music, film, art, history, science, philosophy, political rhetoricÑcultural creations of every kind appear in relation to each other, and to the time and place that give them shape. The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant WoodÕs American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new. Please visit www.newliteraryhistory.com for more information.
Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 0231547463
Category : Political Science
Languages : en
Pages : 637
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Book Description
In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces. In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.
Author: Tony Bill
Publisher: Workman Publishing Company
ISBN: 0761156305
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
“Movie Speak won’t guarantee you a job, but having a knowledge of the industry terms will fool everyone into thinking you own the place.” — Steven Spielberg “Finally a book that celebrates the process—the dynamic web of people, technique, and artistry—underneath every foot of celluloid.” —Jodie Foster Uncover the secret language of movie-making in a handbook for film buffs and language-lovers, as well as anyone who aspires to break into the business, with hundreds of essential terms, explained. Opening a window into the fascinatingly technical, odd, colorful, and mysterious working language of movies, Oscar-winning producer, actor, and director Tony Bill sheds light on the hugely complex process of making a film, as well as on the hierarchies between the cast and crew and the on-set etiquette of any movie production. From why the Assistant Director calls “wrap” to the real reason Hollywood stars began wearing sunglasses, Movie Speak offers tricks of the trade learned over decades in Hollywood—to help you crack the code of the movie business.
Author: Terry Mort
Publisher: Rowman & Littlefield
ISBN: 1493064983
Category : Fiction
Languages : en
Pages : 305
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Book Description
Hollywood, 1934. Prohibition is finally over, but there is still plenty of crime for an ambitious young private eye to investigate. Though he has a slightly checkered past, Riley Fitzhugh is well connected in the film industry and is hired by a major producer—whose lovely girlfriend has disappeared. He also is hired to recover a stolen Monet, a crime that results in two murders initially, with more to come. Along the way, Riley investigates the gambling ships anchored off LA, gets involved with the girlfriend of the gangster running one of the ships, and disposes of the body of a would-be actor who assaults Riley’s girlfriend. He also meets an elegant English art history professor from UCLA who helps Riley authenticate several paintings and determine which ones are forgeries. Riley lives at the Garden of Allah Hotel, the favorite watering place of screenwriters, and he meets and unknowingly assists many of them with their plots. Incidentally, one of these gents, whose nom de plume is “Hobey Baker,” might actually be F. Scott Fitzgerald.
Author: Bridget Conor
Publisher: Routledge
ISBN: 1136169482
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
Author: Stefan Solomon
Publisher: University of Georgia Press
ISBN: 0820351148
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
A scholarly examination of the scripts and fiction Faulkner created during his foray as a Hollywood screenwriter. During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for major Hollywood studios and was credited on such classics as The Big Sleep and To Have and Have Not. Faulkner’s film scripts—and later television scripts—constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon analyzes the majority of these scripts and also compares them to the fiction Faulkner was writing concurrently. His aim: to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner the screenwriter and Faulkner the modernist, Nobel Prize–winning author. As Solomon shows Faulkner adjusting to the idiosyncrasies of the screenwriting process (a craft he never favored or admired), he offers insights into Faulkner’s compositional practice, thematic preoccupations, and understanding of both cinema and television. In the midst of this complex exchange of media and genres, much of Faulkner’s fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author. Faulkner was never only the southern novelist or the West Coast “hack writer” but always both at once. Solomon’s study shows that Faulkner’s screenplays are crucial in any consideration of his far more esteemed fiction—and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.
