Author: Nellie Bly
Publisher: ReadHowYouWant.com
ISBN: 155480860X
Category :
Languages : en
Pages : 202
Book Description
Ten Days in a Mad-House (EasyRead Super Large 18pt Edition)
Author: Nellie Bly
Publisher: ReadHowYouWant.com
ISBN: 155480860X
Category :
Languages : en
Pages : 202
Book Description
Publisher: ReadHowYouWant.com
ISBN: 155480860X
Category :
Languages : en
Pages : 202
Book Description
Madhouse at the End of the Earth
Author: Julian Sancton
Publisher: Crown
ISBN: 1984824341
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
NEW YORK TIMES BESTSELLER • The “exquisitely researched and deeply engrossing” (The New York Times) true survival story of an early polar expedition that went terribly awry—with the ship frozen in ice and the crew trapped inside for the entire sunless, Antarctic winter “The energy of the narrative never flags. . . . Sancton has produced a thriller.”—The Wall Street Journal In August 1897, the young Belgian commandant Adrien de Gerlache set sail for a three-year expedition aboard the good ship Belgica with dreams of glory. His destination was the uncharted end of the earth: the icy continent of Antarctica. But de Gerlache’s plans to be first to the magnetic South Pole would swiftly go awry. After a series of costly setbacks, the commandant faced two bad options: turn back in defeat and spare his men the devastating Antarctic winter, or recklessly chase fame by sailing deeper into the freezing waters. De Gerlache sailed on, and soon the Belgica was stuck fast in the icy hold of the Bellingshausen Sea. When the sun set on the magnificent polar landscape one last time, the ship’s occupants were condemned to months of endless night. In the darkness, plagued by a mysterious illness and besieged by monotony, they descended into madness. In Madhouse at the End of the Earth, Julian Sancton unfolds an epic story of adventure and horror for the ages. As the Belgica’s men teetered on the brink, de Gerlache relied increasingly on two young officers whose friendship had blossomed in captivity: the expedition’s lone American, Dr. Frederick Cook—half genius, half con man—whose later infamy would overshadow his brilliance on the Belgica; and the ship’s first mate, soon-to-be legendary Roald Amundsen, even in his youth the storybook picture of a sailor. Together, they would plan a last-ditch, nearly certain-to-fail escape from the ice—one that would either etch their names in history or doom them to a terrible fate at the ocean’s bottom. Drawing on the diaries and journals of the Belgica’s crew and with exclusive access to the ship’s logbook, Sancton brings novelistic flair to a story of human extremes, one so remarkable that even today NASA studies it for research on isolation for future missions to Mars. Equal parts maritime thriller and gothic horror, Madhouse at the End of the Earth is an unforgettable journey into the deep.
Publisher: Crown
ISBN: 1984824341
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
NEW YORK TIMES BESTSELLER • The “exquisitely researched and deeply engrossing” (The New York Times) true survival story of an early polar expedition that went terribly awry—with the ship frozen in ice and the crew trapped inside for the entire sunless, Antarctic winter “The energy of the narrative never flags. . . . Sancton has produced a thriller.”—The Wall Street Journal In August 1897, the young Belgian commandant Adrien de Gerlache set sail for a three-year expedition aboard the good ship Belgica with dreams of glory. His destination was the uncharted end of the earth: the icy continent of Antarctica. But de Gerlache’s plans to be first to the magnetic South Pole would swiftly go awry. After a series of costly setbacks, the commandant faced two bad options: turn back in defeat and spare his men the devastating Antarctic winter, or recklessly chase fame by sailing deeper into the freezing waters. De Gerlache sailed on, and soon the Belgica was stuck fast in the icy hold of the Bellingshausen Sea. When the sun set on the magnificent polar landscape one last time, the ship’s occupants were condemned to months of endless night. In the darkness, plagued by a mysterious illness and besieged by monotony, they descended into madness. In Madhouse at the End of the Earth, Julian Sancton unfolds an epic story of adventure and horror for the ages. As the Belgica’s men teetered on the brink, de Gerlache relied increasingly on two young officers whose friendship had blossomed in captivity: the expedition’s lone American, Dr. Frederick Cook—half genius, half con man—whose later infamy would overshadow his brilliance on the Belgica; and the ship’s first mate, soon-to-be legendary Roald Amundsen, even in his youth the storybook picture of a sailor. Together, they would plan a last-ditch, nearly certain-to-fail escape from the ice—one that would either etch their names in history or doom them to a terrible fate at the ocean’s bottom. Drawing on the diaries and journals of the Belgica’s crew and with exclusive access to the ship’s logbook, Sancton brings novelistic flair to a story of human extremes, one so remarkable that even today NASA studies it for research on isolation for future missions to Mars. Equal parts maritime thriller and gothic horror, Madhouse at the End of the Earth is an unforgettable journey into the deep.
Out of the Madhouse
Author: Christopher Golden
Publisher: Simon and Schuster
ISBN: 1534426701
Category : Young Adult Fiction
Languages : en
Pages : 341
Book Description
KNOCKIN' ON EVIL'S DOOR Werewolves. Trolls. Sea Monsters. Rain of toads. Skyquakes. Sunnydale is being besieged by dark forces. But even with Buffy providing her unique style of damage control while Giles is hospitalized out of town, it's more than one Slayer can handle -- especially since the abominations are coming from a centuries-old portal through time and space. Somehow, the hell-hole must be found and corked at its source. For Buffy, Angel, and the rest of her gang, that means a road trip to Boston where an ailing Gatekeeper resides over a supernatural mansion that has been, until recently, holding the world's worst monsters at bay. Once there, Buffy discovers the catastrophic truth: the magical structure houses thousands of rooms, all of which are doorways to limbo's "ghost roads," and all of which may bring her face-to-face with the most nefarious forces in hell and on earth -- forces bent on horrific plans far worse than the Slayer ever imagined.
Publisher: Simon and Schuster
ISBN: 1534426701
Category : Young Adult Fiction
Languages : en
Pages : 341
Book Description
KNOCKIN' ON EVIL'S DOOR Werewolves. Trolls. Sea Monsters. Rain of toads. Skyquakes. Sunnydale is being besieged by dark forces. But even with Buffy providing her unique style of damage control while Giles is hospitalized out of town, it's more than one Slayer can handle -- especially since the abominations are coming from a centuries-old portal through time and space. Somehow, the hell-hole must be found and corked at its source. For Buffy, Angel, and the rest of her gang, that means a road trip to Boston where an ailing Gatekeeper resides over a supernatural mansion that has been, until recently, holding the world's worst monsters at bay. Once there, Buffy discovers the catastrophic truth: the magical structure houses thousands of rooms, all of which are doorways to limbo's "ghost roads," and all of which may bring her face-to-face with the most nefarious forces in hell and on earth -- forces bent on horrific plans far worse than the Slayer ever imagined.
The Madhouse Effect
Author: Michael E. Mann
Publisher: Columbia University Press
ISBN: 0231541813
Category : Science
Languages : en
Pages : 302
Book Description
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.
Publisher: Columbia University Press
ISBN: 0231541813
Category : Science
Languages : en
Pages : 302
Book Description
The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.
Shakespeare
Author: Herbert R. Coursen
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637746
Category : Performing Arts
Languages : en
Pages : 284
Book Description
The purpose of this book is to examine recent productions of Shakespeare on stage and film and to lay out some interpretive guidelines for responding to the scripts as recreated in these two very different formats and within the conflicted environment of shifting critical paradigms. The two traditions - Shakespeare on stage and Shakespeare on film - have experienced a midair collision with postmodernism. The results are beginning to be chronicled.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637746
Category : Performing Arts
Languages : en
Pages : 284
Book Description
The purpose of this book is to examine recent productions of Shakespeare on stage and film and to lay out some interpretive guidelines for responding to the scripts as recreated in these two very different formats and within the conflicted environment of shifting critical paradigms. The two traditions - Shakespeare on stage and Shakespeare on film - have experienced a midair collision with postmodernism. The results are beginning to be chronicled.
Speeches and new letters
Author: Henrik Ibsen
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Distracted Subjects
Author: Carol Thomas Neely
Publisher: Cornell University Press
ISBN: 1501729136
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
In the first book to provide a feminist analysis of early modern madness, Carol Thomas Neely reveals the mobility and heterogeneity of discourses of "distraction," the most common term for the condition in late-sixteenth- and early seventeenth-century England. Distracted Subjects shows how changing ideas of madness that circulated through medical, dramatic, and political texts transformed and gendered subjectivities. Supernatural causation is denied, new diagnoses appear, and stage representations proliferate. Drama sometimes leads and sometimes follows other cultural discourses—or forges its own prophetic figures of distraction. The Spanish Tragedy first links madness to masculine tragic self-representation, and Hamlet invents a language to dramatize feminine somatic illness. Innovative women's melancholy is theorized in medical and witchcraft treatises and then elaborated in the extended portrait of the Jailer's Daughter's distraction in The Two Noble Kinsmen. Lovesickness, newly diagnosed in women, demands novel cures, and allows expressions of transgressive sexual desire in treatises and in plays such as As You Like It. The rituals of possession and exorcism, intensely debated off stage, are mocked and exploited on stage in reiterated comic scenes of confinement that madden men to enhance women's power. Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.
Publisher: Cornell University Press
ISBN: 1501729136
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
In the first book to provide a feminist analysis of early modern madness, Carol Thomas Neely reveals the mobility and heterogeneity of discourses of "distraction," the most common term for the condition in late-sixteenth- and early seventeenth-century England. Distracted Subjects shows how changing ideas of madness that circulated through medical, dramatic, and political texts transformed and gendered subjectivities. Supernatural causation is denied, new diagnoses appear, and stage representations proliferate. Drama sometimes leads and sometimes follows other cultural discourses—or forges its own prophetic figures of distraction. The Spanish Tragedy first links madness to masculine tragic self-representation, and Hamlet invents a language to dramatize feminine somatic illness. Innovative women's melancholy is theorized in medical and witchcraft treatises and then elaborated in the extended portrait of the Jailer's Daughter's distraction in The Two Noble Kinsmen. Lovesickness, newly diagnosed in women, demands novel cures, and allows expressions of transgressive sexual desire in treatises and in plays such as As You Like It. The rituals of possession and exorcism, intensely debated off stage, are mocked and exploited on stage in reiterated comic scenes of confinement that madden men to enhance women's power. Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.
Rescripting Shakespeare
Author: Alan C. Dessen
Publisher: Cambridge University Press
ISBN: 9780521007986
Category : Drama
Languages : en
Pages : 284
Book Description
Building on almost 300 productions from the last 25 years, this 2002 book focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Directors rescript to streamline the playscript and save running time, to eliminate obscurity, conserve on personnel, and occasionally cancel out passages that might not fit their 'concept'. They rewright when they make more extensive changes, moving closer to the role of playwrights, as when the three parts of Henry VI are compressed into two plays. Alan Dessen analyzes what such choices might exclude or preclude, and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students.
Publisher: Cambridge University Press
ISBN: 9780521007986
Category : Drama
Languages : en
Pages : 284
Book Description
Building on almost 300 productions from the last 25 years, this 2002 book focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Directors rescript to streamline the playscript and save running time, to eliminate obscurity, conserve on personnel, and occasionally cancel out passages that might not fit their 'concept'. They rewright when they make more extensive changes, moving closer to the role of playwrights, as when the three parts of Henry VI are compressed into two plays. Alan Dessen analyzes what such choices might exclude or preclude, and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students.
Separate Theaters
Author: Kenneth S. Jackson
Publisher: University of Delaware Press
ISBN: 9780874138900
Category : Drama
Languages : en
Pages : 324
Book Description
"This specifically "literary" historical study situates the rather sudden emergence of madhouses ("Bedlam") on the Shakespearean stage in the sophisticated literary dispute known as the "Poets' War," wherein various dramatists, particularly Jonson and Shakespeare, argued about what drama was supposed to be. "Madness" became a rhetorical battleground of artistic ideas, and that dispute, rather than any desire to represent the actual hospital, led to the appearance of "Bedlam" on the stage."
Publisher: University of Delaware Press
ISBN: 9780874138900
Category : Drama
Languages : en
Pages : 324
Book Description
"This specifically "literary" historical study situates the rather sudden emergence of madhouses ("Bedlam") on the Shakespearean stage in the sophisticated literary dispute known as the "Poets' War," wherein various dramatists, particularly Jonson and Shakespeare, argued about what drama was supposed to be. "Madness" became a rhetorical battleground of artistic ideas, and that dispute, rather than any desire to represent the actual hospital, led to the appearance of "Bedlam" on the stage."
The Contemporary Review
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 956
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 956
Book Description