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Author: Felicia Skene
Publisher: Cambridge University Press
ISBN: 1108021913
Category : History
Languages : en
Pages : 278
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Book Description
In this 1889 work, Felicia Skene used her experience of prison visiting to criticise the penal system and capital punishment.
Author: Felicia Skene
Publisher: Cambridge University Press
ISBN: 1108021913
Category : History
Languages : en
Pages : 278
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Book Description
In this 1889 work, Felicia Skene used her experience of prison visiting to criticise the penal system and capital punishment.
Author: John Krasinski
Publisher: Rizzoli Publications
ISBN: 0789339560
Category : Performing Arts
Languages : en
Pages : 154
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Book Description
The vision behind the creation of the new horror classic A Quiet Place and its sequel, A Quiet Place Part II, as told by the film's co-writer, director, and star John Krasinski. John Krasinski reveals the making of the shocking, near-silent film A Quiet Place, with dramatic behind-the-scenes photographs and running commentary about the journey to the silver screen. A Quiet Place portrays the struggle of the Abbott family to survive as the parents (Krasinski and Emily Blunt) raise their children in utter silence so as to not attract the alien evil that lurks in the surrounding forest. Released by Paramount Pictures, the film became a major box-office success and received critical acclaim for its atmosphere, direction, acting, and sound design. Also included are never-before-seen photographs and Krasinski's director's take on the much-anticipated sequel, A Quiet Place Part II, to be released May 2021. With a foreword by co-star Emily Blunt and contributions from co-stars and production teams, this volume will be a valuable, insightful companion to both films for fans and film buffs.
Author: Colin Dexter
Publisher: Pan
ISBN: 1743290632
Category : Fiction
Languages : en
Pages : 227
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Book Description
FROM CWA CARTIER DIAMOND DAGGER AWARD WINNER COLIN DEXTER Morse had never ceased to wonder why, with the staggering advances in medical science, all pronouncements concerning times of death seemed so disconcertingly vague. The newly appointed member of the Oxford Examinations Syndicate was deaf, provincial and gifted. Now he is dead . . . And his murder, in his north Oxford home, proves to be the start of a formidably labyrinthine case for Chief Inspector Morse, as he tries to track down the killer through the insular and bitchy world of the Oxford Colleges . . . PRAISE FOR THE INSPECTOR MORSE SERIES "The Inspector Morse series, both the novels and the television dramas, are among the finest creations of British culture and are known and loved all over the world." Sydney Morning Herald "Let those who lament the decline of the English detective story reach for Colin Dexter" Guardian
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Languages : en
Pages :
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Author: Rufus Wilmot Griswold
Publisher:
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Category : Christian art and symbolism
Languages : en
Pages : 296
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Category : England
Languages : en
Pages : 916
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Author: National Catholic Educational Association
Publisher:
ISBN:
Category : Catholic schools
Languages : en
Pages : 1182
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Book Description
Nov. issue includes Proceedings of the annual meeting.
Author: Janine Marchessault
Publisher: MIT Press
ISBN: 0262549743
Category : Art
Languages : en
Pages : 367
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Book Description
When media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope. Postwar artists and architects have used photography, film, and other media to imagine and record the world as a wonder of collaborative entanglement—to translate the world for the world. In this book, Janine Marchessault examines a series of utopian media events that opened up and expanded the cosmos, creating ecstatic collective experiences for spectators and participants. Marchessault shows that Edward Steichen’s 1955 “Family of Man” photography exhibition, for example, and Jacques Cousteau’s 1956 underwater film Le monde du silence (The Silent World) both gave viewers a sense of the earth as a shared ecology. The Festival of Britain (1951)—in particular its Telekinema (a combination of 3D film and television) and its Live Architecture exhibition—along with Expo 67’s cinema experiments and media city created an awareness of multiple worlds. Toronto’s alternative microcinema CineCycle, Agnès Varda’s 2000 film Les glaneurs et la glaneuse, and Buckminster Fuller’s World Game (geoscope), representing ecologies of images and resources, encouraged planetary thinking. The transspecies communication platform the Dolphin Embassy, devised by the Ant Farm architecture collaborative, extends this planetary perspective toward other species; and Finnish artist Erkki Kurenniemi’s “Death of the Planet” projects a postanthropocentric future. Drawing on sources that range from the Scottish town planner Patrick Geddes to the French phenomenologist Maurice Merleau-Ponty, Marchessault argues that each of these media experiments represents an engagement with connectivity and collectivity through media that will help us imagine a new form of global humanism.
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Languages : en
Pages : 540
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Author: Francis Scougal
Publisher:
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Category :
Languages : en
Pages :
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