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Author: Len Krisak
Publisher: Able Muse Press
ISBN: 1773490915
Category : Poetry
Languages : en
Pages : 59
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Book Description
In exquisitely crafted poems, Len Krisak’s Say What You Will muses on a wide range of topics, in present-day and historic settings and relevance: ancient Tiberius, modern-day Halloween, cinema icons, and famous artwork, to name a few. Also included are accomplished translations that bring alive the meaning, feeling, and rhythm of the originals. These are poems delightfully wrought in masterful metrical poetry—nonce forms, sonnet, cento, quatrains, and others. This winner of the 2020 Able Muse Book Award is a collection filled with enlightenment, wonder, and inspiration. PRAISE FOR SAY WHAT YOU WILL With unerring artistry, Len Krisak’s poems in Say What You Will extend an invitation with enormous erudition, sure, but equally with wit and charm, solemnity and grace, in this exquisite book. —Greg Williamson, author of A Most Marvelous Piece of Luck In Len Krisak’s Say What You Will, a voice comes to us from out of the Midwest, by way of ancient Italy. A formidable translator of Vergil and Horace, Krisak is attuned to echoes lingering in those gorgeous classical ruins that will outlast our century’s bravest new structures. He’s also attuned to the here-and-now in all its incongruities, a place where (in Krisak’s hands) Chinese takeout turns out to rhyme with stakeout. These are footloose poems, happily ambling here and there, so the reader is hardly surprised if on one page you’re in Russia and in another you’re contemplating the Boston subway, or if one of Vermeer’s silent beauties winds up beside the silent film star Louise Brooks. Say What You Will is a smart and kindly book. —Brad Leithauser, 2020 Able Muse Book Award judge, author of Rhyme's Rooms Readers should welcome Say What You Will, the newest book of accessible but challenging poems by Len Krisak. His subjects range from high culture to pop culture, and his well-crafted translations range from the ancient Greeks to Montale. This is one of the best collections of poetry in this pandemic year. —A. M. Juster, author of Wonder and Wrath ABOUT THE AUTHOR: Len Krisak graduated from the University of Michigan in 1970 and took his MA from Brandeis University in 1974. In Massachusetts, he worked as a textbook editor and English teacher at Brandeis, Northeastern University, Bentley University, and Stonehill College before retiring in 2010 to write poems and translate.
Author: Len Krisak
Publisher: Able Muse Press
ISBN: 1773490915
Category : Poetry
Languages : en
Pages : 59
Get Book Here
Book Description
In exquisitely crafted poems, Len Krisak’s Say What You Will muses on a wide range of topics, in present-day and historic settings and relevance: ancient Tiberius, modern-day Halloween, cinema icons, and famous artwork, to name a few. Also included are accomplished translations that bring alive the meaning, feeling, and rhythm of the originals. These are poems delightfully wrought in masterful metrical poetry—nonce forms, sonnet, cento, quatrains, and others. This winner of the 2020 Able Muse Book Award is a collection filled with enlightenment, wonder, and inspiration. PRAISE FOR SAY WHAT YOU WILL With unerring artistry, Len Krisak’s poems in Say What You Will extend an invitation with enormous erudition, sure, but equally with wit and charm, solemnity and grace, in this exquisite book. —Greg Williamson, author of A Most Marvelous Piece of Luck In Len Krisak’s Say What You Will, a voice comes to us from out of the Midwest, by way of ancient Italy. A formidable translator of Vergil and Horace, Krisak is attuned to echoes lingering in those gorgeous classical ruins that will outlast our century’s bravest new structures. He’s also attuned to the here-and-now in all its incongruities, a place where (in Krisak’s hands) Chinese takeout turns out to rhyme with stakeout. These are footloose poems, happily ambling here and there, so the reader is hardly surprised if on one page you’re in Russia and in another you’re contemplating the Boston subway, or if one of Vermeer’s silent beauties winds up beside the silent film star Louise Brooks. Say What You Will is a smart and kindly book. —Brad Leithauser, 2020 Able Muse Book Award judge, author of Rhyme's Rooms Readers should welcome Say What You Will, the newest book of accessible but challenging poems by Len Krisak. His subjects range from high culture to pop culture, and his well-crafted translations range from the ancient Greeks to Montale. This is one of the best collections of poetry in this pandemic year. —A. M. Juster, author of Wonder and Wrath ABOUT THE AUTHOR: Len Krisak graduated from the University of Michigan in 1970 and took his MA from Brandeis University in 1974. In Massachusetts, he worked as a textbook editor and English teacher at Brandeis, Northeastern University, Bentley University, and Stonehill College before retiring in 2010 to write poems and translate.
Author: Will Cordeiro
Publisher: Able Muse Press
ISBN: 1773490583
Category : Poetry
Languages : en
Pages : 130
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Book Description
Will Cordeiro's Trap Street travels a shifting landscape. Keenly observed deserts, woods, highways, seaside enclaves, mountainsides, and motels parade in an expansive sweep of the natural and the manmade, often returning to inhabited settings and navigating spirited-to-tense family and social situations. Cordeiro's vivid musings are deployed with a precision of craft and diction, buttressed by symphonic wordsmithing worthy of a lexicographer. This exceptional debut poetry collection, winner of the 2019 Able Muse Book Award, does not look away from either grime or beauty, but lays bare the nature of things. PRAISE FOR TRAP STREET The formal elegance and beauty of these poems clash smartly with the hardscrabble world where they occur. Back-road towns and landscapes, down-and-out rust belt cities, the worn-out West-this is a book that bears witness to the fizzled American dream. What's left? Mindless jobs, litter, distraction, addiction, voiceless anxiety, environmental desecration, and we are to make a meaningful life from this. These are poems written in the long pastoral tradition, except the pristine, inspiring pasture-scene, starkly, is no longer there. I expect there is a bit of exaggeration here, along with the honest depiction, and that makes this a book both of witness and warning. -Maurice Manning, author of Railsplitter Trap Street is a map of vanishing dreams, true to the country as it struggles to exist. Yet the person who inhabits these poems has dignified the writing of them with real care and an ear for the elevated vernacular. His declaration that "Earth's everything I am" runs through every page of the book, mordant, restless, and abiding. -David Mason, 2019 Able Muse Book Award judge, author of The Sound "Not everything must have some cosmic meaning." That is the sort of red-wheelbarrow faith Will Cordeiro depends on as his adventurous eye records the variegated appearance of the natural and manmade world, no detail too small to merit commemoration. The scholastic philosopher Duns Scotus cited the "haecceitas" ("this-ness") of observed experience as one component in the quest for the divine, so there is every reason to regard Cordeiro's poems as bridging the gap between life's overlooked detritus and exalted vision itself. And visual acuity here is matched by a strenuous verbality, color-coordinated vowels informing chewable consonants in a lexicon ranging from "cattywampus" to "glumes" to "blear." It's a pied-beauty diction and syntax that remind me of Hopkins and Marianne Moore. We should all join in welcoming Will Cordeiro's amazing debut. -Alfred Corn, author of The Poem's Heartbeat ABOUT THE AUTHOR: Will Cordeiro has work published in Agni, Best New Poets, the Cincinnati Review, Copper Nickel, the Offing, DIAGRAM, Poetry Northwest, Threepenny Review, THRUSH Poetry Journal, and elsewhere. Will coedits the small press Eggtooth Editions and is grateful for a grant from the Arizona Commission on the Arts, a scholarship from Sewanee Writers' Conference, and a Truman Capote Writer's Fellowship, as well as residencies from ART 342, Blue Mountain Center, Ora Lerman Trust, Petrified Forest National Park, and Risley Residential College. Will received an MFA and PhD from Cornell University. Will is also coauthor of Experimental Writing: A Writer's Guide and Anthology, forthcoming from Bloomsbury. Currently, Will lives in Flagstaff and teaches in the Honors College at Northern Arizona University.
Author: Amy Glynn
Publisher: Able Muse Press
ISBN: 1773491415
Category : Poetry
Languages : en
Pages : 108
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Book Description
Amy Glynn's Romance Language is a wellspring of culture, nature, natural phenomena, myths, esoterica. A kaleidoscope of sciences and disciplines—spanning archeology, acoustics, botany, zoology, psychology, cosmology, meteorology, mythology—are freely juxtaposed with the bliss of romance gained to longing for the one lost, the celebration of nature and the teeming creatures therein to hope for their enduring sustenance. A logophilic showcase and worthy winner of the 2022 Able Muse Book Award, Romance Language transports the reader into a sensory and cerebral world of the real and imagined, ever reaching for stimulus, wisdom, understanding, and enlightenment. PRAISE FOR ROMANCE LANGUAGE Romance Language thrills to the natural world in all its boggling multiplicity, while reserving a barrage of tart ironies for the fallen humans who inhabit it—the lovers who fail us and those, long gone, we can never let go of. Glynn understands that science is no check to mystery, that we subsist in “an ocean of cadence” that was here before us: “The beginning was music. There was music first.” Her songs channel that original music “of tide, chaos, and rhythm” with such fierceness and sorrow that we are compelled to listen. Their effect is revelatory. —David Yezzi, author of More Things in Heaven and Late Romance: Anthony Hecht The poems in Romance Language consistently, and seemingly without effort, manage a remarkable feat: they’re unfailingly attentive to the situational subtext that underlies each foray, whether into nature, art, or mythology. With their rueful irony and wit, their candor and self-awareness, these poems are not only technically flawless but also insistently, and sometimes tetchily, human. —Rachel Hadas, 2022 Able Muse Book Award judge, author of Love and Dread Amy Glynn has built upon her naturalist’s precision, her musician’s ear, and her talent for unexpected but apt metaphor, with a heightened attention to what we learn in love. Romance Language is as much about language, though, as it is about romance. Glynn is a dazzling word-hoarder and -shaper. With serious wit, she entwines autobiography with the life of other creatures (most beautifully, birds) and knows our own scale in the landscape and seascape. For all her artifice, her plainest truths are the most moving, as when she hopes for a “gift // for seeing as a gift whatever happens / to us.” These poems “happen” to the reader as a great gift, too. —Mary Jo Salter, author of Zoom Rooms and The Surveyors Glynn brings a polymathic sensibility to her writing, conversant in both high and vernacular diction on subjects ranging widely from science and classical literature to current politics and pop culture. The poems—bold, vibrant, mercurial, mysterious, sometimes wickedly funny, and always highly musical—remind me that form is a living, breathing part of our contemporary canon. Whether fixed like the sonnet or ghazal, or nonce, or free verse—these poems are constructed with great passion and precision, and the result is a luminous, powerful, and utterly original outpouring. —Rebecca Foust, author of Paradise Drive and Only ABOUT THE AUTHOR: Amy Glynn is a poet and essayist whose work appears widely in journals and anthologies including The Best American Poetry. She is the author of A Modern Herbal (Measure Press, 2013). She has received the Troubadour Prize, The SPUR Award of the Academy of Western Writers, Poetry Northwest’s Carolyn Kizer Award, and two James Merrill House fellowships, among other honors. She lives in the San Francisco Bay Area.
Author: Frank Osen
Publisher: Able Muse Press
ISBN: 1927409179
Category : Poetry
Languages : en
Pages : 84
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Book Description
Virtue, Big as Sin is impressively wide-ranging in theme and style. It illuminates everyday vignettes with solicitous spotlights such as the bereaved son sorting the contents of his father’s medicine cabinet, or the father whose son’s driver’s education recalls the time his own “unharnessed” Mustang went “bungeeing” around a bend; it celebrates the artist’s creative highs, or reflects on the misfortunate who is forever nearing the threshold of achievement, aware that life may prove a “most inept librettist” and should thus be paired with our “strongest song.” Osen’s dexterity with both formal and free verse is apparent. His wit and humor prevent the serious from becoming ponderous while his intelligent insight lends depth to the lighthearted. Reading and rereading this outstanding debut collection, it is easy to see why—from the first poem to the last—it is a worthy winner of the 2012 Able Muse Book Award. PRAISE FOR VIRTUE, BIG AS SIN: Frank Osen’s Virtue, Big as Sin offers one witty, elegant poem after another. The rhymes are especially clever, the meter sure, the stanzas well-shaped, but this poet’s sense of proportion is also reflected in wisdom (and what is wisdom but a sense of proportion?). An urbane maker of sparkling phrases like “that genuine Ur of the ersatz,” Osen can also write plainly, movingly, about a young girl’s funeral. And he reflects often on art itself, which he so rightly calls “the conjured awe.” —Mary Jo Salter (Judge, 2012 Able Muse Book Award) In his talent for tragedy and comedy, and for mixing them, Osen takes his place in a distinguished line of English-language poets that runs from Chaucer and Shakespeare down to our day. —Timothy Steele (from the afterword) Reading Virtue, Big as Sin has left me with the sense of satisfaction and enduring pleasure that really good poetry always produces, even when it also does the rest of what honest writing may do: confirm suspicions about ourselves we wish we could refute, bring to mind aspects of nature we’d rather forget, and deliver alarming news about the future, both public and private. Frank Osen does all of this and much more, all with grace and wit, in language that makes the messenger thoroughly “one of us.” —Rhina P. Espaillat Frank Osen’s poems revel in beauty and pleasure, in technical dexterity and high-gloss finish. Readers who care about such things will be abundantly rewarded. But the reveling is haunted by loss, awful possibilities of failure, a nothingness glimpsed beneath the carnival. One of Osen’s avowed tutelary spirits is Wallace Stevens, and his probing of his subjects can often seem like an extended, heart-wrenching commentary on Stevens’s line, “Death is the mother of Beauty.” The fragility of beauty, the omnipresence of death, and the intimate connections between them, are everywhere present in these marvelously heartening and effective poems. —Dick Davis
Author: Carrie Shipers
Publisher: Able Muse Press
ISBN: 1927409608
Category : Health & Fitness
Languages : en
Pages : 106
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Book Description
Carrie Shipers’s Cause for Concern traverses a landscape of assorted disasters—such as overwork and layoffs, the ill-fated explorer, circus mishaps, nuclear disaster and radiation—but at its heart is the personal disaster of spousal illness. While a spouse might avow faith in the sentiment of love in sickness and in health, the practice of such faith might come undone when faced with the reality of the ravages of illness on the stricken body of the beloved, alongside the caregiving mate who “could love/ [her] husband but distrust his body,/ expect betrayal at every turn.” Full of incisive meditations on frailties and fortitude often delivered with visceral honesty, Cause for Concern is spellbinding from start to finish and, deservedly, the winner of the 2014 Able Muse Book Award for Poetry. PRAISE FOR CAUSE FOR CONCERN: Carrie Shipers’s magnificent endeavor aims to control the uncontrollable. In her splendid collection Cause for Concern she gives us her spirited poems—subversively satisfying in our era of cool wordplay. Both her comfort with ambiguity and her sassy candor aid the poet as she writes of a wife who is hoodwinked into a necessary patience—one she both chafes from and rebels against after her husband falls seriously ill. In rhythms that alternate between hope and defeat, the poems track the illness, but also punctuate the couple’s changed world with quirky observations and a scrappy spirituality. (Not to mention a canine companion.) Her poet’s craft, palpable in every arresting line, makes the subtlest turns of vulnerability with enviable poise. —Molly Peacock, 2014 Able Muse Book Award judge, author of The Paper Garden Only a poet of unquestionable bravery and technical acuity could rehearse the quotidian details of a middle class, middle aged existence with such exquisite, irresistible and terrifying honesty. —Kwame Dawes, author of Duppy Conqueror: New and Selected Poems If illness is a country inhospitable to guests, then Carrie Shipers’s second poetry collection, Cause for Concern, is our guidebook, preparing us for what we will find in the waiting room, by the bedside, in the bathroom, or on the skin when the gauze is lifted. These are naked, open poems. They say things that make us wince, as when we look at an incision still puckered and red. Shipers reminds us that our lives must first be prodded and cauterized, if the injured parts are ever to heal. —Jehanne Dubrow, author of The Arranged Marriage
Author: Aaron Poochigian
Publisher: Able Muse Press
ISBN: 1927409934
Category : Poetry
Languages : en
Pages : 90
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Book Description
Aaron Poochigian’s prizewinning second collection of poetry, Manhattanite, is by turns frenzied and focused. It examines New York’s juxtaposed symbols of towering achievement and monumental desolation, and then traverses the country to California’s Central Valley, where the poet reclaims his grandparents’ home. Poochigian consistently entertains, whether his theme is lamentation or celebration—a grizzled urban pigeon (scavenging for “the sort of faith/ that holds for here and now and vibes like song”) or an Ohio wind turbine (an “ungatherable/ iron flower” seen “juggling . . . / three arms’ worth/ of gale-force wind”). Manhattanite is, deservedly, the winner of the 2016 Able Muse Book Award. PRAISE FOR MANHATTANITE: In Manhattanite, Aaron Poochigian takes on the role of American flâneur for the twenty-first century, drifting through the frenetic metropolis at a dreamer’s planetary pace. This collection is a celebration of exuberant melancholy, or melancholy exuberance, slick lyric cum urbane pastoral. —A. E. Stallings (from the foreword), 2016 Able Muse Book Award judge Manhattanite gives us the Manhattan of speed chess players in the park, tipsy tipplers tipping off the rooftops, the night sky bright with city light, tenants, tenements and supers. Aaron Poochigian is the poet in New York seeking a holy aura in the song of gunshots and spiral sirens, picking like a grizzled pigeon through stray newspapers, bottles, bags, and candy wrappers for a scrap of religion. Each poem is a tower growing out of our human filth and scraping the sky with sky-lines, and together they build a city of words. Put New York in your pocket. It’s inside this book. —Tony Barnstone Reading Aaron Poochigian’s Manhattanite is a dynamic, kinetic experience. These poems travel at a fast clip, pulling you along through cityscapes, wastelands, and other vistas. Some of the poems tunnel downward, plumbing depths of mood and memory. Whichever way they move, Poochigian’s poems perform with such panache and brio that it’s hard to know whether to laugh or cry. I’d say do both—and keep reading. But be warned: this isn’t a feel-good book. It’s a fearless book. —Rachel Hadas Thoreau once boasted that he had traveled widely in Concord; Aaron Poochigian’s title indicates that he has traveled widely elsewhere—in the one borough worth experiencing, through western deserts, aboard “an ultra-modern train/ lisping through French or German woods,” and in a Paris of naked bulbs and seedy cabarets. In all of these settings, he deftly choreographs his cast of nameless characters. The concluding lines of “Song: Go and Do It” claim, “I’ll still swear/ we could be happy anywhere.” One sure location of that “anywhere” exists between the covers of Manhattanite. —R. S. Gwynn
Author: Ian Duhig
Publisher: Pan Macmillan
ISBN: 1447236866
Category : Poetry
Languages : en
Pages : 84
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Book Description
Ian Duhig has long inspired a fervent and devoted following. With The Lammas Hireling - the title poem having already won both the National Poetry Competition and the Forward Prize for Best Poem - Duhig has produced his most accessible and exciting volume to date, and looks set to reach a whole new audience. A poet of lightning wit and great erudition, Duhig is also a master balladeer and storyteller who shows that poetry is still the most powerful way in which our social history - our lives, loves and work - can be celebrated and commemorated.
Author: Emily Leithauser
Publisher: Able Muse Press
ISBN: 1927409683
Category : Poetry
Languages : en
Pages : 84
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Book Description
In The Borrowed World, Emily Leithauser transforms keenly felt experience and bittersweet memories into poems of impressive craftsmanship. She deftly muses on the dichotomies of, among other things, childhood and growing up, the headiness of love gained and the pangs of love lost, the joys of the nuclear family and the trials when it gets broken up. Although a first book, The Borrowed World is the seasoned work of poet of abundant talent coming into her powers and deservedly, the winner of the 2015 Able Muse Book Award. PRAISE FOR THE BORROWED WORLD: In The Borrowed World, Emily Leithauser’s formal mastery—her consummate knack for writing lines and sentences as crisp and elegant as the Edo prints to which she pays homage—entwines with the sheer immediacy and vulnerability of the poet’s voice. Leithauser portrays the inevitability of loss, in romantic and familial relationships, and yet, without ever offering false resolutions or pat conclusions, she manages to make her poems themselves convincing stays against loss. I mean that this book is made to endure. The Borrowed World marks the arrival of a major talent. —Peter Campion, 2015 Able Muse Book Award judge, author of El Dorado Emily Leithauser’s first collection, The Borrowed World, is an elegant meditation on inheritance, the vagaries of love and loss, familial relations—with all the devastating implosions within—and our relationship to the past filtered through the flawed lens of memory. These are deeply felt poems and Leithauser has a finely-tuned ear for the lyricism of syntax and the enduring rhythms of traditional forms. The Borrowed World is her stunning debut. —Natasha Trethewey, 2012–2014 US Poet Laureate, author of Thrall If her intensely accurate perceptions of the physical world and the beautiful forms in which she sets those perceptions were all that Emily Leithauser gave us in these poems, they would be more than enough to satisfy the hungriest poetry reader. But step by perspicuous step, in poem after poem, she enlarges and encompasses, she broadens and deepens and transmutes perception into feeling, feeling into thought, and thought into revelation. —Vijay Seshadri, winner of the Pulitzer Prize, author of 3 Sections Love poems, family poems, narrative poems: The Borrowed World is a moving and memorable debut which covers a lot of ground but is always rooted in actualities. The poems are very well-made, too, but their equally great distinction is to be well-felt—subtle in their account of the observing “I,” and simultaneously generous and shrewd in their understanding of others. Page by page, they create a series of powerful cameos; taken as a whole, their larger purpose emerges: to register what can be known and (especially) not known about our lives as individuals, and to value what time allows us to enjoy on earth, while admitting the brevity of our stay here. —Andrew Motion, 1999–2009 UK Poet Laureate, author of The Customs House I have read The Borrowed World several times, and each time I find more in it to be delighted and touched by. Emily Leithauser’s art waits for you, and I am sure that you will be as pleased and moved by it as I have been. —Michael Palma (from the foreword), author of Begin in Gladness
Author: Kelly Rowe
Publisher: Able Muse Press
ISBN: 1773491091
Category : Poetry
Languages : da
Pages : 74
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Book Description
In Kelly Rowe’s Rise above the River, we find a sister powerless to redress her brother’s fall from grace after the trauma of his childhood sexual abuse by a female authority figure. Rise above the River interrogates in a quest for answer, meaning, reason, justice, and mercy—along the way, exploring the conceit of the fallen angel with ekphrases on artwork such as Alexandre Cabanel’s L’ange déchu and Hugo Simberg’s The Wounded Angel. This powerful and emotionally charged collection is the winner of the 2021 Able Muse Book Award. PRAISE FOR RISE ABOVE THE RIVER Lucifer, Ismene, Alexander the Great, “an obscure Civil War hero,” a Florida railroad, “the dead middle of Mississippi,” an apron swaying and twisting on a clothesline—with these figures and images, as well as with letters and visits, memories and dreams, Kelly Rowe enables us to assemble a story that can’t be told directly, to compose a picture that can’t be faced head-on. And the limpid diction and confiding tone of Rise above the River both soften and strengthen a narrative voice that finds many ways to tell the ineffable. —Rachel Hadas, author of Pandemic Almanac In this haunting book of poems, a sister remembers her younger brother, who as a child seemed always to emit a golden light to match his golden boy-soprano voice. Adventurous, imaginative, a lover of trees and water, he was more Huck Finn than angel. Then, as Randall Jarrell once observed, something went wrong. Could it have been innate or could it have been, as the poet suspects, the ill attentions of one of her brother’s teachers, a woman who was never properly called out for her abuse? The lyrical reminiscences of the older sister, as she watches her brother grow in his estrangement, his greed, his inability to feel for others, contrast painfully with these aspects of his life and character. This is a beautifully written book about a man whose fall is irredeemable. The mystery is why. This is a shattering book of poems about lost innocence and beauty. —Mark Jarman, 2021 Able Muse Book Award judge, author of The Heronry From personal recounting and reflection to rethinking classical mythology, this collection presents an eclectic, engaging contemplation throughout, underscored by a haunting and often surprising rhyme that ties us doubly to the moment we are reading. In reading these poems, we are so often starkly surprised by the strong, sure leaps—“Snow falling. / Her white feet. / Her aria.” Sometimes quietly and sometimes loudly, these poems lead us into their important mix. The several reconciliations at the end draw these poems into closing, but in their moment they gift us with a persuasive sense of greater connection to things simply and innately significant—underscored by profound feeling. —Alberto Ríos, author of The World Has Need of You ABOUT THE AUTHOR: Kelly Rowe’s chapbook Flying South on the Back of a Dove was published by the Texas Review Press in January 2019. Her second chapbook, Child Bed Fever, was selected for the 2021 Rane Arroyo Series, and published by Seven Kitchens Press in November 2022. She has recently published poems in journals including North American Review, New Ohio Review, 32 Poems, Massachusetts Review, Salamander, and New Letters. She lives in Flagstaff, Arizona, and works as a volunteer attorney, representing undocumented women.
Author: Maryann Corbett
Publisher: Able Muse Press
ISBN: 1927409918
Category : Poetry
Languages : en
Pages : 102
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Book Description
Maryann Corbett’s Street View is a panorama of views: suburban and urban avenues, shown in leaf and in snow; alleyways where misfits lurk in darkness, but also where “Adonis, charioteer of municipal waste collection, rides with the morning”; and boulevards of old buildings whose elegance remains undeniable, even when “prinked in the clown suit of commerce.” Street View also navigates the resiliency and failings of the human body, and the memories of family and pivotal acquaintances that shape viewpoints for good or ill. This is the work of a seasoned poet in command of her craft, and deservedly, a finalist for the 2016 Able Muse Book Award. PRAISE FOR STREET VIEW: Assaulted, as we all are, by relentless, restless noise-throbbing subwoofers, urban construction, cynical marketing and violent news, even our own banal chitchat-Maryann Corbett “strafe[s] back with the whole Roget/ and gun[s her] engine to its own rough strife. . . .” Though her weapons, her engines, are stillness, insight, and rhythm, there is indeed a sense in which the poems in Street View wallop their subjects with language. The exquisite, seemingly effortless grace of these poems with their penetrating music and humor deserve a commendation like that the poet gives Veronese: “This is the catechesis/ we need now, for the kind of sight we work with/ here, where the world kabooms.” -George David Clark Given her gift with detail, Maryann Corbett is the perfect person to offer a view, but an even more perfect person to offer a “street view,” the title of her new collection. While Corbett has made a career of being precise, she can be whimsical as well, right down to the “Northrop Mall . . . as fixed and formal as an English sonnet.” Yet perhaps her greatest strength is that she is not afraid to be the quiet steady gaze that takes in everything: all the things most people would miss. -Kim Bridgford Maryann Corbett takes the ode less traveled (not to mention the terzanelle less tried and the dactylic hexameter almost unheard of) to oddly familiar destinations: the West Side Y in New York City, Grand Avenue in St. Paul, the dentist’s clinic. She is a rhapsodist of times past and places lost or endangered, but she also lives very much in the present. She examines experiences with shrewdness and fascination, crafting them into poems that are breathtaking in their intelligence and brio. -Susan McLean In Maryann Corbett’s new book, we are given a Street View on the world, from Minneapolis to Jerusalem. These streets are populated with a variety of town characters, from the vagrant to the dangerous academic “Weirdo” with his void-sucked soul who makes one think of mass killings. Suffice it to say that the street view might be uglier than the view onto the mountains or the ocean, but in that ugliness can be found a clearer view on the truth of how we live today. -Tony Barnstone
