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Author: Alan Jones
Publisher: Random House
ISBN: 1907195912
Category : Music
Languages : en
Pages : 238
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Book Description
If all disco means to you is records like 'I Will Survive' and 'YMCA', tacky fashions and glitter eyeshadow, this book will be a real revelation. For Alan Jones and Jussi Kantonen, disco was an essential soundtrack to their lives. They loved its total hedonistic excess, its drive, its punch and its sweet, catchy melodies. For every chart hit that pounded into the public's consciousness, countless other better tracks were causing hair-raising highs on dance floors where Alan and Jussi and thousands of aficionados like them were strutting their funky stuff. Disco started in obscure underground clubs as a glamour-filled reaction to the plodding, self-indulgent rock music of the late '60s and really took off in the excitement-parched early '70s. Created by people marginalised by their colour (black), race (Latino), sexuality (gay) or class (working), the music and its attendant lifestyle inevitably became watered down and distorted once it slipped from the control of small independent labels and became a worldwide craze. The massive popularity of films such as Saturday Night Fever and the accompanying Bee Gees soundtrack led people to believe that this was disco. But the authors, by exploring such diverse strands as Eurodisco and roller disco, gay disco, and disco fashions, drugs and clubs, show this to be untrue, and instead uncover the magical, multi-layered genre in all its shining, strobe-lit glory. They believe in mirror balls.
Author: Alan Jones
Publisher: Random House
ISBN: 1907195912
Category : Music
Languages : en
Pages : 238
Get Book Here
Book Description
If all disco means to you is records like 'I Will Survive' and 'YMCA', tacky fashions and glitter eyeshadow, this book will be a real revelation. For Alan Jones and Jussi Kantonen, disco was an essential soundtrack to their lives. They loved its total hedonistic excess, its drive, its punch and its sweet, catchy melodies. For every chart hit that pounded into the public's consciousness, countless other better tracks were causing hair-raising highs on dance floors where Alan and Jussi and thousands of aficionados like them were strutting their funky stuff. Disco started in obscure underground clubs as a glamour-filled reaction to the plodding, self-indulgent rock music of the late '60s and really took off in the excitement-parched early '70s. Created by people marginalised by their colour (black), race (Latino), sexuality (gay) or class (working), the music and its attendant lifestyle inevitably became watered down and distorted once it slipped from the control of small independent labels and became a worldwide craze. The massive popularity of films such as Saturday Night Fever and the accompanying Bee Gees soundtrack led people to believe that this was disco. But the authors, by exploring such diverse strands as Eurodisco and roller disco, gay disco, and disco fashions, drugs and clubs, show this to be untrue, and instead uncover the magical, multi-layered genre in all its shining, strobe-lit glory. They believe in mirror balls.
Author: R. E. Butler
Publisher: R. E. Butler
ISBN:
Category : Fiction
Languages : en
Pages : 200
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Book Description
After narrowly avoiding a personal disaster, she-wolf Alyssa Morgan can’t wait to leave her wolf pack and start her life over. Trying to rebuild her shattered self-esteem, she swears off relationships. When she accepts a job at Stone’s gym, working for three hunky were-hyena brothers, she discovers the hardest thing she ever had to do wasn’t leaving her pack, but keeping them at arm’s length. Dante, Cairo, and Mason Stone have been unlucky in love. As were-hyenas, they need to share a mate, and they hadn’t found the right woman… until Alyssa walks through the door. But the sweet she-wolf is anything but interested in a relationship with them. Oppressed within her wolf pack, she doesn’t see herself as worthy of their affection. When her life is threatened and they almost lose her, they decide it’s time to convince her that she is their mate and they are perfect for each other. This story contains one she-wolf trying to find herself, three overprotective were-hyenas with love on their minds, m/f/m/m interaction, neck biting, and symbolic tattoos.
Author: MONICA MARIA DE OLIVEIRA
Publisher: Editora Bibliomundi
ISBN: 1526068362
Category : Fiction
Languages : en
Pages : 130
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Book Description
When two spoiled rich kids meet and one of them tries to get the upper hand on the other it turns into a big mess. Jae-In tries to stud In Hee and in the end both end up being forced to marry. She only hates him due to the cost of what she has to pay, he not knowing what to do considering that from her point of view it was all a joke. Both are forced to mature and face day-to-day difficulties, with all perks removed. Love, Comedy and a lot of confusion will mark their lives.
Author: Stan Hawkins
Publisher: Routledge
ISBN: 135154909X
Category : Music
Languages : en
Pages : 210
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Book Description
The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient. The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom. Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs.
Author: Bob Dylan
Publisher: Simon and Schuster
ISBN: 1442468165
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
WINNER OF THE NOBEL PRIZE IN LITERATURE The classic anthem to youth from Bob Dylan, one of our best-loved songwriters, reimagined as a picture book by award-winning illustrator Paul Rogers. Since it first appeared on the 1974 album Planet Waves, "Forever Young" has been one of Bob Dylan's most beloved songs. Now award-winning artist Paul Rogers gives us a new interpretation of the lyrics. With images inspired by classic Dylan songs and pieces of his life, this is a bold and touching tribute to an anthem whose message will always stay forever young.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1114
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Book Description
Author: James Greene
Publisher: Rowman & Littlefield
ISBN: 1493048252
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
“Rarely has a movie this expensive provided so many quotable lines.” So wrote Roger Ebert in his review of Ghostbusters, the 1984 blockbuster that handed our paranormal fears over to some of the sharpest comic minds of the day. Ghostbusters instantly resonated with audiences thanks to eye-popping special effects and crackling wit; to date, it remains the highest-grossing horror comedy of all time. The film spawned an Emmy-nominated Saturday morning cartoon, a tentpole 1989 sequel, a contentious 2016 reboot, legions of merchandise, and one of the most dedicated fan bases in history. Ghostbusters also elevated its players to superstardom, something a few cast members found more daunting than the Stay Puft Marshmallow Man. Now, for the first time, the entire history of the slime-soaked franchise is told in A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever. The cohesion of talent during the mid-’70s comedy revolution, the seat-of-their-pants creation of the first Ghostbusters, the explosive success that seemed to mandate a franchise, the five year struggle to make Ghostbusters II, the thirty-one-year struggle to make Ghostbusters III—it’s all here, with incredible attention to detail. Thoroughly researched and engaging, A Convenient Parallel Dimension smashes long-held myths and half truths about the dynamics behind this cultural juggernaut and presents the real story, down to the last drop of ectoplasm.
Author: Daniel de Visé
Publisher: Grove Press
ISBN: 0802160999
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture “They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
Author: Tilman Baumgartel
Publisher: John Hunt Publishing
ISBN: 178904152X
Category : Art
Languages : en
Pages : 391
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Book Description
Elvis Presley and Karlheinz Stockhausen. The Beatles and Andy Warhol. Terry Riley and Ken Kesey. What all these artists have in common is that loops have played a significant role in their work. The short sequences of sounds or images repeated using recording media have proved to be an astonishingly flexible, versatile and momentous aesthetic method in post-World War II art and music. Today, loops must be counted among the most important creative tools of postmodern art and music. Yet until now they have been largely overlooked as an aesthetic phenomenon. Now, for the first time, this book tells a secret story of the 20th century: how a formerly inconspicuous basic function of all modern media technology gave rise to complete artistic oeuvres, musical styles such as minimal music, hip hop and techno, and, most recently, entire scenes and subcultures that would have been unthinkable without loops.
Author: Antje Lehmann
Publisher: GRIN Verlag
ISBN: 3640126084
Category : Biography & Autobiography
Languages : en
Pages : 42
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Book Description
Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 1,7, LMU Munich, course: Proseminar "Popular Music & American Society, 1955-Present: An Introduction", language: English, abstract: The term "genre" is often confusing. When asked to categorize certain songs or groups into musical genres, many people will probably have trouble to do so. There are many genres, and not all of them are accepted or even known by everyone. Some genres are hard to tell apart for many people. One of the more widely accepted genres is disco. Most people would, however, not regard it as one of the most important genres in music history. Common associations with disco include the Bee Gees, the Village People, and the movie "Saturday Night Fever". Disco, for most people, is easy-listening and has a slightly tacky image. But why was disco so successful during the 1970s? And how come that with the disco revival of the 1990s, the shadowy existence of disco during the 1980s was exchanged for retro reminiscence? The fact that disco is not considered an important part of music history is shown by its rather stepmotherly treatment in literature. Of the literature used for this work, the books Just My Soul Responding by Brian Ward (though containing a fairly short section on disco) and A Change Is Gonna Come by Craig Werner, both proved to be very useful regarding the evaluation of disco as a product of its time. The books Hot Stuff by John-Manuel Andriote and Saturday Night Forever by Alan Jones and Jussi Kantonen are less scientific, but in exchange they both offer very enthusiastic inside views by people who seem to have lived for disco in the 1970s. Both are thoroughly researched and full of interesting additional information. The purpose of both books is to raise awareness of the importance disco had on the music industry, and on the people themselves, back in the 1970s. The lack of literature on disco is in a way compensated for by many
