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Author: Catherine M. Schlegel
Publisher: Univ of Wisconsin Press
ISBN: 0299209539
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of violence, hierarchy, and domination. Focusing on the relationships between speaker and audience and between old and new style, Schlegel examines the internal conflicts of a notoriously difficult text. This exciting contribution to the field of Horatian studies will be of interest to classicists as well as other scholars interested in the genre of satire.
Author: Catherine M. Schlegel
Publisher: Univ of Wisconsin Press
ISBN: 0299209539
Category : Literary Criticism
Languages : en
Pages : 198
Get Book
Book Description
In his first book of Satires, written in the late, violent days of the Roman republic, Horace exposes satiric speech as a tool of power and domination. Using critical theories from classics, speech act theory, and others, Catherine Schlegel argues that Horace's acute poetic observation of hostile speech provides insights into the operations of verbal control that are relevant to his time and to ours. She demonstrates that though Horace is forced by his political circumstances to develop a new, unthreatening style of satire, his poems contain a challenge to our most profound habits of violence, hierarchy, and domination. Focusing on the relationships between speaker and audience and between old and new style, Schlegel examines the internal conflicts of a notoriously difficult text. This exciting contribution to the field of Horatian studies will be of interest to classicists as well as other scholars interested in the genre of satire.
Author: Jonathan Greenberg
Publisher: Cambridge University Press
ISBN: 1107030188
Category : Humor
Languages : en
Pages : 335
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Book Description
Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Author: Carolyn Wells
Publisher:
ISBN: 9781619520608
Category :
Languages : en
Pages : 308
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Book Description
Satire, though a form of literature familiar to everyone, is difficult to define. Partaking variously of sarcasm, irony, ridicule, and burlesque, it is exactly synonymous with no one of these. Satire is primarily dependent on the motive of its writer. Unless meant for satire, it is not the real thing; unconscious satire is a contradiction of terms, or a mere figure of speech.Secondarily, satire depends on the reader. What seems to us satire to-day, may not seem so tomorrow. Or, what seems satire to a pessimistic mind, may seem merely good-natured chaff to an optimist. This, of course, refers to the subtler forms of satire. Many classic satires are direct lampoons or broadsides which admit of only one interpretation.Literature numbers many satirists among its most honoured names; and the best satires show intellect, education, and a keen appreciation of human nature. Often satire provides best examples of a kindly tolerance for the vice or folly in question, and even hint the acceptance of the conditions condemned. Again in the hands of a carping and unsympathetic critic satire is used with vitriolic effects on sins for which the writer has no mercy.It is the compiler¿s regret that a great mass of material is necessarily omitted for lack of space; other selections are discarded because of their present untimeliness, which deprives them of their intrinsic interest. But an endeavour has been made to represent the greatest and best satiric writers, and also to include at least extracts from the masterpieces of satire.
Author: Steve Israel
Publisher: Simon and Schuster
ISBN: 1476772231
Category : Fiction
Languages : en
Pages : 304
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Book Description
Pharmaceutical salesman Morris Feldstein accidentally puts a non-business charge on his credit card that gets flagged by a government-surveillance-program supercomputer, leading to his becoming public enemy number one.
Author: Sergio Yona
Publisher: Oxford University Press
ISBN: 0198786557
Category : History
Languages : en
Pages : 359
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Book Description
Horace's Satires owe debts of influence to a wide range of genres and authors, including, as this study demonstrates, the moral tradition of Epicureanism. Focusing on the philosopher Philodemus of Gadara, it argues that the central concerns of his work lie at the heart of the poet's criticisms of Roman society and its shortcomings.
Author: Stewart Justman
Publisher: Northwestern University Press
ISBN: 9780810117105
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
"Justman considers satire not as a genre but as a potential available to different genres. He contrasts a line of English literature critical of journalism - writers such as Addison, Austen, and Trollope - with another less mannerly, represented by writers who exploded the stock formulas of which so much journalism is made, a line running from Swift through Dickens to Joyce and Orwell. Discussed too is the exploitation of the power of satire in political doctrine."--BOOK JACKET.
Author: Jonathan Swift
Publisher: Modernista
ISBN: 9180949193
Category : Literary Collections
Languages : en
Pages : 14
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Book Description
In one of the most powerful and darkly satirical works of the 18th century, a chilling solution is proposed to address the dire poverty and overpopulation plaguing Ireland. Jonathan Swift presents a shockingly calculated and seemingly rational argument for using the children of the poor as a food source, thereby addressing both the economic burden on society and the issue of hunger. This provocative piece is a masterful example of irony and social criticism, as it exposes the cruel attitudes and policies of the British ruling class towards the Irish populace. Jonathan Swift's incisive critique not only underscores the absurdity of the proposed solution but also serves as a profound commentary on the exploitation and mistreatment of the oppressed. A Modest Proposal remains a quintessential example of satirical literature, its biting wit and moral indignation as relevant today as it was at the time of its publication. JONATHAN SWIFT [1667-1745] was an Anglo-Irish author, poet, and satirist. His deadpan satire led to the coining of the term »Swiftian«, describing satire of similarly ironic writing style. He is most famous for the novel Gulliver’s Travels [1726] and the essay A Modest Proposal [1729].
Author: Abel Lanzac
Publisher: SelfMadeHero
ISBN: 9781906838782
Category : Comics & Graphic Novels
Languages : en
Pages : 0
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Book Description
Following 9/11, President Bush's "War on Terror" with plans to invade Iraq erupted into a cultural clash between French reluctance and American assurance over the case for "Weapons of Mass Destruction." In Weapons of Mass Diplomacy, diplomat Abel Lanzac reveals the tension and politics through a French insider's point of view, with satirical humor that softens the controversial subject matter. Readers follow Lanzac's fictionalized self, Arthur Vlaminck, a speechwriter for the French Foreign Minister. As part of a team of flamboyant ministerial advisors, he has been tasked with drafting France's response to the growing international crisis in the Middle East, which is then delivered before the United Nations Security Council. A graphic milestone of diplomacy, Weapons of Mass Diplomacy--a bestseller in Europe--pro-vides a revelatory account of a period that saw French fries become "freedom fries" and an alternative perspective on the decisions leading up to the U.S.-led invasion of Iraq.
Author: Jennifer Ferriss-Hill
Publisher: BRILL
ISBN: 9004453474
Category : History
Languages : en
Pages : 108
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Book Description
This volume, from an innovative scholar of Latin Literature and Greek Old Comedy, distills the modern corpus of scholarship on Roman Satire, presenting the genre in particular through the themes of literary ambition, self-fashioning, and poetic afterlife.
Author: Catherine Keane
Publisher: Oxford University Press
ISBN: 0190293047
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons. First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic trains his readers to develop a critical perspective on every kind of authority, including his own.
