Author: Robert Orledge
Publisher: Hal Leonard Corporation
ISBN: 9781574670004
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Acquaintances, friends, fellow artists, and even antagonists share their recollections of the acknowledged leader of the French musical avant-garde. HARDCOVER.
Author: Robert Orledge
Publisher: Cambridge University Press
ISBN: 9780521350372
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.
Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141784
Category : Music
Languages : en
Pages : 403
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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author: Helen Julia Minors
Publisher: A&C Black
ISBN: 1441173080
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
Explores the roles that translation plays in a musical context, questioning the transference of sense between music and text.
Author: Roger Nichols
Publisher: Yale University Press
ISBN: 0300252552
Category : Biography & Autobiography
Languages : en
Pages : 403
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Book Description
An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called “Les Six”, Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire—opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.
Author: Richard Skinner
Publisher: Faber & Faber
ISBN: 0571305091
Category : Fiction
Languages : en
Pages : 243
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Book Description
Erik Satie - composer, dandy, eccentric - is dead. Told to select one memory to take with him into the afterlife, he finds himself in limbo with a community of the deceased, looking back at his fifty-nine years for their most precious moments. Evenings of absinthe at the Chat Noir? Friendships with Debussy, Duchamp and Man Ray? What of his great musical triumphs and disasters? How will he choose his own legacy before silent whiteness descends? Venice, 1511. In the convent of Sant' Alvise, Oliva is about to take the veil and become a bride of Christ. When her world is shaken - first, literally, by an earthquake, and then, spiritually, by forces that threaten to change the convent for ever - she begins to ask questions about her faith and her future. When she agrees to sit for Signor Avílo, the renowned portrait painter, he brings with him a diabolical object: a mirror. And reflections can be dangerous. Told with playful elegance, these are two utterly original tales of art and devotion, of religious and creative fervour. They contemplate the eternal in different ways - one examining a life only just beginning, tentatively; the other a life lived without compromise as it reaches its close.
Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 1316194612
Category : Music
Languages : en
Pages : 321
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Book Description
French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. However, despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942625
Category : Music
Languages : en
Pages : 928
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Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566474
Category : Music
Languages : en
Pages : 388
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Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 1538173344
Category : History
Languages : en
Pages : 305
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Book Description
Follow in the footsteps of history to discover the hidden places, extraordinary people, and captivating stories of Paris. Paris: Secret Gardens, Hidden Places, and Stories of the City of Light, Mary McAuliffe’s multilayered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known Paris destinations. McAuliffe’s hidden places can be small but are always revealing, whether a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with Resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the lifeblood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.
