Author: Eileen Rubery
Publisher: Harvey Miller
ISBN: 9781909400535
Category : Art, Early Christian
Languages : en
Pages : 502
Book Description
The Santa Maria Antiqua Complex in the Forum in Rome was probably established at the foot of the Palatine Hill in the 6th century. Over the following 600 years it was decorated with a unique series of frescoes bearing evidence of imperial, papal and monastic influences. Abandoned in the 9th century, limited use probably continued up to the 11th century. By the 17th century the complex was completely buried under the rising floor of the Forum. Excavations in 1900 exposed a largely intact complex containing hundreds of 6th-11th century frescoes, in some places over four layers deep and a unique Chapel of Medical Saints which suggests this was also an incubation site. The English Press hailed the site as the 'Sistine Chapel of the Ninth century'. Lavish illustrations of these frescoes, following recent restoration, make this book an indispensible resource, not only for those working on the church but also for those interested in contemporaneous material in medieval sites especially in Rome, Europe and Byzantium. This monograph contains the proceedings of an International Conference held at the British School at Rome on 4-6 December, 2013. It reports results of the major project of preservation and research led by the Soprintendenza and carried out over the last 12 years on the fabric of the church, its frescoes, floor, wall and ceiling mosaics, its drainage and infrastructure. Much of the restoration was funded by the World Monuments Fund. The conference also marked the 75th anniversary of the death of Gordon Rushforth, the first Director of the British School at Rome and the author of one of the earliest key papers on the S. Maria Antiqua site.
Santa Maria Antiqua
Rome in the Eighth Century
Author: John Osborne
Publisher: Cambridge University Press
ISBN: 1108834582
Category : Architecture
Languages : en
Pages : 313
Book Description
A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.
Publisher: Cambridge University Press
ISBN: 1108834582
Category : Architecture
Languages : en
Pages : 313
Book Description
A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.
Old Saint Peter's, Rome
Author: Rosamond McKitterick
Publisher: Cambridge University Press
ISBN: 1107041643
Category : Architecture
Languages : en
Pages : 523
Book Description
Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
Publisher: Cambridge University Press
ISBN: 1107041643
Category : Architecture
Languages : en
Pages : 523
Book Description
Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
Roma Felix – Formation and Reflections of Medieval Rome
Author: Éamonn Ó Carragáin
Publisher: Routledge
ISBN: 1351902628
Category : History
Languages : en
Pages : 671
Book Description
After the Roman empire fell, medieval Europe continued to be fascinated by Rome itself, the 'chief of cities'. Once the hub of empire, in the early medieval period Rome became an important centre for western Christianity, first of all as the place where Peter, Paul and many other important early Christian saints were martyred: their deaths for the Christian faith gave the city the appellation 'Roma Felix', 'Happy Rome'. But in Rome the history of the faith, embodied in the shrines of the martyrs, coexisted with the living centre of the western Latin church. Because Peter had been recognised by Christ as chief among the apostles and was understood to have been the first bishop of Rome, his successors were acknowledged as patriarchs of the West and Rome became the focal point around which the western Latin church came to be organised. This book explores ways in which Rome itself was preserved, envisioned, and transformed by its residents, and also by the many pilgrims who flocked to the shrines of the martyrs. It considers how northern European cultures (in particular, the Irish and English) imagined and imitated the city as they understood it. The fourteen articles presented here range from the fourth to the twelfth century and span the fields of history, art history, urban topography, liturgical studies and numismatics. They provide an introduction to current thinking about the ways in which medieval people responded to the material remains of Rome's classical and early Christian past, and to the associations of centrality, spirituality, and authority which the city of Rome embodied for the earlier Middle Ages. Acknowledgements for grants in aid of publication are due to the Publication Fund of the College of Arts, Humanities, Celtic Studies and Social Sciences at University College Cork; to the Publication Fund of the National University of Ireland, Dublin; and to the Office of the Provost, Ohio Wesleyan University.
Publisher: Routledge
ISBN: 1351902628
Category : History
Languages : en
Pages : 671
Book Description
After the Roman empire fell, medieval Europe continued to be fascinated by Rome itself, the 'chief of cities'. Once the hub of empire, in the early medieval period Rome became an important centre for western Christianity, first of all as the place where Peter, Paul and many other important early Christian saints were martyred: their deaths for the Christian faith gave the city the appellation 'Roma Felix', 'Happy Rome'. But in Rome the history of the faith, embodied in the shrines of the martyrs, coexisted with the living centre of the western Latin church. Because Peter had been recognised by Christ as chief among the apostles and was understood to have been the first bishop of Rome, his successors were acknowledged as patriarchs of the West and Rome became the focal point around which the western Latin church came to be organised. This book explores ways in which Rome itself was preserved, envisioned, and transformed by its residents, and also by the many pilgrims who flocked to the shrines of the martyrs. It considers how northern European cultures (in particular, the Irish and English) imagined and imitated the city as they understood it. The fourteen articles presented here range from the fourth to the twelfth century and span the fields of history, art history, urban topography, liturgical studies and numismatics. They provide an introduction to current thinking about the ways in which medieval people responded to the material remains of Rome's classical and early Christian past, and to the associations of centrality, spirituality, and authority which the city of Rome embodied for the earlier Middle Ages. Acknowledgements for grants in aid of publication are due to the Publication Fund of the College of Arts, Humanities, Celtic Studies and Social Sciences at University College Cork; to the Publication Fund of the National University of Ireland, Dublin; and to the Office of the Provost, Ohio Wesleyan University.
Book of Beasts
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 1606065904
Category : Art
Languages : en
Pages : 356
Book Description
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Publisher: Getty Publications
ISBN: 1606065904
Category : Art
Languages : en
Pages : 356
Book Description
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
The Making of Medieval Sardinia
Author:
Publisher: BRILL
ISBN: 9004467548
Category : History
Languages : en
Pages : 517
Book Description
This landmark volume combines classic and revisionist essays to explore the historiography of Sardinia’s exceptional transition from an island of the Byzantine empire to the rise of its own autonomous rulers, the iudikes, by the 1000s. In addition to Sardinia’s contacts with the Byzantines, Muslim North Africa and Spain, Lombard Italy, Genoa, Pisa, and the papacy, recent and older evidence is analysed through Latin, Greek and Arabic sources, vernacular charters and cartularies, the testimony of coinage, seals, onomastics and epigraphy as well as the Sardinia’s early medieval churches, arts, architecture and archaeology. The result is an important new critique of state formation at the margins of Byzantium, Islam, and the Latin West with the creation of lasting cultural, political and linguistic frontiers in the western Mediterranean. Contributors are Hervin Fernández-Aceves, Luciano Gallinari, Rossana Martorelli, Attilio Mastino, Alex Metcalfe, Marco Muresu, Michele Orrù, Andrea Pala, Giulio Paulis, Giovanni Strinna, Alberto Virdis, Maurizio Virdis, and Corrado Zedda.
Publisher: BRILL
ISBN: 9004467548
Category : History
Languages : en
Pages : 517
Book Description
This landmark volume combines classic and revisionist essays to explore the historiography of Sardinia’s exceptional transition from an island of the Byzantine empire to the rise of its own autonomous rulers, the iudikes, by the 1000s. In addition to Sardinia’s contacts with the Byzantines, Muslim North Africa and Spain, Lombard Italy, Genoa, Pisa, and the papacy, recent and older evidence is analysed through Latin, Greek and Arabic sources, vernacular charters and cartularies, the testimony of coinage, seals, onomastics and epigraphy as well as the Sardinia’s early medieval churches, arts, architecture and archaeology. The result is an important new critique of state formation at the margins of Byzantium, Islam, and the Latin West with the creation of lasting cultural, political and linguistic frontiers in the western Mediterranean. Contributors are Hervin Fernández-Aceves, Luciano Gallinari, Rossana Martorelli, Attilio Mastino, Alex Metcalfe, Marco Muresu, Michele Orrù, Andrea Pala, Giulio Paulis, Giovanni Strinna, Alberto Virdis, Maurizio Virdis, and Corrado Zedda.
The Domus Aurea Book. Ediz. Inglese
Author: Vincenzo Farinella
Publisher:
ISBN: 9788891828477
Category : Social Science
Languages : en
Pages : 256
Book Description
The palace of Nero is a visionary monument, decorated with monsters, fantastic animals and mythical scenes taken from the Homeric poems to create a colourful and seductive imagery. The part of this sumptuous ostentation of power that survived the damnatio memoriae of the emperor after his death is the pavilion on the Oppian Hill, over which the foundations of the new Baths of Trajan were built.0The volume opens with a portrait of Nero, a prince-artist whose complexity can only be guessed between the lines of a violently hostile biographical tradition. There follow, in order, the vicissitudes of the building, between rediscoveries (in the 15th century) and new condemnations (after the Council of Trent), an investigation into the ?grotesque? style from Raphael to the present day and a final chapter on the links with the imagery of contemporary art. The images that accompany the texts, as in all the volumes in this series, range from 19th-century paintings to maps and archaeological finds and, together with quotations, give the reader an unconventional and yet scholarly overview of the history of this magnificent monument.
Publisher:
ISBN: 9788891828477
Category : Social Science
Languages : en
Pages : 256
Book Description
The palace of Nero is a visionary monument, decorated with monsters, fantastic animals and mythical scenes taken from the Homeric poems to create a colourful and seductive imagery. The part of this sumptuous ostentation of power that survived the damnatio memoriae of the emperor after his death is the pavilion on the Oppian Hill, over which the foundations of the new Baths of Trajan were built.0The volume opens with a portrait of Nero, a prince-artist whose complexity can only be guessed between the lines of a violently hostile biographical tradition. There follow, in order, the vicissitudes of the building, between rediscoveries (in the 15th century) and new condemnations (after the Council of Trent), an investigation into the ?grotesque? style from Raphael to the present day and a final chapter on the links with the imagery of contemporary art. The images that accompany the texts, as in all the volumes in this series, range from 19th-century paintings to maps and archaeological finds and, together with quotations, give the reader an unconventional and yet scholarly overview of the history of this magnificent monument.
Reuse and Renovation in Roman Material Culture
Author: Diana Y. Ng
Publisher: Cambridge University Press
ISBN: 110847389X
Category : Architecture
Languages : en
Pages : 293
Book Description
The reuse of architectural and sculptural materials (spoliation) was common centuries earlier than previously realized, during the Roman empire.
Publisher: Cambridge University Press
ISBN: 110847389X
Category : Architecture
Languages : en
Pages : 293
Book Description
The reuse of architectural and sculptural materials (spoliation) was common centuries earlier than previously realized, during the Roman empire.
The Churches and Catacombs of Early Christian Rome
Author: Matilda Webb
Publisher: Liverpool University Press
ISBN: 9781902210582
Category : Architecture
Languages : en
Pages : 0
Book Description
An archaeologist who has worked extensively in Greece and Italy, Webb sets out 13 itineraries for travelers who want to visit monuments of Christian Rome from the first century, when the Apostles Peter and Paul came to the imperial capital, to the late ninth, the end of the Carolingian Renaissance. She also includes directions for seeing the pope. Distributed in the US by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
Publisher: Liverpool University Press
ISBN: 9781902210582
Category : Architecture
Languages : en
Pages : 0
Book Description
An archaeologist who has worked extensively in Greece and Italy, Webb sets out 13 itineraries for travelers who want to visit monuments of Christian Rome from the first century, when the Apostles Peter and Paul came to the imperial capital, to the late ninth, the end of the Carolingian Renaissance. She also includes directions for seeing the pope. Distributed in the US by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
Mosaics in the Medieval World
Author: Liz James
Publisher: Cambridge University Press
ISBN: 1108508596
Category : Art
Languages : en
Pages : 1748
Book Description
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Publisher: Cambridge University Press
ISBN: 1108508596
Category : Art
Languages : en
Pages : 1748
Book Description
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.