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Author: J.D. Lewis-Williams
Publisher: Ohio University Press
ISBN: 0821444581
Category : Art
Languages : en
Pages : 159
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Book Description
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Author: J.D. Lewis-Williams
Publisher: Ohio University Press
ISBN: 0821444581
Category : Art
Languages : en
Pages : 159
Get Book Here
Book Description
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Author: David Lewis-Williams
Publisher: Thames & Hudson
ISBN: 0500770468
Category : Social Science
Languages : en
Pages : 268
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Book Description
Goes to the heart of contemporary arguments about the "primitive" and the "modern" minds, and draws new social, anthropological, and ethnographic conclusions about the nature of ancient societies. How did ancient peoples—those living before written records—think? Were their thinking patterns fundamentally different from ours today? Researchers over the years have certainly believed so. Along with the Aborigines of Australia, the indigenous San people of southern Africa—among the last hunter-gatherer societies on Earth—became iconic representatives of all our distant ancestors and were viewed as either irrational fantasists or childlike, highly spiritual conservationists. Since the 1960s a new wave of research among the San and their world-famous rock art has overturned these misconceived ideas. Here, the great authority David Lewis-Williams and his colleague Sam Challis reveal how analysis of the rock paintings and engravings can be made to yield vital insights into San beliefs and ways of thought. This is possible because we possess comprehensive transcriptions, made in the nineteenth century, of interviews with San informants who were shown copies of the art and gave their interpretations of it. Using the analogy of the Rosetta Stone, the authors move back and forth between these San texts and the rock art, teasing out the subtle meanings behind both. The picture that emerges is very different from past analysis: this art is not a naive narrative of daily life but rather is imbued with power and religious depth.
Author: William D. Hyder
Publisher:
ISBN:
Category : Cave paintings
Languages : en
Pages : 37
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Book Description
"The subject matter of the San marcos Pass paintings is familiar. The simple geometrics--paralell lines, zigzaga, circles, dots, and grids--form the basis of art from the beginnings of human history. Some say these elements arise from experiences with altered states of consciousness. Deer, fish, birds, insects, amphibians, and humans appear in abstract and naturalistic forms. Others defy neat explanation." Description from the Introduction page 1.
Author: Patricia Vinnicombe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 414
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Book Description
The cornerstone of current understanding of rock art of the San of Drakensberg First published in 1976, People of the Eland was the first major step away from the outsider's view upon San rock art that had dominated studies of rock art for nearly a century. The book, an account of the rock art of the San of the Drakensberg Range, was also about the mountain San themselves: their lives, their beliefs, their culture and their history during colonisation. The book not only brought an extraordinary and dynamic body of art to the attention of a global audience, but also helped to lay the foundations for a new generation of research into the meaning of prehistoric art. People of the Eland aimed to gain an insider's view of the rock art using San understandings of the world. While following this approach, it quickly became clear to Vinnicombe that the art was very far from simple depictions of daily life as had once seemed likely, but instead reflected the most deeply held San beliefs and symbols. This approach and this understanding has now become the standard for all those working with San rock art. Whilst this early knowledge of San art has been built upon considerably since 1976, People of the Eland remains a cornerstone of our current understanding. Reprinted here in full color, with the original artwork and photographs, People of the Eland remains a seminal work, the impact of which cannot be underestimated.
Author: David Coulson
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Author: Carolyn E. Boyd
Publisher: University of Texas Press
ISBN: 1477310304
Category : Social Science
Languages : en
Pages : 220
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Book Description
Folded plate (1 leaf, 39 x 61 cm, folded to 19 x 16 cm) in pocket.
Author: Polly Schaafsma
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world. Over many centuries, the Fremont and Anasazi peoples left an artistic record in which distinctive styles are readily identifiable. The Rock Art of Utah is a guide to the many varieties of rock art found in the state. Through dozens of high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 30s, author Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy. Now in an updated edition, it will engage anyone with an interest in the ancient peoples of the Colorado Plateau.
Author: J. David Lewis-Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Author: J. David Lewis-Williams
Publisher: CUP Archive
ISBN: 9780521244602
Category : Social Science
Languages : en
Pages : 136
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Book Description
Author: David J. Lewis-Williams
Publisher: Rowman Altamira
ISBN: 0759116717
Category : Religion
Languages : en
Pages : 327
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Book Description
J. David Lewis-Williams is world renowned for his work on the rock art of Southern Africa. In this volume, Lewis-Williams describes the key steps in his evolving journey to understand these images painted on stone. He describes the development of technical methods of interpreting rock paintings of the 1970s, shows how a growing understanding of San mythology, cosmology, and ethnography helped decode the complex paintings, and traces the development of neuropsychological models for understanding the relationship between belief systems and rock art. The author then applies his theories to the famous rock paintings of prehistoric Western Europe in an attempt to develop a comprehensive theory of rock art. For students of rock art, archaeology, ethnography, comparative religion, and art history, Lewis-Williams' book will be a provocative read and an important reference.
