Author: Xiaoqiao Ling
Publisher: BRILL
ISBN: 1684176417
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
During the Manchu conquest of China (1640s–1680s), the Qing government mandated that male subjects shave their hair following the Manchu style. It was a directive that brought the physical body front and center as the locus of authority and control. Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers’ memories of lived experiences during the Ming–Qing cataclysm. For traditional Chinese men of letters, the body was an anchor of sensory perceptions and emotions. Sight, sound, taste, and touch configured ordinary experiences next to traumatic events, unveiling how writers participated in an actual and imagined community of like-minded literary men. In literature from this period, the body symbolizes the process by which individual memories transform into historical knowledge that can be transmitted across generations. The ailing body interprets the Manchu presence as an epidemic to which Chinese civilization is not immune. The bleeding body, cast as an aesthetic figure, helps succeeding generations internalize knowledge inherited from survivors of dynastic conquest as a way of locating themselves in collective remembrance. This embodied experience of the past reveals literature’s mission of remembrance as, first and foremost, a moral endeavor in which literary men serve as architects of cultural continuity.
Author: John Christopher Hamm
Publisher: Columbia University Press
ISBN: 0231549008
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Xiang Kairan, who wrote under the pen name “the Unworthy Scholar from Pingjiang,” is remembered as the father of modern Chinese martial arts fiction, one of the most distinctive forms of twentieth-century Chinese culture and the inspiration for China’s globally popular martial arts cinema. In this book, John Christopher Hamm shows how Xiang Kairan’s work and career offer a new lens on the transformations of fiction and popular culture in early-twentieth-century China. The Unworthy Scholar from Pingjiang situates Xiang Kairan’s career in the larger contexts of Republican-era China’s publishing industry, literary debates, and political and social history. At a time when writers associated with the New Culture movement promoted an aggressively modernizing vision of literature, Xiang Kairan consciously cultivated his debt to homegrown narrative traditions. Through careful readings of Xiang Kairan’s work, Hamm demonstrates that his writings, far from being the formally fossilized and ideologically regressive relics their critics denounced, represent a creative engagement with contemporary social and political currents and the demands and possibilities of an emerging cultural marketplace. Hamm takes martial arts fiction beyond the confines of genre studies to situate it within a broader reexamination of Chinese literary modernity. The first monograph on Xiang Kairan’s fiction in any language, The Unworthy Scholar from Pingjiang rewrites the history of early-twentieth-century Chinese literature from the standpoints of genre fiction and commercial publishing.
Author: James A. Flath
Publisher: UBC Press
ISBN: 0774842342
Category : Art
Languages : en
Pages : 233
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Book Description
History and art come together in this definitive discussion of the Chinese woodblock print form of nianhua, literally "New Year pictures." James Flath analyzes the role of nianhua in the home and later in the theatre and relates these artworks to the social, cultural, and political milieu of North China as it was between the late Qing dynasty and the early 1950s. Among the first studies in any field to treat folk art as historical text, this extraordinary account offers original insight into popular conceptions of domesticity, morality, gender, society, modernity, and the transformation of the genre as a propaganda tool under communism.
Author: Kimberly Besio
Publisher: State University of New York Press
ISBN: 0791480496
Category : Philosophy
Languages : en
Pages : 222
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Book Description
This is the first book-length treatment in English of Three Kingdoms (Sanguo yanyi), often regarded as China's first great classical novel. Set in the historical period of the disunion (220–280 AD), Three Kingdoms fuses history and popular tradition to create a sweeping epic of heroism and political ambition. The essays in this volume explore the multifarious connections between Three Kingdoms and Chinese culture from a variety of disciplines, including history, literature, philosophy, art history, theater, cultural studies, and communications, demonstrating the diversity of backgrounds against which this novel can be studied. Some of the most memorable episodes and figures in Chinese literature appear within its pages, and Three Kingdoms has had a profound influence on personal, social, and political behavior, even language usage, in the daily life of people in China today. The novel has inspired countless works of theater and art, and, more recently, has been the source for movies and a television series. Long popular in other countries of East Asia, such as Japan, Korea, and Vietnam, Three Kingdoms has also been introduced to younger generations around the globe through a series of extremely popular computer games. This study helps create a better understanding of the work's unique place in Chinese culture.
Author: HU A-Xiang
Publisher: Taylor & Francis
ISBN: 1040120903
Category : History
Languages : en
Pages : 265
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Book Description
This is the first volume of a two-volume set on the names of China, focusing on the country's official titles throughout history. Using interdisciplinary approaches from fields such as history, geography, ethnic studies, linguistics, psychology and toponymy, this two-volume set examines the origin and evolution of China's names over more than 4,000 years of history. The first volume examines the official names of the country given by the rulers or government, including the names of the imperial dynasties, from the earliest Xia to the last Qing, and the title of the Republic of China, which symbolises a new era in national naming. The author examines the common features as well as the cultural contexts and historical traditions that underlie these diverse titles. The origins and meanings of national titles, their secondary connotations, evolving understandings and related implications are explored. The book also analyses the lifespan and spatial references of these national titles. This book will appeal to both academic and general readers interested in Chinese history, Chinese historical geography and Chinese toponymy.
Author: Boqun Fan
Publisher: Cambridge University Press
ISBN: 1107068568
Category : Literary Criticism
Languages : en
Pages : 831
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Book Description
The first English translation of one of the most authoritative and significant studies in the field of modern Chinese literature.
Author: Thomas Mullaney
Publisher: Univ of California Press
ISBN: 0520289757
Category : History
Languages : en
Pages : 419
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Book Description
Constituting over ninety percent of China's population, Han is not only the largest ethnonational group in that country but also one of the largest categories of human identity in world history. In this pathbreaking volume, a multidisciplinary group of scholars examine this ambiguous identity, one that shares features with, but cannot be subsumed under, existing notions of ethnicity, culture, race, nationality, and civilization.
Author: Lisa Ann Raphals
Publisher: SUNY Press
ISBN: 9780791438558
Category : Social Science
Languages : en
Pages : 378
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Book Description
Explores historical and philosophical shifts in the depiction of women and virtue in the early years of the Chinese state. Includes an examination of the history of yin-yang theories.
Author:
Publisher:
ISBN:
Category : Color prints
Languages : zh-TW
Pages : 282
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Book Description
英文题名:The album of paintings of China Yangliuqing wood-block new year pictures
Author: C. Andrew Gerstle
Publisher: Columbia University Press
ISBN: 0231504985
Category : Literary Criticism
Languages : en
Pages : 520
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Book Description
Chikamatsu Monzaemon (1653-1725), often referred to as "Japan's Shakespeare" and a "god of writers," was arguably the most famous playwright in Japanese history and wrote more than 100 plays for the kabuki and bunraku theaters. Today, the plays of this major literary figure are performed on kabuki and bunraku stages as well as in the modern theater, and forty-nine films of his plays have been made, thirty-one of them from the silent era. Translations of Chikamatsu's plays are available, but we have few examples of his late work, in which he increasingly incorporated stylistic elements of his shorter, contemporary dramas into his longer period pieces. Translator C. Andrew Gerstle argues that in these mature history plays, Chikamatsu depicted the tension between the private and public spheres of society by combining the rich character development of his contemporary pieces with the larger political themes of his period pieces. In this volume Gerstle translates five plays—four histories and one contemporary piece—never before available in English that complement other collections of Chikamatsu's work, revealing new dimensions to the work of this great Japanese playwright and artist.
