Samuel F.B. Morse, Educator and Champion of the Arts in America PDF Download
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Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 120
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Book Description
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 120
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Book Description
Author: George F. Botjer
Publisher: Lexington Books
ISBN: 1498501419
Category : History
Languages : en
Pages : 149
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Book Description
The Morse telegraph launched the electronic telecommunications industry and reduced the travel time of information from days, weeks and months to seconds and minutes. It was one of the most important breakthrough inventions of all time. George F. Botjer's examination of the creator of the telegraph is based on previously unpublished archival sources. It considers Samuel F. B. Morse, the creator of the first telegraph, and the ways in which place and time had an effect on the launch of his invention and his resulting fame, and how the invention affected the inventor himself.
Author: Eleanor Jones Harvey
Publisher: Princeton University Press
ISBN: 0691200807
Category : Art
Languages : en
Pages : 445
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Book Description
The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics Alexander von Humboldt (1769–1859) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC September 18, 2020–January 3, 2021
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Paul J. Staiti
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 112
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Book Description
Author: David Bernard Dearinger
Publisher: Hudson Hills
ISBN: 9781555950293
Category : Art
Languages : en
Pages : 712
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Book Description
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
Author: William Kloss
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 160
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Book Description
Painter / inventor / biography / paintings / telegraph: invention, alphabet etc.
Author: Alan Trachtenberg
Publisher: Macmillan
ISBN: 9780374522490
Category : History
Languages : en
Pages : 356
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Book Description
Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.
Author: Sarah Kate Gillespie
Publisher: MIT Press
ISBN: 0262334100
Category : Photography
Languages : en
Pages : 227
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Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
Author: Thomas Bender
Publisher: Knopf
ISBN: 0307831523
Category : History
Languages : en
Pages : 639
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Book Description
New York Intellect is Thomas Bender's remarkable look at the connections between the life of a city and the life of the mind. New York has never been comfortable or convenient as a milieu for art and intellect, Bender notes. Yet New Yorkers have always struggled to create institutions and styles of thought and writing that reflect the special character of the city, its boundless energies and deep divisions.
