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Author: Museum of Modern Art (New York, N.Y.). Film Library
Publisher:
ISBN:
Category : Film
Languages : en
Pages : 1
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Book Description
Author: Museum of Modern Art (New York, N.Y.). Film Library
Publisher:
ISBN:
Category : Film
Languages : en
Pages : 1
Get Book Here
Book Description
Author: Museum of Modern Art (New York, N.Y.). Circulating Film Library
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 8
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Book Description
Author: Barnes Museum of Cinematography
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 68
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Book Description
Author: Cummer Museum of Art and Gardens
Publisher:
ISBN:
Category : Jacksonville (Fla.)
Languages : en
Pages : 14
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Book Description
Author: Karen Redrobe
Publisher: Duke University Press
ISBN: 0822391430
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become. Contributors: George Baker, Rebecca Baron, Karen Beckman, Raymond Bellour, Zoe Beloff,Timothy Corrigan, Nancy Davenport, Atom Egoyan, Rita Gonzalez, Tom Gunning, Louis Kaplan, Jean Ma, Janet Sarbanes, Juan A. Suárez
Author: Mary Anne Goley
Publisher: Rowman & Littlefield
ISBN: 1538145383
Category : Business & Economics
Languages : en
Pages : 264
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Book Description
Democracy’s Medici: The Federal Reserve and the Art of Collecting is a profile of the central bank seen from the perspective of the author’s unorthodox art-historical career as founding Director of the Fine Arts Program of the Board of Governors of the Federal Reserve System. This is an insider’s view by an art historian about the Federal Reserve culture, larger-than-life personalities, and the fine arts function set against the broader backdrop, both of the Fed’s banking and regulatory mission, and the economic, political, and social context. During her 31-year tenure, Goley organized over 110 exhibitions on a range of subjects from New York Graffiti artists to the first U.S. exhibit of Charles Rennie Mackintosh. Adding a diplomatic mission to her portfolio, beginning in 1988, Goley worked with central banks and museums in Austria, Greece, Hungary, Israel, Poland, Romania, Spain, Switzerland, and The Netherlands to bring exhibits to the Federal Reserve. Scholarly contributions included the exhibitions: The Hague School and Its American Legacy, The Paintings of Eduard J. Steichen, AustrianBiedermeier, and Polish Constructivism, among others. Two exhibitions resulted in foreign decorations from The Netherlands and Luxembourg. In 2006 Goley organized The Face of Contemporary Art in China, the first of its kind in Washington, DC, for the Federal Reserve Board. She was twice knighted, in 1982 by Queen Beatrix of The Netherlands and in 1988 by the Grand Duke of Luxembourg. With little guidance, she built a remarkable art collection where there was none. J. Carter Brown, Director of the National Gallery of Art, wrote of the Fed’s program, "It is a model for others in our field to see someone take a challenge and make so much of it." You can find an interview with the author herehttps://www.youtube.com/watch?v=m40d0sTQEec.
Author: United States. Congress. Senate. Committee on Rules and Administration
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: Rongji Zhu
Publisher: Brookings Institution Press
ISBN: 0815726295
Category : Political Science
Languages : en
Pages : 424
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Book Description
China's explosive transformation from a planned economy to a more market-oriented one over the past three decades owes much to the charismatic reformer Zhu Rongji. As China's premier from 1998 to 2003, Zhu displayed a pragmatism and strong work ethic that have been key forces in China's drive to greater modernization and global stature. During this time, Zhu embarked on a plan to reduce the size of government and reform the heavily indebted banking system and state-owned enterprises as well as to overhaul the housing and health care systems. His sweeping efforts ranged from lobbying for the establishment of stock exchanges to revitalizing agriculture through the introduction of a modern grain market. The ramifications of these reforms are still being felt throughout China and the globe, and The Road to Reform provides a real-time look at these plans as they were being formulated during the 1990s to the early 2000s. The second of a two-volume collection containing more than 100 speeches and personal papers by Zhu, this volume is a revealing and insightful look at Zhu's thinking and will lead to greater understanding of one of the world's two largest economic powers.
Author: Massimiliano Gioni
Publisher: Rizzoli Publications
ISBN: 0847847160
Category : Art
Languages : en
Pages : 265
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Book Description
A long-overdue survey of an essential West Coast artist whose humorous works delve into America’s underbelly and evolving counterculture. Over the past thirty years, Jim Shaw has become one of America’s most visionary artists, moving between painting, sculpture, and drawings, while building connections between his own psyche and the larger political, social, and spiritual history of America. Shaw’s imagery is mined from comic books, record covers, conspiracy magazines, obscure religious pamphlets, and other cultural refuse to produce a portrait of the American subconscious out of his personal obsessions. Shaw, along with fellow Michigan native Mike Kelley, moved to California in the 1970s to attend Cal Arts and was one of a number of notable artists to emerge from the school in the early 1980s. Shaw’s work is distinguished by rigorous formal and structural analyses of neglected forms of vernacular culture. Accompanying a major exhibition, this is the first major monograph devoted to the entirety of the artist’s unique, multifaceted career.
Author: Gabriel Bump
Publisher: Algonquin Books
ISBN: 1643750224
Category : Fiction
Languages : en
Pages : 267
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Book Description
A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.
