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Author: David Pagel
Publisher: Contemporary Painters Series
ISBN: 9781848223288
Category : Painting, American
Languages : en
Pages : 0
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Book Description
Blending the reflected cultural climate of his adopted home, Los Angeles, with the multi-layered world of American popular culture, Jim Shaw creates rich dreamlike worlds within distinct bodies of work. Addressing, for the first time, how the artist's oeuvre inter-relates, this substantial monograph argues that the artist's seemingly disparate series actually function together to present a lucid and insightful portrait of America today. Emerging out of the long West Coast shadows of California Assemblage by way of LA Pop and Conceptualism, Shaw's narrative-driven art marries art history and contemporary existence, as well as literature and comic books, ancient myths and modern movies, science and its variations in popular psychology--not only blurring the boundaries between art and life, but also cultivating that confusion to consider the relationship between fact and fiction that seems to define so much of the world we inhabit today. Giving contemporary viewers an effective way to think about art, this publication is an invaluable resource for those interested in painting today and its interaction with modern life.
Author: David Pagel
Publisher: Contemporary Painters Series
ISBN: 9781848223288
Category : Painting, American
Languages : en
Pages : 0
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Book Description
Blending the reflected cultural climate of his adopted home, Los Angeles, with the multi-layered world of American popular culture, Jim Shaw creates rich dreamlike worlds within distinct bodies of work. Addressing, for the first time, how the artist's oeuvre inter-relates, this substantial monograph argues that the artist's seemingly disparate series actually function together to present a lucid and insightful portrait of America today. Emerging out of the long West Coast shadows of California Assemblage by way of LA Pop and Conceptualism, Shaw's narrative-driven art marries art history and contemporary existence, as well as literature and comic books, ancient myths and modern movies, science and its variations in popular psychology--not only blurring the boundaries between art and life, but also cultivating that confusion to consider the relationship between fact and fiction that seems to define so much of the world we inhabit today. Giving contemporary viewers an effective way to think about art, this publication is an invaluable resource for those interested in painting today and its interaction with modern life.
Author: Massimiliano Gioni
Publisher: Rizzoli Publications
ISBN: 0847847160
Category : Art
Languages : en
Pages : 265
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Book Description
A long-overdue survey of an essential West Coast artist whose humorous works delve into America’s underbelly and evolving counterculture. Over the past thirty years, Jim Shaw has become one of America’s most visionary artists, moving between painting, sculpture, and drawings, while building connections between his own psyche and the larger political, social, and spiritual history of America. Shaw’s imagery is mined from comic books, record covers, conspiracy magazines, obscure religious pamphlets, and other cultural refuse to produce a portrait of the American subconscious out of his personal obsessions. Shaw, along with fellow Michigan native Mike Kelley, moved to California in the 1970s to attend Cal Arts and was one of a number of notable artists to emerge from the school in the early 1980s. Shaw’s work is distinguished by rigorous formal and structural analyses of neglected forms of vernacular culture. Accompanying a major exhibition, this is the first major monograph devoted to the entirety of the artist’s unique, multifaceted career.
Author:
Publisher: Jrp Ringier
ISBN: 9783037645659
Category :
Languages : en
Pages : 104
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Book Description
Dream-inspired book covers for imaginary pulp novels by Americana connoisseur-bricoleur Jim Shaw Since the 1970s, American artist Jim Shaw (born 1952) has used his multimedia artistic practice as a means of exploring and exploiting pop-culture iconography. This publication focuses on one of the key series in Shaw's corpus, in which he draws inspiration from the Anglo-American graphic design and illustrative tradition of cheap paperback books. Inspired by the artist's intense dreaming life, the Paperback Covers series (1996-2013) recreates the lurid imagery associated with pulp novels, with vertical canvases that depict fantastical and irreverent imagery: in one, a werewolf in suspenders is struck by an oncoming 18-wheeler; in another, a line of chorus girls dance in front of a vampire and a woman in red as the couple is in engulfed by flames. Though these "books" bear no text, Shaw's paintings evoke exciting narratives within a single image. All the inventoried Paperback Covers are collected in this softcover volume along with a text by Charlie Fox.
Author: Jim Shaw
Publisher: Jrp Ringier
ISBN: 9783037641873
Category : Art and society
Languages : en
Pages : 0
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Book Description
My Mirage (1986 - 1991) is the first major body of work by Jim Shaw, an artist from Los Angeles who started exhibiting in the late 1970s.Composed of nearly 170 pieces - each one drawn, silk-screened, photographed, sculpted, filmed or painted in a different style - My Mirage recounts the wandering of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 1970s. His is a story of unceasing failure. After an anxious childhood, Billy later withdraws from the guilt-wracked spasms of adolescence in order to lose himself in a psychedelic utopia, which soon becomes a nightmare. In the depth of psychotic hallucinations, he follows a woman who he worships into a pagan sect, before finally returning to the religion of his youth, 'reborn' as a fundamentalist Christian.From the onset of the series, My Mirage has been constructed with the idea of the book as model. Not only does the overarching narrative take the form of a coming of age novel, but many of the individual pieces make direct reference to a book format. Created in close collaboration with Jim Shaw, the book thus presents itself as the culmination of the artist's original project. My Mirage - The Book will allow Jim Shaw's ever-growing audience to look at the whole of Billy's story for the first time. Furthermore, its format and content should appeal to a wide readership, beyond contemporary art, which includes anyone interested in the history of the counter-culture of the 1960s and 1970s, American graphic design and popular illustration.
Author: Marc-Olivier Wahler
Publisher: Walther Konig Verlag
ISBN: 9783863355845
Category : Art and religion
Languages : en
Pages : 0
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Book Description
Graphics and propaganda from secret societies, evangelical and fundamentalist movements, new-age spiritualists, Scientologists, Freemasons, ultraconservatives and all kinds of conspirators; encyclopedias for children and even Dr. Netter's famous medical illustrations--with The Hidden World, Los Angeles-based artist Jim Shaw (born 1952) exhibits the incredible collection of didactic graphic art that is the main source of inspiration for his diversely informed art. Renowned for his striking paintings, drawings, videos, installations and performances, Shaw is also a compulsive collector, constantly on the hunt for pop-culture arcana in thrift stores or on the Internet. The Hidden World gives the reader the chance to dive into an overflowing world of paintings, sculptures, brochures, t-shirts, books, vinyl and educational material that recycles the myriad myths and beliefs of America. A lengthy interview with Shaw elucidates his fascination with this visual world.
Author: Marc-Olivier Wahler
Publisher: Msu Broad
ISBN: 9781941789070
Category : Art
Languages : en
Pages : 200
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Book Description
Published on the occasion of the major exhibition of the same title, this catalogue is the first to place the practices of artists Mike Kelley (1954-2012) and Jim Shaw (b. 1952) alongside each other in historical context, approaching their work as parallel visual meditations on Midwestern culture in particular and on American culture more broadly. The catalogue begins with their meeting at the University of Michigan in Ann Arbor and early collaborations, branching out to present major bodies of work from each artist with a specific interest in tracing the lines of influence as rooted in the vernacular visual cultures of Michigan and the Midwest. Illustrations of the artists' source material, their individual works, and installation views from the exhibition feature prominently throughout the publication, and essays by exhibition co-curators Marc-Olivier Wahler, Carla Acevedo-Yates, and Steven L. Bridges also unpack the many narratives layered in the exhibition, including an interview with Jim Shaw.
Author: Jim Shaw
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
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Book Description
Most people consider their dreams private property-too personal, too scary, and too weird to share-but not internationally renowned Los Angeles artist Jim Shaw. In Dreams, a monumental compendium of painstaking pencil drawings that bring his nocturnal dream world to life, the artist unflinchingly reveals his innermost fears, obsessions, and sexual fantasies. A diarylike picture book, Dreams is an in-depth look at one of the most important facets of this seminal artist's work.
Author: James Kirkwood
Publisher:
ISBN:
Category :
Languages : en
Pages : 700
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Book Description
Author: Jim Shaw
Publisher:
ISBN: 9781879158016
Category : Anonymous art
Languages : en
Pages : 0
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Book Description
Gems culled from thrift shops reveal a "twilight zone where high art, popular culture and the collective unconscious overlap."--The New York Times
Author:
Publisher:
ISBN: 9780978869786
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Facsimile edition of Destroy All Monsters Magazine including remnants of the "lost" seventh issue, which was never released. This limited edition facsimile is comprised of the publication signed by the collective's original members: Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Also included is an 8x10 silver print by Cary Loren and a small glycine baggie of dirt from God's Oasis--the commune Mike Kelley and Jim Shaw lived in from 1974 to 1976 and which served as the collective's musical practice space.
