Russkie khudozhniki v Amerike...materialy russkogo iskusstva 1917-1928. [Russian artists in America...on the history of Russian art 1917-1928.]. PDF Download
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![Russkie khudozhniki v Amerike...materialy russkogo iskusstva 1917-1928. [Russian artists in America...on the history of Russian art 1917-1928.]. PDF](https://books.google.com/books/content/images/frontcover/R8nMoAEACAAJ?fife=w150-h200)
Author: David Burli︠u︡k
Publisher:
ISBN:
Category : Art, Russian
Languages : ru
Pages :
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![Russkie khudozhniki v Amerike...materialy russkogo iskusstva 1917-1928. [Russian artists in America...on the history of Russian art 1917-1928.]. PDF](https://books.google.com/books/content/images/frontcover/R8nMoAEACAAJ?fife=w80-h100)
Author: David Burli︠u︡k
Publisher:
ISBN:
Category : Art, Russian
Languages : ru
Pages :
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Author: British Library
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 280
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The British Library holds an extensive collection of Russian avant-garde books of the early twentieth century and an expanding collection of Russian artists' books from the late 1960s to the present. Although all are included in the Library's catalogues these often contain no reference to the books' designers and many masterpieces have only recently come to light.The first edition of this catalogue provided direct access to a collection that embraces two major Russian artistic movements, futurism and constructivism. It has since become a standard reference tool for libraries, booksellers and researchers in the identification of twentieth-century Russian avant-garde books. With nearly 400 additional entries, the second edition includes supplements of newly identified and recently acquired items in the collections, together with revised author/artist and title indexes. It also includes a selection of black and white illustrations and English translations of titles for researchers who do not read Russian.
Author: Peter Hellyer
Publisher: London : British Library
ISBN:
Category : Design
Languages : en
Pages : 152
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Introduction by Christine Thomas, curator of Russian collections.
Author: David Burli︠u︡k
Publisher:
ISBN:
Category :
Languages : en
Pages : 47
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Author: William Gibbs Peckham
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Author: Nicholas Vasilieff
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Author: Robert Chadwell Williams
Publisher: Cambridge : Harvard University Press
ISBN:
Category : Art
Languages : en
Pages : 328
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Documents the dispersal of Russian art in the United States, beginning with the works exhibited at the Louisiana Purchase Exposition in St. Louis in 1904.
Author: Toby Clark
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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This dissertation examines the critical reception and historical construction of Russian art in the United States between 1917 and 1939. The study focuses on two main types of Russian art; that of the Russian avant-garde, and that of artists who emigrated to the United States and achieved a high level of critical visibility and commercial success there during the 1920s. The discussion of the Russian emigre artists concentrates on the treatment of their work in the American curatorial system and art market. It examines the critical strategies used to promote these artists, particularly in the writings of Christian Brinton, who formulated a new category termed 'Slavic art' which relied on theories of racial essentialism. The subsequent decline of the careers of the emigre artists can be explained partly by reference to the reorientation in American critical values after the early 1930s. Research on the interpretation of the Russian and Soviet avantgarde in the United States is focussed on two main Modernist institutions; the Societe Anonyme during the 1920s and the Museum of Modern Art in New York after 1929. The Societe Anonyme's management of its large collection of Russian avant-garde art is discussed in relation to the contrasting aesthetic perspectives and political alignments of Katherine Dreier and Louis Lozowick, and compared with alternative interpretations in western Europe. The study of the representation of the Russian avant-garde by the Museum of Modern Art is concentrated on the writings of Alfred Barr and his critical theory of Modernism. Barr's account of the history of Russian Constructivism and Soviet cultural policies in 1936 is seen to have performed an important function for establishing an ideological position for the ascending discourses of American Modernism in opposition to the competing positions of conservative anti-Modernism and left-wing aesthetics.
Author: Robert C. Williams
Publisher:
ISBN: 9780674863033
Category : Art
Languages : en
Pages : 315
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