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Author: Olʹga Atroshchenko
Publisher: Nai010 Publishers
ISBN: 9789056627621
Category : Exoticism in art
Languages : en
Pages : 0
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Book Description
The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).
Author: Olʹga Atroshchenko
Publisher: Nai010 Publishers
ISBN: 9789056627621
Category : Exoticism in art
Languages : en
Pages : 0
Get Book Here
Book Description
The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).
Author: Olʹga Atroshchenko
Publisher:
ISBN:
Category : Orient
Languages : en
Pages : 0
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Book Description
The Groninger Museum has established a reputation for its successful exhibitions about nienteenth-century Russian art. This is the fifth major exhibition that the Groninger Museum has devoted to Russian art in recent years, continuing the series of exceptional presentations of Ilya Repin's oeuvre, Russian landscapes, the circle around Diaghilev and the exhibition on 'Russian legends, folk tales and fairy tales', which was highly popular with families. In this exhibition the Groninger Museum turns the spotlight on the symbolic, aesthetic and moral aspects of Russia's orient. Exhibition: Groninger Museum (19.12.2010-8.5.2011).
Author: Maria Taroutina
Publisher: Manchester University Press
ISBN: 1526166224
Category : Art
Languages : en
Pages : 301
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Book Description
This volume features new research on Russia’s historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia’s perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia’s colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.
Author: Elena Andreeva
Publisher: Springer Nature
ISBN: 3030363384
Category : History
Languages : en
Pages : 374
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Book Description
“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.” - Jeff Sahadeo, Associate Professor, Carleton University, Canada “Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s 'civilizing' mission in the East.” - Harsha Ram, Associate Professor, University of California, Berkeley, USA This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin. It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise. It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.
Author: Andrew M. Nedd
Publisher: Springer Nature
ISBN: 3031603354
Category :
Languages : en
Pages : 279
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Book Description
Author: Dominik Gutmeyr
Publisher: LIT Verlag Münster
ISBN: 3643507887
Category : History
Languages : en
Pages : 317
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Book Description
In Russia's cultural memory, the Caucasus is a potent point of reference, to which many emotions, images, and stereotypes are attached. The book gives a new reading of the development of Russia's perception of its borderlands and presents a complex picture of the encounter between the Russians and the indigenous population of the Caucasus. The study outlines the history of a region standing in between Russian reveries and Russian imperialism. (Series: Studies on South East Europe, Vol. 19) [Subject: History, Russian Studies, Ethnology]
Author: Jennifer Keating
Publisher: Oxford University Press
ISBN: 0192667505
Category : History
Languages : en
Pages : 267
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Book Description
On Arid Ground focuses on the relationships between empire and environment in Central Asia, using environmental history to examine the practice of Russian imperialism in Turkestan at the end of empire, from the 1860s until 1916. It reveals for the first time a comprehensive assessment of the environmental imprint of Russian colonisation, and shows how local ecologies fitted into broader repertoires of imperial rule, accommodation, and resistance. Ranging widely above and below the surface in Turkestan, from the deserts of Transcaspia to the highlands and lowlands of rural Fergana and Semirech'e, Jennifer Keating explores infrastructure development, migrant settlement, land reclamation and dispossession, the commodification of nature, and environmental violence to reveal the ways in which ecological change was central to the building and breaking of empire. Attentive to connections, synchronicities and scale, On Arid Ground makes the case for looking beyond cotton and water in Central Asian context, for the powerful material role played by animals and plants, sand, silt, and salt in human histories, and for the less visible relationships between far-flung people and things within and beyond Turkestan's borders. Laying bare the political roots and repercussions of environmental change, the volume brings fresh perspectives both to the history of Central Asia and to that of the wider Russian empire across Eurasia.
Author: Margaret Samu
Publisher: Cornell University Press
ISBN: 1501757040
Category : Art
Languages : en
Pages : 243
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Book Description
This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
Author: Jeremy Howard
Publisher: Routledge
ISBN: 1317001028
Category : Art
Languages : en
Pages : 352
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Book Description
Hailed as a brilliant theoretician, Voldemārs Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian ’primitivism’, i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian ’play of masses and weights’. The book will appeal to students of modernism, orientalism, ’primitivism’, historiography, African art, and the history of the photography of sculpture.
Author: Zhulduzbek Abylkhozhin
Publisher: Rowman & Littlefield
ISBN: 1793641633
Category : History
Languages : en
Pages : 213
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Book Description
Stalinism in Kazakhstan: History, Memory, and Representation is a multi-disciplinary collection of essays from Central Asian authors. The volume is devoted to violence and socio-economic transformation during the Stalinist repressions in Kazakhstan and explores collective trauma, selective memory, and representations in contemporary art and literature.
