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Author: Robert C. Williams
Publisher:
ISBN: 9780674863033
Category : Art
Languages : en
Pages : 315
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Book Description
Author: Robert C. Williams
Publisher:
ISBN: 9780674863033
Category : Art
Languages : en
Pages : 315
Get Book Here
Book Description
Author: Roann Barris
Publisher: Taylor & Francis
ISBN: 100092761X
Category : Art
Languages : en
Pages : 171
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Book Description
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Author: Norman E. Saul
Publisher: Scarecrow Press
ISBN: 0810862573
Category : History
Languages : en
Pages : 496
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Book Description
For more than 200 years the United States and Russia have shared a multi-faceted relationship. Because of the rise of power the two countries enjoyed in the late 19th and through the 20th century, Russian-American relations have dominated much of recent world history. Prior to World War II the two countries had relatively friendly contacts in culture, commerce, and diplomacy, however, as they contested for supremacy during the Cold War relations turned hostile and competitive. With the apparent end of the Cold War with the collapse of the Soviet Union and of communism in 1991, the relationship continues to evolve and the future looks uncertain but promising. The Historical Dictionary of United States-Russian/Soviet Relations identifies the key issues, individuals, and events in the history of U.S.-Russian/Soviet relations and places them in the context of the complex and dynamic regional strategic, political, and economic processes that have fashioned the American relationship with Russia. This is done through a chronology, a bibliography, an introductory essay, and several hundred cross-referenced dictionary entries on key persons, places, events, institutions, and organizations.
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
Author: David Cannadine
Publisher: Vintage
ISBN: 0593467310
Category : Biography & Autobiography
Languages : en
Pages : 832
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Book Description
A landmark work from one of the preeminent historians of our time: the first published biography of Andrew W. Mellon, the American colossus who bestrode the worlds of industry, government, and philanthropy, leaving his transformative stamp on each. Andrew Mellon, one of America’s greatest financiers, built a legendary personal fortune from banking to oil to aluminum manufacture, tracking America’s course to global economic supremacy. As treasury secretary under Presidents Harding, Coolidge, and finally Hoover, Mellon made the federal government run like a business–prefiguring the public official as CEO. He would be hailed as the architect of the Roaring Twenties, but, staying too long, would be blamed for the Great Depression, eventually to find himself a broken idol. Collecting art was his only nonprofessional gratification and his great gift to the American people, The National Gallery of Art, remains his most tangible legacy.
Author: Boris Volodarsky
Publisher: Frontline Books
ISBN: 1526792281
Category : History
Languages : en
Pages : 466
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Book Description
This book is new in every aspect and not only because neither the official history nor an unofficial history of the KGB, and its many predecessors and successors, exists in any language. In this volume, the author deals with the origins of the KGB from the Tsarist Okhrana (the first Russians secret political police) to the OGPU, Joint State Political Directorate, one of the KGB predecessors between 1923 and 1934. Based on documents from the Russian archives, the author clearly demonstrates that the Cheka and GPU/OPGU were initially created to defend the revolution and not for espionage. The Okhrana operated in both the Russian Empire and abroad against the revolutionaries and most of its operations, presented in this book, are little known. The same is the case with regards to the period after the Cheka was established in December 1917 until ten years later when Trotsky was expelled from the Communist Party and exiled, and Stalin rose to power. For the long period after the Revolution and up to the Second World War (and, indeed, beyond until the death of Stalin) the Chekaâs main weapon was terror to create a general climate of fear in a population. In the book, the work of the Cheka and its successors against the enemies of the revolution is paralleled with British and American operations against the Soviets inside and outside of Russia. For the first time the creation of the Communist International (Comintern) is shown as an alternative Soviet espionage organization for wide-scale foreign propaganda and subversion operations based on the new revelations from the Soviet archives Here, the early Soviet intelligence operations in several countries are presented and analyzed for the first time, as are raids on the Soviet missions abroad. The Bolshevik smuggling of the Russian imperial treasures is shown based on the latest available archival sources with misinterpretations and sometimes false interpretations in existing literature revised. After the Bolshevik revolution, Mansfield Smith-Cumming, the first chief of SIS, undertook to set up âan entirely new Secret Service organization in Russiaâ. During those first ten years, events would develop as a non-stop struggle between British intelligence, within Russia and abroad, and the Cheka, later GPU/OGPU. Before several show âspy trialsâ in 1927, British intelligence networks successfully operated in Russia later moving to the Baltic capitals, Finland and Sweden while young Soviet intelligence officers moved to London, Paris, Berlin and Constantinople. Many of those operations, from both sides, are presented in the book for the first time in this ground-breaking study of the dark world of the KGB
Author: Norman E. Saul
Publisher: Rowman & Littlefield
ISBN: 1442244372
Category : Political Science
Languages : en
Pages : 528
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Book Description
The conduct of the foreign relations of the Russian state in its several contexts—Kiev Rus, Muscovy, Russian Empire, Provisional Government, Union of Soviet Socialist Republics, and Russian Federation—were unique in its common currents from the beginning to the present. Geography was certainly a key factor, located in the center of the world's largest land mass and surrounded by often hostile forces. “All of the Russias” had to confront the problems of open frontiers and the conduct of relations with a number of adjacent states of different ethnicity, and with many that were more distant. No other nation states had to face such complex and divergent circumstances over their histories. Most other Great Powers were neighbors of similar states in culture and historical background, whereas Russia had to deal with Asian, as well as European countries. The Historical Dictionary of Russian and Soviet Foreign Policy covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important individuals, events, and other aspects of the foreign policy of this important country. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian foreign policy.
Author: Julia Vaingurt
Publisher: Northwestern University Press
ISBN: 0810166526
Category : Art
Languages : en
Pages : 322
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Book Description
In postrevolutionary Russia, as the Soviet government was initiating a program of rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. In spite of their professed utilitarianism, however, most avant-gardists created works that can hardly be regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists’ investment of technology with aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold’s theater, Tatlin’s and Khlebnikov’s architectural designs, Mayakovsky’s writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture.
Author: Catherine Walworth
Publisher: Penn State Press
ISBN: 0271080426
Category : Art
Languages : en
Pages : 250
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Book Description
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Author: Margaret A. Rose
Publisher: Cambridge University Press
ISBN: 9780521369794
Category : Art
Languages : en
Pages : 234
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Book Description
An original and challenging study of Marxist aesthetic theory from an art-historical perspective.
