Runes and Cadences, Being Ancestral Memories of Old Heroic Days PDF Download
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Author: Robert Emmet Kennedy
Publisher:
ISBN:
Category : Music, irish
Languages : en
Pages : 120
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Author: Robert Emmet Kennedy
Publisher:
ISBN:
Category : Music, irish
Languages : en
Pages : 120
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Author: Bryan Giemza
Publisher: LSU Press
ISBN: 0807150924
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
In this comprehensive study, Bryan Giemza retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Beginning with the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates nineteenth-century writers contending with the turbulence of their time -- writers influenced by both American and Irish revolutions, dramatists and propagandists of the Civil War, and memoirists of the Lost Cause. Some familiar names arise in an Irish context, including Joel Chandler Harris and Kate (O'Flaherty) Chopin. Giemza then turns to the works of twentieth-century writers, such as Margaret Mitchell, John Kennedy Toole, and Pat Conroy. For each author, Giemza traces the impact of Catholicism on their ethnic identity and their work. Giemza draws on many never-before-seen documents, including the correspondence of Cormac McCarthy, interviews with members of the Irish community in Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively history prompts a new understanding of how the Catholic Irish in the South helped invent a regional myth, an enduring literature, and a national image.
Author: John Shelton Reed
Publisher: LSU Press
ISBN: 0807147664
Category : History
Languages : en
Pages : 346
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In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
Author:
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Category : American literature
Languages : en
Pages : 1366
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Author:
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ISBN:
Category : Bibliography
Languages : en
Pages : 962
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Author:
Publisher:
ISBN:
Category : Book collecting
Languages : en
Pages : 864
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Author: North Carolina College for Women. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 542
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Author: Bessie Graham
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Best books
Languages : en
Pages : 736
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Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1068
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Author: Mary Burnham
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1612
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