Rumba Guaguanco Conversations PDF Download
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Author: Arturo Rodriguez
Publisher: Mel Bay Publications
ISBN: 1619113929
Category : Music
Languages : en
Pages : 106
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Book Description
Interact and Learn is the overriding theme of this outstanding book and companion online audio. This progressive self-study course is designed to exposethe percussion student to the seductive and complex Cuban rumba style knownas guaguanco. The author offers a generous dose of text and percussion charts to be used with the recorded exercises. The rumba ensemble typically includes: claves; low, midrange, and high-pitched conga drums; the madruga (shaker) palitos (sticks applied to a hollow wooden cylinder), and vocal elements. The comprehensive quality of this book might best be illustrated by the author's emphasison using the three conga drums as pitched, melodic instruments. Sitting and hand positions and drum techniques are clearly illustrated with photographs as is the convenient instrumental glossary.This book also provides useful courseand lesson objectives for self-evaluation. The companion Audio presents percussion concepts and instruments individually and in conversation. All in all, this Book/Audio package offers a fabulous introduction. Includes access to online audio
Author: Arturo Rodriguez
Publisher: Mel Bay Publications
ISBN: 1619113929
Category : Music
Languages : en
Pages : 106
Get Book Here
Book Description
Interact and Learn is the overriding theme of this outstanding book and companion online audio. This progressive self-study course is designed to exposethe percussion student to the seductive and complex Cuban rumba style knownas guaguanco. The author offers a generous dose of text and percussion charts to be used with the recorded exercises. The rumba ensemble typically includes: claves; low, midrange, and high-pitched conga drums; the madruga (shaker) palitos (sticks applied to a hollow wooden cylinder), and vocal elements. The comprehensive quality of this book might best be illustrated by the author's emphasison using the three conga drums as pitched, melodic instruments. Sitting and hand positions and drum techniques are clearly illustrated with photographs as is the convenient instrumental glossary.This book also provides useful courseand lesson objectives for self-evaluation. The companion Audio presents percussion concepts and instruments individually and in conversation. All in all, this Book/Audio package offers a fabulous introduction. Includes access to online audio
Author: Arturo Rodriguez
Publisher: Mel Bay Publications
ISBN: 1619113937
Category : Music
Languages : en
Pages : 121
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Book Description
Welcome to the rhythm Bembe! This book/Audio set isa self-study methoddesigned to reveal the beautiful music that has been developed and maintained in Cuban culture. This is accomplished through reading, interpreting percussion charts, and interacting with a series of audio recordings and exercises which concentrate on the drum, percussion, and vocal parts of therhythm Bembe. While working through the progressive exercises and charts, you will begin to understand rhythms with a triplet swing, in otherwords, rhythms in multiples of three beats. In traditional Bembe, the supporting drums tend to remainrhythmically fixed, not deviating from a basic pattern. Also,traditional Bembe usually incorporates only a single mid-range support drum. In this lesson,some of the artistic license has been applied to these traditional aspects, adding a second mid-rangedrum to the ensemble, and expanding on the basic dialogues maintained between the supporting drums. Course objectives, a bibliography, and an extensive glossary are included. Includes access to online audio
Author: ARTURO RODRIGUEZ
Publisher: Mel Bay Publications
ISBN: 1610658884
Category : Music
Languages : en
Pages : 152
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Book Description
This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. Two companion CDs offer audio examples of all major points.
Author: Horacio Hernandez
Publisher: Alfred Music Publishing
ISBN: 9780769299471
Category : Music
Languages : en
Pages : 140
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Book Description
The ultimate technical study of four-way independence based on Afro-Cuban rhythms. This detailed and methodical approach will develop four-limb coordination and expand rhythmic vocabulary. Understanding the clave and the relationship between eighth-note and triplet rhythms will aid in mastering the multiple and complex rhythms of Afro-Cuban styles.
Author: Alan Dworsky
Publisher: SCB Distributors
ISBN: 098573986X
Category : Music
Languages : en
Pages : 69
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Book Description
Slap Happy is for kids of all ages. It turns drum rhythms into body rhythms you can step, clap, and slap with a buddy. Right from the start, you'll be learning traditional dance rhythms from West Africa and the Caribbean: Kuku from Guinea, Sunguru Bani from Mali, Kpegisu from Ghana, Bomba from Puerto Rico, and Conga from Cuba. You can do Slap Happy in pairs or in groups, indoors or out, at home or at school. If you're a parent, it's a great way to do something fun and educational with your kids that doesn't require any previous musical training. If you're a music teacher, you can use Slap Happy to give your students a hands-on experience of world rhythms without having to buy any instruments. It's physical, it's funky, and it's fun! Please note: audio files of the CD that comes with the print version of this book are not included in this ebook version (but are available separately).
Author: Tomas Cruz
Publisher: Mel Bay Publications
ISBN: 1619115557
Category : Music
Languages : en
Pages : 89
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Book Description
Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section andespecially the congas. The recordings of Tomas Cruz are considered the mostadvanced examples of Timba conga-playing and so fascinated the three coauthors that they sought out Tomas Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research, thislabor of love eventually reached fruition as Volume III. Volumes II & I were then written to trace the roots of the style and to understand the path Tomas took toarrive at his phenomenal level of technical mastery and rhythmic creativity. Much more than a collection of patterns or exercises, Volume III analyzes Timba arrangements from beginning to end, explaining the role of the congas in each section, the relationship to the clave, and Tomasito's creative process, including an exercise which teaches the reader to invent his own Timba conga parts. It was the intricacies of the material of Volume III which inspired the creation of the Step by Step online video Method, which enables the reader to learn these exciting new rhythms in a fraction of the time it would take workingwith only written music and audio recordings
Author: Tomas Cruz
Publisher: Mel Bay Publications
ISBN: 1619117428
Category : Music
Languages : en
Pages : 89
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Book Description
Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero. Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the "big picture" of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of "clave" with an unprecedented level of clarity and insight. Includes access to online video.
Author: Maya J. Berry
Publisher: Duke University Press
ISBN: 1478060352
Category : Social Science
Languages : en
Pages : 190
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Book Description
In Defending Rumba in Havana, anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry’s feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Duke University Press Scholars of Color First Book Award
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 576
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Book Description
Author: Tim Edensor
Publisher: Routledge
ISBN: 1317129040
Category : Science
Languages : en
Pages : 254
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Book Description
In Rhythmanalysis, Henri Lefebvre put forward his ideas on the relationship between time and space, particularly how rhythms characterize space. Here, leading geographers advance and expand on Lefebvre's theories, examining how they intersect with current theoretical and political concerns within the social sciences. In terms of geography, rhythmanalysis highlights tensions between repetition and innovation, between the need for consistency and the need for disruption. These tensions reveal the ways in which social time is managed to ensure a measure of stability through the instantiation of temporal norms, whilst at the same time showing how this is often challenged. In looking at the rhythms of geographies, and drawing upon a wide range of geographical contexts, this book explores the ordering of different rhythms according to four main themes: rhythms of nature, rhythms of everyday life, rhythms of mobility, and the official and routine rhythms which superimpose themselves on the multiple rhythms of the body.
