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Author: Peter Paul Rubens
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 186
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Book Description
Author: Peter Paul Rubens
Publisher:
ISBN:
Category : Painting, Baroque
Languages : en
Pages : 186
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Book Description
Author: Sir Peter Paul Rubens
Publisher: Hassell Street Press
ISBN: 9781013697647
Category :
Languages : en
Pages : 200
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Peter Paul Rubens
Publisher: Courier Corporation
ISBN: 0486138259
Category : Art
Languages : en
Pages : 49
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Book Description
A generous selection of Rubens' best drawings, chiefly portraits and religious and mythical scenes, that fully reveal his supreme artistic gifts. Publisher's note.
Author: Lisa Rosenthal
Publisher: Cambridge University Press
ISBN: 9780521842440
Category : Art
Languages : en
Pages : 356
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Book Description
Gender, Politics, and Allegory in the Art of Peter Paul Rubens examines the intertwined relationship between paintings of family and marriage, and of war, peace, and statehood by the Flemish master. Drawing extensively upon recent critical and gender theory, Lisa Rosenthal reshapes our view of Rubens' works and of the interpretive practices through which we engage them. Close readings offer new interpretations of canonical images, while bringing into view other powerful works which are less familiar. The focus on gender serves as a catalyst that enables an original way of reading visual allegory, giving it a dynamic multivalence undiscovered by traditional iconographic methods.
Author: George R. Goldner
Publisher: Getty Publications
ISBN: 0892362197
Category : Drawing
Languages : en
Pages : 374
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Book Description
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author: Catherine H. Lusheck
Publisher: Routledge
ISBN: 1351770888
Category : Art
Languages : en
Pages : 398
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Book Description
Rubens and the Eloquence of Drawing re-examines the early graphic practice of the preeminent northern Baroque painter Peter Paul Rubens (Flemish, 1577–1640) in light of early modern traditions of eloquence, particularly as promoted in the late sixteenth- and early seventeenth-century Flemish, Neostoic circles of philologist, Justus Lipsius (1547–1606). Focusing on the roles that rhetorical and pedagogical considerations played in the artist’s approach to disegno during and following his formative Roman period (1600–08), this volume highlights Rubens’s high ambitions for the intimate medium of drawing as a primary site for generating meaningful and original ideas for his larger artistic enterprise. As in the Lipsian realm of writing personal letters – the humanist activity then described as a cognate activity to the practice of drawing – a Senecan approach to eclecticism, a commitment to emulation, and an Aristotelian concern for joining form to content all played important roles. Two chapter-long studies of individual drawings serve to demonstrate the relevance of these interdisciplinary rhetorical concerns to Rubens’s early practice of drawing. Focusing on Rubens’s Medea Fleeing with Her Dead Children (Los Angeles, Getty Museum), and Kneeling Man (Rotterdam, Museum Boijmans Van Beuningen), these close-looking case studies demonstrate Rubens’s commitments to creating new models of eloquent drawing and to highlighting his own status as an inimitable maker. Demonstrating the force and quality of Rubens’s intellect in the medium then most associated with the closest ideas of the artist, such designs were arguably created as more robust pedagogical and preparatory models that could help strengthen art itself for a new and often troubled age.
Author: Catharine Helen Lusheck
Publisher:
ISBN:
Category : Drawing, Flemish
Languages : en
Pages : 578
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Book Description
Author: Peter C. Sutton
Publisher: Yale University Press
ISBN: 0300106262
Category : Art
Languages : en
Pages : 284
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Book Description
Oil sketches by Peter Paul Rubens—created at speed and in the heat of invention with a colorful loaded brush—convey all the spontaneity of the great Flemish painter’s creative process. This ravishing book draws from both private and public collections to present in full color 40 of Rubens’s oil sketches. Viewers will find in these informal paintings an enchanting intimacy and gain a new appreciation of Rubens’s capacity for invention and improvisation, and of his special genius for dramatic design and coloristic brilliance. The book investigates the role of the oil sketch in Rubens’s work; the development of the artist’s themes and narratives in his multiple sketches; and the history of the appreciation of his oil sketches. It also explores some of the unique aspects of his techniques and materials. By revealing the oil sketches as the most direct record of Rubens’s creative process, the book presents him as the greatest and most fluent practitioner of this vibrant and vital medium.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993569
Category : Painters
Languages : en
Pages : 361
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Book Description
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
Author: Edmund Dulac
Publisher: Courier Corporation
ISBN: 0486479110
Category : Art
Languages : en
Pages : 132
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Book Description
Rooted in tales both ancient and modern, these vibrant images date from the early twentieth century's Golden Age of Illustration. Edmund Dulac, a prominent artist of the period, created them for books published between 1905 and 1928. Their moods range from the shadowy foreboding of Jane Eyre to the venturesome spirits of Treasure Island and the lighthearted fantasies of A Fairy Garland. Other featured titles include Shakespeare's The Tempest, The Arabian Nights, The Rubáiyát of Omar Khayyam, and the fairy tales of Hans Christian Andersen. French-born Edmund Dulac arrived in London in 1904, when new advances in the printing process kindled a rage for picture books. Dulac's imaginative powers and technical skills assured the popularity of his book illustrations, many of which were sold separately as fine art paintings. After World War I, when the appetite for deluxe volumes waned, the artist turned his talents in many new directions, including portraiture, theatrical costume and set design, newspaper caricature, and stamp design. This retrospective of his early works is the only such anthology available, offering a singular tribute to an artist from a halcyon era of art inspired by literature.
