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Author: Hans Vlieghe
Publisher:
ISBN: 9780905203577
Category : Art, Flemish
Languages : en
Pages : 406
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Book Description
This volume is the second in the series devoted to portraits and in this volume is confined to portraits painted in Antwerp, cataloguing those in which the sitters are identified. Dr. Vlieghe examines the specific stylistic evolution of Rubens as a portrait painter, and shows how clearly the portraits reflect the general development of the painter's style. Of particular interest is the way in which Rubens merged the monumental sense of form and High-Renaissance devices that he had learnt in Italy with the traditions of style and iconography current in the Southern Netherlands. Especial emphasis is laid on the emblematic character of Rubens's portraits, especially those of his own family.
Author: Hans Vlieghe
Publisher:
ISBN: 9780905203577
Category : Art, Flemish
Languages : en
Pages : 406
Get Book Here
Book Description
This volume is the second in the series devoted to portraits and in this volume is confined to portraits painted in Antwerp, cataloguing those in which the sitters are identified. Dr. Vlieghe examines the specific stylistic evolution of Rubens as a portrait painter, and shows how clearly the portraits reflect the general development of the painter's style. Of particular interest is the way in which Rubens merged the monumental sense of form and High-Renaissance devices that he had learnt in Italy with the traditions of style and iconography current in the Southern Netherlands. Especial emphasis is laid on the emblematic character of Rubens's portraits, especially those of his own family.
Author: Lisa Rosenthal
Publisher: Cambridge University Press
ISBN: 9780521842440
Category : Art
Languages : en
Pages : 356
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Book Description
Gender, Politics, and Allegory in the Art of Peter Paul Rubens examines the intertwined relationship between paintings of family and marriage, and of war, peace, and statehood by the Flemish master. Drawing extensively upon recent critical and gender theory, Lisa Rosenthal reshapes our view of Rubens' works and of the interpretive practices through which we engage them. Close readings offer new interpretations of canonical images, while bringing into view other powerful works which are less familiar. The focus on gender serves as a catalyst that enables an original way of reading visual allegory, giving it a dynamic multivalence undiscovered by traditional iconographic methods.
Author: Joost vander Auwera
Publisher: Lannoo Uitgeverij
ISBN: 9789020972429
Category : Art
Languages : en
Pages : 308
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Book Description
Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research
Author: Adam Sammut
Publisher: BRILL
ISBN: 9004276386
Category : Art
Languages : en
Pages : 556
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Book Description
This book is about the Dominican church in Antwerp (today St Paul’s). It is structured around three works of art, made or procured by Peter Paul Rubens: the Fifteen Mysteries of the Rosary cycle (in situ), Caravaggio’s Rosary Madonna (Vienna) and the Wrath of Christ high altarpiece (Lyon). Within the artist’s lifetime, the church and monastery were completely rebuilt, creating one of the most spectacular sacred spaces in Northern Europe. In this richly illustrated book, Adam Sammut reconceptualises early modern churches as theatres of political economy, advancing an original approach to cultural production in a time of war. Using methodologies at the cutting edge of the humanities, the place of St Paul’s is restored to the crux of Antwerp’s commercial, civic and religious life.
Author: Alejandro Vergara
Publisher: Getty Publications
ISBN: 1606064304
Category : Art
Languages : en
Pages : 116
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Book Description
The six glorious scenes that make up the Triumph of the Eucharist series by Peter Paul Rubens (1577–1640) are highlights of the Museo Nacional del Prado’s superb collection of Flemish paintings. Completed in 1626, these brilliantly detailed sketches were painted at the behest of the Infanta Isabel Clara Eugenia in preparation for a series of monumental tapestries that are now considered among the finest made in Europe in the seventeenth century. Unfortunately, additions to the wooden supports, introduced after the paintings were created, made the panels considerably larger than Rubens intended and over time caused serious damage to the original sections. With the aid of the Getty Foundation’s Panel Paintings Initiative, the panels have been restored and returned to their original dimensions by the Prado, and the magnificent oil sketches can once again be placed on public view. This lushly illustrated and illuminating volume provides new insight into the history of the Eucharist series of paintings and tapestries and attests to Rubens’s exhilarating art. Spectacular Rubens is published on the occasion of an exhibition of the paintings, on view at the Museo Nacional del Prado from March 25 through June 29, 2014, and at the J. Paul Getty Museum from October 14, 2014, through January 4, 2015.
Author: Anne T. Woollett
Publisher: Getty Publications
ISBN: 1606066706
Category : Art
Languages : en
Pages : 194
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Book Description
The first study devoted to classical art’s vital creative impact on the work of the Flemish painter Peter Paul Rubens. For the great Peter Paul Rubens (1577–1640), the classical past afforded lifelong creative stimulus and the camaraderie of humanist friends. A formidable scholar, Rubens ingeniously transmitted the physical ideals of ancient sculptors, visualized the spectacle of imperial occasions, rendered the intricacies of mythological tales, and delineated the character of gods and heroes in his drawings, paintings, and designs for tapestries. His passion for antiquity profoundly informed every aspect of his art and life. Including 170 color illustrations, this volume addresses the creative impact of Rubens’s remarkable knowledge of the art and literature of antiquity through the consideration of key themes. The book’s lively interpretive essays explore the formal and thematic relationships between ancient sources and Baroque expressions: the significance of neo-Stoic philosophy, the compositional and iconographic inspiration provided by exquisite carved gems, Rubens’s study of Roman marble sculpture, and his inventive translation of ancient sources into new subjects made vivid by his dynamic painting style. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from November 10, 2021, to January 24, 2022.
Author: Nils Büttner
Publisher: Thames & Hudson
ISBN: 9780500093962
Category : Art, Belgian
Languages : en
Pages : 0
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Book Description
Michelangelo regarded portraiture as a trivial genre, and Peter Paul Rubens did not instantly develop a preference for it either. Yet Rubens succeeded, as none other, in endowing his portraits with an almost palpable sense of immediacy, and was to become one of the greatest portraitists of all time. His most beautiful and surprising portraits are those of his immediate family. These intimate pictures were not intended for public display and are therefore considerably freer and more experimental than the likenesses he painted of influential patrons. Nothing about these private images seems idealized. They are uncommonly honest and veracious and at the same time expressive of great tenderness. While the hundreds of letters he wrote reveal very little about his emotional life, Rubens s portraits of family members testify in a special way to the affection he felt for his first and second wives, his brother and his children.
Author: Aneta Georgievska-Shine
Publisher: Routledge
ISBN: 1351550411
Category : Art
Languages : en
Pages : 273
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Book Description
Focusing on four Rubens paintings created between 1610 and 1620 - Prometheus Bound, The Rape of the Daughters of Leucippus, Juno and Argus, and The Finding of Erichthonius - this book re-examines the artist's approach to classical mythology. These theoretically-informed readings provide a fuller understanding of the dynamics of Rubens's copious visual language, and can serve as methodological templates for looking at, and reading of, many other of his complex inventions. Even by the standards of erudition commonly applied to Rubens's oeuvre as a whole, these four paintings were created during a period characterized by a particularly intense engagement on his part with questions of artistic originality and ideal style. Furthermore, the learned themes of these images clearly point to a rarefied audience that could appreciate the intertextual qualities of ancient myths. Like the artist himself, these ideal beholders cultivated a mode of viewing steeped in classical and renaissance theories of literary and rhetorical composition. Thus through these close readings, the author illuminates the manner in which the rhetorical and poetic conventions of the period, as well as the growing appreciation for the various allegorical layers of fables, lead to a better understanding of Rubens's pictorial archaeology of classical myths.
Author: Willibald Sauerlander
Publisher: Getty Publications
ISBN: 1606062689
Category : Art
Languages : en
Pages : 316
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Book Description
The art of Rubens is rooted in an era darkened by the long shadow of devastating wars between Protestants and Catholics. In the wake of this profound schism, the Catholic Church decided to cease using force to propagate the faith. Like Gian Lorenzo Bernini, Peter Paul Rubens (1577–1640) sought to persuade his spectators to return to the true faith through the beauty of his art. While Rubens is praised for the “baroque passion” in his depictions of cruelty and sensuous abandon, nowhere did he kindle such emotional fire as in his religious subjects. Their color, warmth, and majesty—but also their turmoil and lamentation—were calculated to arouse devout and ethical emotions. This fresh consideration of the images of saints and martyrs Rubens created for the churches of Flanders and the Holy Roman Empire offers a masterly demonstration of Rubens’s achievements, liberating their message from the secular misunderstandings of the postreligious age and showing them in their intended light.
Author: Paul Vandenbroeck
Publisher: Maklu
ISBN: 9044134299
Category :
Languages : en
Pages : 282
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Book Description
At various points over the course of the 20th century, the Belgian State and its various ministries and provinces consciously chose to subsidise not only the fine arts but also the applied and decorative arts, and in particular the art of weaving tapestry. On the one hand, orders were placed for World Exhibitions and for Belgian embassies, and on the other competitions were held for tapestries to be hung in important locations such as the United Nations and NATO headquarters, and the exhibitions that were organized by the various ministries over the years. They provided an overview of the ways in which this branch of the arts was changing as well as representative work by the best tapestry designers. The exhibitions organized by the provincial authorities give quite a different image. There were the highly conventional exhibitions of Brabantine tapestries to promote the craftsmanship of the province and there were the more innovative textile exhibitions. Taken as a whole, the commissions, competitions and exhibitions give a good overview of what was happening in Belgium in the field of tapestry over the period 1945-1980. They also make it clear what image was being projected abroad: that of a country with rich traditions, master craftsmanship in weaving, and in the 1970s some affiliation to the latest developments in European textile art.
