The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror PDF Download
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Author: Brian Flota
Publisher: Routledge
ISBN: 131702026X
Category : Social Science
Languages : en
Pages : 232
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Book Description
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.
Author: Abby Anderton
Publisher: Indiana University Press
ISBN: 0253042445
Category : Music
Languages : en
Pages : 184
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Book Description
As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Author: Brian Flota
Publisher: Routledge
ISBN: 131702026X
Category : Social Science
Languages : en
Pages : 232
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Book Description
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.
Author: Martha Sprigge
Publisher: Oxford University Press
ISBN: 019754634X
Category : Music
Languages : en
Pages :
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Book Description
Antifascist and socialist monuments pervaded the landscape of the former German Democratic Republic (1949-89), presenting a distorted vision of the national past. Official commemorative culture in East Germany celebrated a selective set of political heroes, seeming to leave no public space for mourning those who were excluded from the country's founding myths. Socialist Laments: Musical Mourning in the German Democratic Republic examines the role of music in this nation's memorial culture, demonstrating how music facilitated the expressions of loss within spaces of commemoration for East German citizens. Music performed during state-sponsored memorial rituals no doubt bolstered official narratives of the German past. But it simultaneously provided an outlet for mourning in highly politicized environment. The book presents both a history and theory of musical mourning in East Germany. Using a site-specific approach to analysis, author Martha Sprigge demonstrates how the multiple semantic networks opened up by these musical works facilitated many memorial associations without necessitating the overt articulation of a mourned subject. Throughout the country's forty-year existence, music offered East German citizens an audible outlet for working through traumatic losses-both collective and individual-that was distinct from other artistic expressive possibilities. The book reveals the ways that East Germany's extensive commemorative repertoire helped composers, performers, and audiences navigate between the inevitable need to mourn on the one hand, and the seeming impossibilities of mourning on the other.
Author: Vincent Terrace
Publisher: VNR AG
ISBN: 9780918432612
Category : Television broadcasting
Languages : en
Pages : 470
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Book Description
Author: Kira Thurman
Publisher: Cornell University Press
ISBN: 150175985X
Category : Social Science
Languages : en
Pages : 434
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Book Description
In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.
Author: Emily Richmond Pollock
Publisher: Oxford University Press, USA
ISBN: 0190063734
Category : Music
Languages : en
Pages : 313
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Book Description
'Opera After the Zero Hour' argues that newly composed opera in West Germany after World War II was a site for the renegotiation of musical traditions during an era in which tradition had become politically fraught.
Author: Courtney Pace
Publisher: University of Georgia Press
ISBN: 082036178X
Category : Religion
Languages : en
Pages : 598
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Book Description
A major figure in African American social justice movements and Black theological praxis and theory, Rev. Dr. Prathia Laura Ann Hall (1940–2002) had not been the subject of a book-length critical study until Courtney Pace’s Freedom Faith: The Womanist Vision of Prathia Hall was published by the University of Georgia Press in 2019. Now with the publication of Beyond Eden: The Collected Sermons and Essays of Prathia Hall, Pace provides a volume of seminal importance to the fields of womanist theology and ethics, Black church history, and African American history. Beyond Eden explores Hall’s preaching and research, curating a collection of her work to expand scholarship on her influence on American religion and Black churches. Hall pioneered womanist preaching, embodying the necessary interconnections among theology, social science, history, and practical ministry. She was a master organizer, not only leading her congregation but facilitating collaborations among national, regional, and local organizations to serve Black churches and Black communities. The sermons and essays in this volume showcase Hall’s womanist preaching brilliance, the seamless connection between church and the academy in her work, and her understanding of the gospel as Freedom Faith. A trailblazer in the womanist movement of the 1980s and 1990s, Hall merged Christian ethics with Black feminist thought during decades of civil rights activism and preaching. Although she had very few publications due to the demands of her multifaceted vocation, health limitations, and familial responsibilities, her extensive work has been transcribed from handwritten notes and audio recordings by editor Courtney Pace.
Author: K.J. Donnelly
Publisher: Routledge
ISBN: 1134692048
Category : Music
Languages : en
Pages : 247
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Book Description
From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.
Author: Nora M. Alter
Publisher: Berghahn Books
ISBN: 9781571814371
Category : Music
Languages : en
Pages : 272
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Book Description
Working across established disciplines & methodological divides, these essays investigate the ways in which texts, artists, & performers in all kinds of media have utilized sound materials in order to enforce or complicate dominant notions of German cultural & national identity.
Author: Aeham Ahmad
Publisher: Simon and Schuster
ISBN: 1501173510
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
This astonishing true story presents an “affecting viewpoint on life in Syria before and in the midst of extreme violence” (Booklist), offering a deeply personal and unique perspective on one of the most devastating refugee crises of this century. Aeham Ahmad was born a second-generation refugee—the son of a blind violinist and carpenter who recognized Aeham’s talent and taught him how to play piano and love music from an early age. When his grandparents and father were forced to flee Israel and seek refuge from the conflict ravaging their home, Aeham’s family built a life in Yarmouk, an unofficial camp to more than 160,000 Palestinian refugees in Damascus. As a devoted family, they waited for the conflict to be resolved so they could return to their homeland. Their only haven was in music and in each other, especially when another deadly fight overtook their asylum. Forced to leave his family behind, Aeham sought out a safe place for them to call home and build a better life, taking solace in his indestructible familial bond to keep moving forward. Heart-wrenching yet ultimately optimistic and told in a raw and poignant voice, The Pianist from Syria is a “deeply moving account of one man’s struggle to survive while bringing hope to thousands through his music” (Publishers Weekly, starred review).
