Rosalie; or, the Victim of infatuation. An historical fact. Translated from the French. Embellished with a beautiful frontispiece PDF Download
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Author: ROSALIE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Author: ROSALIE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 496
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Author: Marie-Thérèse Charlotte Angoulême (duchesse d')
Publisher:
ISBN:
Category : France
Languages : en
Pages : 384
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Book Description
Author: Gerard Genette
Publisher: Cambridge University Press
ISBN: 9780521424066
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.
Author: Antoine Watteau
Publisher: Metropolitan Museum of Art
ISBN: 1588393356
Category : Artists and theater
Languages : en
Pages : 162
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Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.
Author: Henry Lewis
Publisher: St. Paul : Minnesota Historical Society
ISBN:
Category : Social Science
Languages : en
Pages : 616
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Author: James F. Tent
Publisher:
ISBN:
Category : History
Languages : en
Pages : 304
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"James Tent recounts how these men and women from all over Germany and from all walks of life struggled to survive in an increasingly hostile society, even as their Jewish relatives were disappearing into the East. It draws on extensive interviews with twenty survivors, many of whom were teenagers when Hitler came to power, to show how "half-Jews" coped with conditions on a day-to-day basis, and how the legacy of the hatred they suffered still lingers in their minds."
Author: Henry Cabot Lodge
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 298
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Author: Philip Steadman
Publisher: UCL Press
ISBN: 1787359158
Category : Art
Languages : en
Pages : 418
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Book Description
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
Author: Lyle Saxon
Publisher:
ISBN:
Category :
Languages : en
Pages : 581
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Book Description
