Romeyn de Hooghe the etcher. Contemporary portrayal of Europe 1662-1707. By [i.e. compiled by] John Landwehr PDF Download
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Author: Romein de HOOGE
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Languages : en
Pages : 406
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![Romeyn de Hooghe the etcher. Contemporary portrayal of Europe 1662-1707. By [i.e. compiled by] John Landwehr PDF](https://books.google.com/books/content/images/frontcover/LWPrrQEACAAJ?fife=w80-h100)
Author: Romein de HOOGE
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Author: John Landwehr
Publisher:
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Category : Europe
Languages : en
Pages : 0
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Author: John Landwehr
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Category :
Languages : en
Pages :
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 956
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Author: Julie Farguson
Publisher: Boydell & Brewer
ISBN: 1783275448
Category : Art
Languages : en
Pages : 423
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Book Description
The first comprehensive, comparative study of the visual culture of monarchy in the reigns of William and Mary and Queen Anne
Author: Kevin Sharpe
Publisher: Yale University Press
ISBN: 0300162014
Category : History
Languages : en
Pages : 873
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Book Description
In the climactic part of his three-book series exploring the importance of public image in the Tudor and Stuart monarchies, Kevin Sharpe employs a remarkable interdisciplinary approach that draws on literary studies and art history as well as political, cultural, and social history to show how this preoccupation with public representation met the challenge of dealing with the aftermath of Cromwell's interregnum and Charles II's restoration, and how the irrevocably changed cultural landscape was navigated by the sometimes astute yet equally fallible Stuart monarchs and their successors.
Author: Božidar Jezernik
Publisher: Cambridge Scholars Publishing
ISBN: 1443817880
Category : History
Languages : en
Pages : 201
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A human being is a symbolic creature and, to the same extent, an active inventor of otherness. Europe and Turkey, The West and the Balkans, are infinitely exploitable symbols. Any symbol, inherently polysemic and socially construed, is continuously contested and negotiated. The image of ‘the Turk’ as a ruthless plunderer is still vivid in European collective memory. Although it occasionally still verges on ethnic mythology, it clearly belongs to a past where, along with the plague and famine, this name used to be mentioned in prayers more frequently than that of God itself. In the past, the name ‘Turk’ implied the negative of the European self-image. ‘The Turk,’ assuming the role of the ‘defining other,’ was considered as everything a European was not (primitive, barbarian, savage vs. civilised). As such, this concept was one of the constitutive elements of European (Western) cultural identity. The aim of this book is nothing less than a better understanding of the European past related to the Ottomans. An intellectual traveller who takes his Orient Express at Victoria, however, will have to get off somewhere half-way and spend some time in the part of Europe set between the Alps and the Adriatic before ending his journey in Istanbul.
Author: Claartje Rasterhoff
Publisher: Amsterdam University Press
ISBN: 9048524113
Category : Art
Languages : en
Pages : 345
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Book Description
Painting and Publishing as Cultural Industries, 1580-1800 addresses how a small country like the Dutch Republic could become a major player in the creation of cultural goods during the Golden Age. On the basis of quantitative and qualitative sources from art history and book history, Claartje Rasterhoff traces the evolution of the painting and publishing industries from modest trades to booming industries. Informed by studies on cultural industries, she focuses on the role of industrial organization in shaping patterns of growth and innovation. Much like their present-day counterparts, early modern Dutch cultural industries were spatially concentrated, highly networked, and institutionally embedded. This distinct organizational structure helped to reduce uncertainty in the market and stimulated the commercial and creative potential of painters and publishers, for a century at least. Dutch painters and publishers had catered to their markets so rapidly and in such variety, that the exceptional levels of output, quality, and innovation accomplished during the first half of the seventeenth century could not be sustained. As producers came to face saturated domestic markets, they took to limiting risks and strenghtening their distribution and marketing activities. By introducing the concepts of business cycles and spatial clusters, Rasterhoff offers a novel explanation
Author: Erica Charters
Publisher: Manchester University Press
ISBN: 1526140624
Category : History
Languages : en
Pages : 427
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is the first extensive analysis of large-scale violence and the methods of its restraint in the early modern world. Using examples from Asia, Africa, the Americas and Europe, it questions the established narrative that violence was only curbed through the rise of western-style nation states and civil societies. Global history allows us to reframe and challenge traditional models for the history of violence and to rethink categories and units of analysis through comparisons. By decentring Europe and exploring alternative patterns of violence, the contributors to this volume articulate the significance of violence in narratives of state- and empire-building, as well as in their failure and decline, while also providing new means of tracing the transition from the early modern to modernity.
