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Author: Michael O'Neill
Publisher: Taylor & Francis
ISBN: 9780415247252
Category : European literature
Languages : en
Pages : 412
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Book Description
Author: Michael O'Neill
Publisher: Taylor & Francis
ISBN: 9780415247252
Category : European literature
Languages : en
Pages : 412
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Book Description
Author: Norbert Lennartz
Publisher: EUP
ISBN: 9781474439428
Category :
Languages : en
Pages : 0
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Book Description
This book approaches Byron from a completely new angle: no longer seen in terms of his status as a celebrity and a star on the book-selling market, Byron is instead seen as an outsider both in Regency society and, even more so, for his iconoclastic views of life and literature.
Author: Alex Watson
Publisher: Routledge
ISBN: 1317322320
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
This is the first critical study of Romantic-era annotation or marginalia – footnotes, endnotes, glossaries – which formed a vital site of literary interaction.
Author: Gregory Maertz
Publisher: SUNY Press
ISBN: 9780791435601
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Charts the interactive contours of European culture of the late eighteenth to mid-nineteenth centuries, extending the chronological limits of Romanticism by identifying fresh links among works, authors, contexts, and institutions across national and linguistic borders.
Author: Frederick Antal
Publisher: Taylor & Francis
ISBN: 1000738825
Category : Art
Languages : en
Pages : 306
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Book Description
First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.
Author: Tilar J. Mazzeo
Publisher: University of Pennsylvania Press
ISBN: 0812202732
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
Author: Anne K. Mellor
Publisher: Routledge
ISBN: 1136040307
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.
Author: John Savarese
Publisher:
ISBN: 9780814256053
Category :
Languages : en
Pages : 0
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Book Description
In Romanticism's Other Minds: Poetry, Cognition, and the Science of Sociability, John Savarese reassesses early relationships between Romantic poetry and the sciences, uncovering a prehistory of cognitive approaches to literature and demonstrating earlier engagement of cognitive approaches than has heretofore been examined at length. Eighteenth- and early nineteenth-century writers framed poetry as a window into the mind's original, underlying structures of thought and feeling. While that Romantic argument helped forge a well-known relationship between poetry and introspective or private consciousness, Savarese argues that it also made poetry the staging ground for a more surprising set of debates about the naturally social mind. From James Macpherson's forgeries of ancient Scottish poetry to Wordsworth's and Coleridge's Lyrical Ballads, poets mined traditional literatures and recent scientific conjectures to produce alternate histories of cognition, histories that variously emphasized the impersonal, the intersubjective, and the collective. By bringing together poetics, philosophy of mind, and the physiology of embodied experience--and with major studies of James Macpherson, Anna Letitia Barbauld, William Wordsworth, and Walter Scott--Romanticism's Other Minds recovers the interdisciplinary conversations at the heart of Romantic-era literary theory.
Author: Gal Gerson
Publisher: State University of New York Press
ISBN: 0791484793
Category : Political Science
Languages : en
Pages : 252
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Book Description
British liberalism in the period between 1870 and 1930 was a product of an era known for its intellectual crisis. During the late nineteenth century, the cohesion of reason and enlightenment was questioned in fields ranging from psychology, sociology, philosophy, biology, philology, and archaeology. In Margins of Disorder Gal Gerson considers the ways in which progressive Edwardian liberals such as Leonard Hobhouse, John Hobson, and Graham Wallas attempted to address the shift in their period's culture. New liberalism advocated government planning and expanded state services from liberal, rather than socialist, premises, and saw the sense of belonging to a community as a distinct, right-constituting human good. Gerson examines the concepts of mind, society, nature, and culture devised by new liberals over the course of several decades, and argues in favor of viewing them as a coherent stance, relevant to today's debates about the relations between market and welfare, justice and community.
Author: Mai-Lin Cheng
Publisher: Rowman & Littlefield
ISBN: 1611488699
Category : Literary Collections
Languages : en
Pages : 207
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Book Description
British Romanticism and the Literature of Human Interest explores the importance to Romantic literature of a concept of human interest. It examines a range of literary experiments to engage readers through subjects and styles that were at once "interesting" and that, in principle, were in their "interest." These experiments put in question relationships between poetry and prose; lyric and narrative; and literature and popular media. The book places literary works by a range of nineteenth-century writers including William and Dorothy Wordsworth, Thomas De Quincey, Samuel Taylor Coleridge, Mary and Percy Shelley, Lord Byron, and Matthew Arnold into dialogue with a variety of non-literary and paraliterary forms ranging from newspapers to footnotes. The book investigates the generic structures of Romantic literature and the negotiation of the status of literature in the period in relation to a new media landscape. It explores the self-theorization of Romantic literature and argues for its value to contemporary literary criticism.
