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Author: Paula R. Feldman
Publisher: JHU Press
ISBN: 9780801866401
Category : Literary Collections
Languages : en
Pages : 924
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Book Description
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
Author: Paula R. Feldman
Publisher: JHU Press
ISBN: 9780801866401
Category : Literary Collections
Languages : en
Pages : 924
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Book Description
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
Author: Stephen C. Behrendt
Publisher: JHU Press
ISBN: 0801895081
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
Approaching the work of Romantic-era British women poets through the lenses of public radicalism, war, and poetic form. This compelling study recovers the lost lives and poems of British women poets of the Romantic era. Stephen C. Behrendt reveals the range and diversity of their writings, offering new perspectives on the work of dozens of women whose poetry has long been ignored or marginalized in traditional literary history. British Romanticism was once thought of as a cultural movement defined by a small group of male poets. This book grants women poets their proper place in the literary tradition of the time. In an approach ripe for classroom teaching, Behrendt first reviews the subject thematically, exploring the ways in which the poems addressed both public concerns and private experiences. He next examines the use of particular genres, including the sonnet and various other long and short forms. In the concluding chapters, Behrendt explores the impact of national identity, providing the first extensive study of Romantic-era poetry by women from Scotland and Ireland. In recovering the lives and work of these women, Behrendt reveals their active participation within the rich cultural community of writers and readers throughout the British Isles. This study will be a key resource for scholars, teachers, and students in British literary studies, women’s studies, and cultural history.
Author: Harriet Kramer Linkin
Publisher: University Press of Kentucky
ISBN: 081315703X
Category : Poetry
Languages : en
Pages : 306
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Book Description
One of the most exciting developments in Romantic studies in the past decade has been the rediscovery and repositioning of women poets as vital and influential members of the Romantic literary community. This is the first volume to focus on women poets of this era and to consider how their historical reception challenges current conceptions of Romanticism. With a broad, revisionist view, the essays examine the poetry these women produced, what the poets thought about themselves and their place in the contemporary literary scene, and what the recovery of their works says about current and past theoretical frameworks. The contributors focus their attention on such poets as Felicia Hemans, Letitia Elizabeth Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble and argue for a significant rethinking of Romanticism as an intellectual and cultural phenomenon. Grounding their consideration of the poets in cultural, social, intellectual, and aesthetic concerns, the authors contest the received wisdom about Romantic poetry, its authors, its themes, and its audiences. Some of the essays examine the ways in which many of the poets sought to establish stable positions and identities for themselves, while others address the changing nature over time of the reputations of these women poets.
Author: Lilla Maria Crisafulli
Publisher: Rodopi
ISBN: 9042022477
Category : Law
Languages : en
Pages : 281
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Book Description
Romantic Women Poets: Genre and Gender focuses on the part played by women poets in the creation of the literary canon in the Romantic period in Britain. Its thirteen essays enrich our panoramic view of an age that is traditionally dominated by male authors such as Wordsworth, Coleridge, Byron, Shelley, Keats and Scott. Instead the volume concentrates on the poetical theory and practice of such extraordinary and fascinating women as Joanna Baillie, Charlotte Smith, Anna Laetita Barbauld, Dorothy Wordsworth, Helen Maria Williams, Lady Morgan, Ann Radcliffe, Mary Shelley, Letitia Elizabeth Landon, Anna Seward, and Lady Caroline Lamb. Female and male poetics, gender and genres, literary forms and poetic modes are extensively discussed together with the diversity of behaviour and personal responses that the individual women poets offered to their age and provoked in their readers. There have been several important collections of essays in this particular area of study in the last few years, but this volume reflects and complements much of this earlier critical work with specific strengths of its own.
Author: Duncan Wu
Publisher: Wiley-Blackwell
ISBN: 9780631203308
Category : Literary Criticism
Languages : en
Pages : 1184
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Book Description
Designed as a companion to Romanticism: An Anthology, Second Edition, this volume, dedicated exclusively to female poets of the Romantic period, contains complete and unabridged texts of: Anna Laetitia Barbauld, Eighteen Hundred and Eleven; Hannah More, Sensibility, The Bas-Bleu, and Slavery; Charlotte Smith, Elegiac Sonnets (3rd Edition), The Emigrants, and Beachy Head; Ann Yearsley, Poem on the Inhumanity of the Slave-Trade and Reflections on the Death of Louis XVI; Georgiana Cavendish, Duchess of Devonshire, The Passage of the Mountain of St Gothard, A Poem; Mary Robinson, Sappho and Phaon; Helen Maria Williams, A Poem on the Bill Lately Passed for Regulating the Slave Trade and A Farewell, for Two Years, To England; Ann Batten Cristall, Poetical Sketches; Mary Tighe, Psyche; and Felicia Dorothea Hemans, Stanzas to the Memory of the Late King, and Records of Woman. The selection includes manuscript versions of poems by Susanna Blamire and Lady Caroline Lamb. Other poets represented are: Anna Seward, Mary Scott, Phillis Wheatley, Anne Grant, Joanna Baillie, Ann Radcliffe, Amelia Opie, Charlotte Byrne (aka Charlotte Dacre), Isabella Lickbarrow, Sydney Owenson (Lady Morgan), and Letitia Elizabeth Landon (LEL).
Author: Diana Greene
Publisher: Univ of Wisconsin Press
ISBN: 0299191036
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.
Author: Meena Alexander
Publisher: Rowman & Littlefield
ISBN: 9780389208853
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
What did it mean to write as a woman in the Romantic era? How did women writers test and refashion the claims or the grand self, the central 'I, ' we typically see in Romanticism? In this powerful and original study Meena Alexander examines the work of three women: Mary Wollstonecraft (1759-97) the radical feminist who typically thought of life as 'warfare' and revolted against the social condition of women; Dorothy Wordsworth (1771-1855) who lived a private life enclosed by the bonds of femininity, under the protection of her poet brother William and his family; Mary Shelley (1797-1851), the daughter that Wollstonecraft died giving birth to, mistress then wife of the poet Percy Shelley, and precocious author of Frankenstein. Contents: Introduction: Mapping a Female Romanticism; Romantic Feminine; True Appearances; Of Mothers and Mamas; Writing in Fragments; Natural Enclosures; Unnatural Creation; Revising the Feminine; Versions of the Sublime R
Author: Jonathan Wordsworth
Publisher: Penguin UK
ISBN: 0141905654
Category : Poetry
Languages : en
Pages : 1048
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Book Description
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Author: Devoney Looser
Publisher: Cambridge University Press
ISBN: 1107016681
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
A wide-ranging and accessible account of the pioneering professional women writers who flourished during the Romantic period.
Author: Sarah MacKenzie Zimmerman
Publisher: SUNY Press
ISBN: 9780791441091
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
