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Author: Anthony Close
Publisher: Cambridge University Press
ISBN: 9780521142588
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Don Quixote has been widely read and discussed outside Spain. Interpreted before 1800 as a burlesque of chivalric romances, and implicitly described as such by Cervantes himself, it was given a sentimentalised and seriously philosophical interpretation by the German Romantics. Dr Close is essentially concerned with the question why this unhistorical and subjective reading of the novel prevailed, first in Europe, then in Spain. He examines the stages by which, from 1860, it progressively supplanted in Spain the hitherto dominant neo-classical interpretation, and shows how this process kept pace with increasing identification with movements of intellectual history, aesthetics, literary criticism and scholarship in Europe. He clarifies the complex reasons which have led Spaniards to see Don Quixote as a symbol of their cultural history and identity, and reveals how preoccupation with Spain's decadence has coloured the interpretation of the national classic by leading Spanish critics, scholars and philosophers.
Author: Anthony Close
Publisher: Cambridge University Press
ISBN: 9780521142588
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Don Quixote has been widely read and discussed outside Spain. Interpreted before 1800 as a burlesque of chivalric romances, and implicitly described as such by Cervantes himself, it was given a sentimentalised and seriously philosophical interpretation by the German Romantics. Dr Close is essentially concerned with the question why this unhistorical and subjective reading of the novel prevailed, first in Europe, then in Spain. He examines the stages by which, from 1860, it progressively supplanted in Spain the hitherto dominant neo-classical interpretation, and shows how this process kept pace with increasing identification with movements of intellectual history, aesthetics, literary criticism and scholarship in Europe. He clarifies the complex reasons which have led Spaniards to see Don Quixote as a symbol of their cultural history and identity, and reveals how preoccupation with Spain's decadence has coloured the interpretation of the national classic by leading Spanish critics, scholars and philosophers.
Author: Alfred Edwin Lussky
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Richard Bjornson
Publisher: Approaches to Teaching World L
ISBN: 9780873524797
Category : Language Arts & Disciplines
Languages : en
Pages : 188
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Book Description
Now at seventy-three volumes, this popular MLA series (ISSN 1059-1133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.
Author: Charlotte Lennox
Publisher: The Floating Press
ISBN: 1775415139
Category : Fiction
Languages : en
Pages : 770
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Book Description
The Female Quixote completely inverts the adventures of Don Quixote. While the latter mistook himself for the hero of a Romance, Arabella believes she is the fair maiden. She believes she can fell a hero with one look and that any number of lovers would be happy to suffer on her behalf.
Author: Frederick Garber
Publisher: John Benjamins Publishing
ISBN: 9630548445
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding syntheses treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: Alex Davis
Publisher: DS Brewer
ISBN: 9780859917773
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
A reinterpretation of the place and significance of chivalric culture in the sixteenth and seventeenth centuries, and what it says about contemporary attitudes to the medieval.
Author: Joanne B. Ciulla
Publisher: Bloomsbury Publishing USA
ISBN: 0275997618
Category : Business & Economics
Languages : en
Pages : 963
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Book Description
What is leadership? Not only has that question been debated since the beginning of human culture and society, but it's a moving target based on the definer, and the epoch. The definition can be thought-provoking and profound: A leader is best when people barely know he exists, not so good when people obey and acclaim him, worse when they despise him, (Lao Tzu, 6th century BC ). Or the profundity may lie shrouded in the prosaic: A leader is one who has followers, (Peter Drucker, 20th century). However you define the concept, today's challenges for leaders of all stripes are monumental, and the need for effective leadership is huge. More than anything, this set travels farther and digs deeper than most leadership books. It takes us from mere explanations of leadership to an understanding of it as part of the human condition. Reading it should be at the top of the to-do list for any leader in any era. In Leadership at the Crossroads, contributors from a wide variety of fields, including management, economics, political science, philosophy, sociology, history, literature, and psychology, explore the many facets of leadership. The set comprises: Volume 1: Leadership and Psychology; Volume 2: Leadership and Politics; Volume 3: Leadership and the Humanities. Collectively, this set showcases traditional and emerging approaches to leadership in both theory and practice and raises new questions brought on by society's new challenges. It also suggests solutions for developing and promoting leadership in the corporate world, politics and diplomacy, religion, education, non-profits, and the arts. Whether identifying qualities that will serve a U.S. president well, or the characteristics of the essential can-do supervisor in today's corporation, Leadership at the Crossroads supplies insights and intelligence that will help leaders make the most of the challenges and opportunities lying before them.
Author: Aaron M. Kahn
Publisher: Oxford University Press
ISBN: 0191060585
Category : Literary Criticism
Languages : en
Pages : 745
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Book Description
Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the Early-Modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of The Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547-1616). This volume contains seven sections, exploring in depth Cervantes's life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. Here we explore his famous novelDon Quixote de la Mancha, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.
Author: Guido Mazzoni
Publisher: Harvard University Press
ISBN: 0674974034
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
The novel is the most important form of Western art. It aims to represent the totality of life; it is the flagship that literature sends out against the systematic thought of science and philosophy. Indebted to Lukács and Bakhtin, to Auerbach and Ian Watt, Guido Mazzoni’s Theory of the Novel breaks new ground, building a historical understanding of how the novel became the modern book of life: one of the best representations of our experience of the world. The genre arose during a long metamorphosis of narrative forms that took place between 1550 and 1800. By the nineteenth century it had come to encompass a corpus of texts distinguished by their freedom from traditional formal boundaries and by the particularity of their narratives. Mazzoni explains that modern novels consist of stories told in any way whatsoever, by narrators who exist—like us—as contingent beings within time and space. They therefore present an interpretation, not a copy, of the world. Novels grant new importance to the stories of ordinary men and women and allow readers to step into other lives and other versions of truth. As Theory of the Novel makes clear, this art form narrates an epoch and a society in which individual experiences do not converge but proliferate, in which the common world has fragmented into a plurality of small, local worlds, each absolute in its particularity.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521332019
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.
