Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Romances and Narratives: Due preparations for the plague
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Romances and Narratives
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
Romances and Narratives: Robinson Crusoe
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
The Works of Daniel Defoe...: Due preparation for the plague, as well for soul as body
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
Book Description
Romances and Narratives: Due preparations for the plague
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
Book Description
Romances and Narratives
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Due Preparations for the Plague, as Well for Soul as Body
Author: Daniel Defoe
Publisher:
ISBN:
Category : Great Plague, London, England, 1664-1666
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category : Great Plague, London, England, 1664-1666
Languages : en
Pages : 294
Book Description
Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives
Author: Maximillian E. Novak
Publisher: Rowman & Littlefield
ISBN: 1611494869
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
This book explores significant problems in the fiction of Daniel Defoe. Maximillian E. Novak investigates a number of elements in Defoe’s work by probing his interest in rendering of reality (what Defoe called “the Thing itself”). Novak examines Defoe’s interest in the relationship between prose fiction and painting, as well as the various ways in which Defoe’s woks were read by contemporaries and by those novelists who attempted to imitate and comment upon his Life and Strange Surprizing Adventures of Robinson Crusoe decades after its publication. In this book, Novak attempts to consider the uniqueness and imaginativeness of various aspects of Defoe’s writings including his way of evoking the seeming inability of language to describe a vivid scene or moments of overwhelming emotion, his attraction to the fiction of islands and utopias, his gradual development of the concepts surrounding Crusoe’s cave, his fascination with the horrors of cannibalism, and some of the ways he attempted to defend his work and serious fiction in general. Most of all, Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives establishes the complexity and originality of Defoe as a writer of fiction.
Publisher: Rowman & Littlefield
ISBN: 1611494869
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
This book explores significant problems in the fiction of Daniel Defoe. Maximillian E. Novak investigates a number of elements in Defoe’s work by probing his interest in rendering of reality (what Defoe called “the Thing itself”). Novak examines Defoe’s interest in the relationship between prose fiction and painting, as well as the various ways in which Defoe’s woks were read by contemporaries and by those novelists who attempted to imitate and comment upon his Life and Strange Surprizing Adventures of Robinson Crusoe decades after its publication. In this book, Novak attempts to consider the uniqueness and imaginativeness of various aspects of Defoe’s writings including his way of evoking the seeming inability of language to describe a vivid scene or moments of overwhelming emotion, his attraction to the fiction of islands and utopias, his gradual development of the concepts surrounding Crusoe’s cave, his fascination with the horrors of cannibalism, and some of the ways he attempted to defend his work and serious fiction in general. Most of all, Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives establishes the complexity and originality of Defoe as a writer of fiction.
Daniel Defoe
Author: Maximillian E. Novak
Publisher: Oxford University Press, USA
ISBN: 9780198126867
Category : Authors, English
Languages : en
Pages : 786
Book Description
Daniel Defoe, best known as the author of Robinson Crusoe, lived during a period of dramatic historical, political, and social change in Britain, and was by any standard a superb observer of his times. Through his pamphlets, newspapers, books of travel, and works of fiction he commented onanything and everything, from birth control to the price of coal, from flying machines to academies for women, from security for the aged to the dangers of the plague. In his fiction he created a type of vivid realism that powerfully influenced the development of the novel. The publication of workssuch as Robinson Crusoe are major events because they shape the ways in which we see our world, so that ever afterwards thoughts of desolation and desert islands immediately evoke Defoe's masterpiece. We should not be surprised: Defoe always wrote to make things happen. During his career as anauthor, he was a provocative pamphleteer, journalist, and poet; but when he was not writing, he was, at times, a spy and a double agent, a revolutionary and a dreamer. He was variously hunted by mobs with murderous intent and treated as a celebrity by the most powerful leaders of the country.Imprisoned four times or more, pilloried and reviled by his enemies, through it all he never lost confidence in his ability as a writer and thinker. Daniel Defoe: Master of Fictions is the first biography to view Defoe's complex life through the angle of vision that is most important to us as modern readers--his career as a writer. From his earliest collection of brief stories, which he presented to his future wife under the sobriquet Bellmour,to his Compleat English Gentleman, left unpublished at his death, Defoe was pre-eminently a creator of fictions. This life gives us, for the first time, a full understanding of the thought and personal experience that went into such great works as Crusoe, Moll Flanders, and Roxana.
Publisher: Oxford University Press, USA
ISBN: 9780198126867
Category : Authors, English
Languages : en
Pages : 786
Book Description
Daniel Defoe, best known as the author of Robinson Crusoe, lived during a period of dramatic historical, political, and social change in Britain, and was by any standard a superb observer of his times. Through his pamphlets, newspapers, books of travel, and works of fiction he commented onanything and everything, from birth control to the price of coal, from flying machines to academies for women, from security for the aged to the dangers of the plague. In his fiction he created a type of vivid realism that powerfully influenced the development of the novel. The publication of workssuch as Robinson Crusoe are major events because they shape the ways in which we see our world, so that ever afterwards thoughts of desolation and desert islands immediately evoke Defoe's masterpiece. We should not be surprised: Defoe always wrote to make things happen. During his career as anauthor, he was a provocative pamphleteer, journalist, and poet; but when he was not writing, he was, at times, a spy and a double agent, a revolutionary and a dreamer. He was variously hunted by mobs with murderous intent and treated as a celebrity by the most powerful leaders of the country.Imprisoned four times or more, pilloried and reviled by his enemies, through it all he never lost confidence in his ability as a writer and thinker. Daniel Defoe: Master of Fictions is the first biography to view Defoe's complex life through the angle of vision that is most important to us as modern readers--his career as a writer. From his earliest collection of brief stories, which he presented to his future wife under the sobriquet Bellmour,to his Compleat English Gentleman, left unpublished at his death, Defoe was pre-eminently a creator of fictions. This life gives us, for the first time, a full understanding of the thought and personal experience that went into such great works as Crusoe, Moll Flanders, and Roxana.
The Cambridge Companion to the Eighteenth-Century Novel
Author: John Richetti
Publisher: Cambridge University Press
ISBN: 9780521429450
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.
Publisher: Cambridge University Press
ISBN: 9780521429450
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.