Roger Planchon

Roger Planchon PDF Author: Yvette Yvonne Marie Went-Daoust
Publisher: Cambridge University Press
ISBN: 052123414X
Category :
Languages : en
Pages : 270

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Roger Planchon

Roger Planchon PDF Author: Yvette Yvonne Marie Went-Daoust
Publisher: Cambridge University Press
ISBN: 052123414X
Category :
Languages : en
Pages : 270

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Book Description


Roger Planchon

Roger Planchon PDF Author: Roger Planchon
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description


Roger Planchon

Roger Planchon PDF Author: Emile Copfermann
Publisher:
ISBN:
Category :
Languages : en
Pages : 315

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Directors’ Theatre

Directors’ Theatre PDF Author: Peter M. Boenisch
Publisher: Bloomsbury Publishing
ISBN: 1352007959
Category : Performing Arts
Languages : en
Pages : 300

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Book Description
This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions

The Art of Making Theatre

The Art of Making Theatre PDF Author: Pamela Howard
Publisher: Bloomsbury Publishing
ISBN: 1350278009
Category : Performing Arts
Languages : en
Pages : 217

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Book Description
In this book, world-renowned theatre artist Pamela Howard OBE shows how her life has always been part of the art of making theatre. Part memoir, part a personal account of artistic creation, it is a work of art in its own right. Its 12 chapters, accompanied by original drawings, offer insights into Pamela Howard's creative world and the journey through life of a celebrated artist, ranging from her early life and influences, to her time at art college and the inspiration she gained from travelling the world. Following the trajectory of her life, the 12 'dreams' are poised between memory and history and give an account of an artist's growth, resilience, working patterns, and life-changing encounters with remarkable personalities and artists, as well as the practical side of working in the theatre, in visual arts and in education. Her art tells unexpected stories of little-noticed people and émigré communities, and makes performance for diverse audiences from the unique experience of one's own life. Pamela Howard's dreams have led her to work across the globe and teach and inspire several generations of theatre makers, scenographers, designers and visual artists. The Art of Making Theatre passes on that inspiration afresh and demonstrates that being an artist is not a one-off project but a way of life.

New Theatre Quarterly 60: Volume 15, Part 4

New Theatre Quarterly 60: Volume 15, Part 4 PDF Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521655965
Category : Drama
Languages : en
Pages : 140

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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.

Moliere Today 2

Moliere Today 2 PDF Author: Michael Spingler
Publisher: Routledge
ISBN: 1135299137
Category : Performing Arts
Languages : en
Pages : 88

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Book Description
The refusal on the part of academic critics to recognize the primacy of farce in Moliere's theatre is contradicted by wide spread theatrical pracitce. These essays develop the argument that Moliere needs to be rescued from the pantheon of classical literature and put back on the Pont-Neuf with the strolling players, low-life rogues, cut-purses and clowns with whom he filled his theatre.

The Transparency of the Text

The Transparency of the Text PDF Author: Donia Mounsef
Publisher: Yale University Press
ISBN: 0300118198
Category : Literary Criticism
Languages : en
Pages : 178

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Book Description
Josette Féral & Donia Mounsef Editors' Preface: The Transparency of the Text Part I: Avant and Après Garde Tom Bishop Whatever Happened to the Avant-Garde? Jean-Pierre Ryngaert Paroles en lambeaux et écritures d'entreparleurs Bernadette Bost Beyond Drama: Total Theater Ariane Eissen Myth in Contemporary French Theater: A Negotiable Legacy Josette Féral Language Crossings: The Unspoken Must Be Said Part II: (Under)writing the Stage David Bradby Michel Vinaver: From Writing to Staging Donia Mounsef The Language of Desire and the Desire for Language in the Theatre of Koltès and Cixous Clare Finburgh Voix/Voie/Vie: The Voice in Contemporary French Theatre Mary Noonan L'Art de l'écrit s'incarnant: The Theatre of Noëlle Renaude Part III: Disputed Textualities Judith Miller Is There A Specifically Francophone African Stage Textuality? Sylvie Chalaye Contemporary Francophone Writings for the Theater from Africa and the West Indies Yves Jubinville Death and Birth of the Author: Toward a New History of Québécois Playwriting Philippa Wehle "Waiting for the Next Big Thing": Why Do American Audiences Have Such Difficulty with Contemporary French Playwrights?

French Twentieth Bibliography

French Twentieth Bibliography PDF Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636861
Category : Reference
Languages : en
Pages : 564

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Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

What is the Theatre?

What is the Theatre? PDF Author: Christian Biet
Publisher: Routledge
ISBN: 0429793065
Category : Performing Arts
Languages : en
Pages : 616

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Book Description
What is the Theatre? is one of the most coherent and systematic descriptions and analyses of the theatre yet compiled. Theatre is, above all, spectacle. It is a fleeting performance, delivered by actors and intended for spectators. It is a work of the body, an exercise of voice and gesture addressed to an audience, most often in a specific location and with a unique setting. This entertainment event rests on the delivery of a thing promised and expected – a particular and unique performance witnessed by spectators who have come to the site of the performance for this very reason. To witness theatre is to take into account the performance, but it is also to take into account the printed text as readable object and a written proposition. In this book, Christian Biet and Christophe Triau focus on the practical, theoretical and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle. They adopt two approaches: analysing the spectacle in its theatrical and historical context in an attempt to seek out the principles and paradigms of approaching the theatre experience on one hand, and analysing the dramaturgy of a production in order to establish lines of interpretation and how to read, represent and stage a text, on the other. This approach allows us to better understand the ties that link those who participate in the theatre to the practitioners who create theatrical entertainment.