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Author: Richard R. Brettell
Publisher: Yale University Press
ISBN: 0300081340
Category : Art
Languages : en
Pages : 241
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Book Description
This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.
Author: Richard R. Brettell
Publisher: Yale University Press
ISBN: 0300081340
Category : Art
Languages : en
Pages : 241
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Book Description
This Millennium Gift is the largest single gift to the arts in American history and the first to include institutions outside the United States."--BOOK JACKET.
Author: Phillips Collection
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 444
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Book Description
Author: Jeremy Wallis
Publisher: Heinemann-Raintree Library
ISBN: 9781588106452
Category : Juvenile Nonfiction
Languages : en
Pages : 68
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Book Description
Discusses the characteristics of the Cubism movement which began in the first decade of the twentieth century and presents biographies of thirteen Cubist artists.
Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588390004
Category : Drawing
Languages : en
Pages : 482
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Book Description
Author: Arnold D. Harvey
Publisher: A&C Black
ISBN: 9781852851682
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
This is the first book to relate to the literature and art of the First World War to the literature and art produced by the Second World War and by earlier wars. A Muse of Fire is also the first serious attempt to examine the whole range of war poetry and war fiction in English in its relation to the work of German, French, Italian and - to a lesser extent - Russian, Danish, and Hungarian authors. Before 1914 few authors wrote about or experienced war. War, especially its reality, was not the proper subject of literature; while writers seldom served in the armed forces and were almost never in battle. More than half this book deals with the First World War. In successive chapters A.D. Harvey discusses what sort of people, in what sort of physical and psychological conditions, wrote about the war; or painted it; how they handled the challenge of describing their experiences with complete honesty; what literary and artistic techniques they employed; how other forms of creative talent were fostered by the war; and how far memoirs of the war prepared the way for the next one. The account given of the Second World War in the final section, like the chapters on pre-1914 war literature, provides far more than simply an introduction and conclusion to the central part of the book. It is an important contribution to an understanding of how literature and art relate to the psychological and social structures of the communities within which they are produced. This is the first book to relate to the literature and art of the First World War to the literature and art produced by the Second World War and by earlier wars. A Muse of Fire is also the first serious attempt to examine the whole range of war poetry and war fiction in English in its relation to the work of German, French, Italian and - to a lesser extent - Russian, Danish, and Hungarian authors. Before 1914 few authors wrote about or experienced war. War, especially its reality, was not the proper subject of literature; while writers seldom served in the armed forces and were almost never in battle. More than half this book deals with the First World War. In successive chapters A.D. Harvey discusses what sort of people, in what sort of physical and psychological conditions, wrote about the war; or painted it; how they handled the challenge of describing their experiences with complete honesty; what literary and artistic techniques they employed; how other forms of creative talent were fostered by the war; and how far memoirs of the war prepared the way for the next one. The account given of the Second World War in the final section, like the chapters on pre-1914 war literature, provides far more than simply an introduction and conclusion to the central part of the book. It is an important contribution to an understanding of how literature and art relate to the psychological and social structures of the communities within which they are produced.
Author: Barbara Burn
Publisher: Metropolitan Museum of Art
ISBN: 0870998498
Category : Art
Languages : en
Pages : 322
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Book Description
Each reproduction is accompanied by a text that includes pertinent information about the work.
Author: Natalie Adamson
Publisher: Routledge
ISBN: 1351555189
Category : Art
Languages : en
Pages : 331
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Book Description
Painting, Politics and the Struggle for the ?ole de Paris, 1944-1964 is the first book dedicated to the postwar or 'nouvelle' ?ole de Paris. It challenges the customary relegation of the ?ole de Paris to the footnotes, not by arguing for some hitherto 'hidden' merit for the art and ideas associated with this school, but by establishing how and why the ?ole de Paris was a highly significant vehicle for artistic and political debate. The book presents a sustained historical study of how this 'school' was constituted by the paintings of a diverse group of artists, by the combative field of art criticism, and by the curatorial policies of galleries and state exhibitions. By thoroughly mining the extensive resources of the newspaper and art journal press, gallery and government archives, artists' writings and interviews with surviving artists and art critics, the book traces the artists, exhibitions, and art critical debates that made the ?ole de Paris a zone of aesthetic and political conflict. Through setting the ?ole de Paris into its artistic, social, and political context, Natalie Adamson demonstrates how it functioned as the defining force in French postwar art in its defence of the tradition of easel painting, as well as an international point of reference for the expansion of modernism. In doing so, she presents a wholly new perspective on the vexed relationships between painting, politics, and national identity in France during the two decades following World War II.
Author: William Slattery Lieberman
Publisher: Metropolitan Museum of Art
ISBN: 0810943654
Category : Art
Languages : en
Pages : 130
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Book Description
In the first half of the 20th century, Paris was the undisputed centre of the art world. This book showcases 115 works from that period chosen for an exhibition at New York's Metropolitan Museum of Art.
Author: Maurice Raynal
Publisher:
ISBN:
Category : Dadaism
Languages : en
Pages : 308
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Book Description
Author: Milton A. Cohen
Publisher: Lexington Books
ISBN: 9780739109052
Category : Art
Languages : en
Pages : 388
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Book Description
Many modernist artists in the early years of the 20th century preferred solitary lives, but just as many thrived in small, nebulous groups, such as the Futurists & Imagists. Cohen demonstrates how these groups fostered artistic innovation & bore responsibility for nearly all avante-garde agitation.
