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Author: Anne Mikel Jensen
Publisher: MIT Press
ISBN: 3956795458
Category : Art
Languages : en
Pages : 0
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Book Description
The artistic universe of Israeli artist and filmmaker Roee Rosen. "We're all like carpets, craving suction action--or dirty, dirty is the cleaning market!"--Maxim Komar-Myshkin Can fiction be more real than reality? Can hybrids teach us about politics? How do we remember the past, and is satire a tool for both subalterns and power players? In this book, the animation of commodity objects magically connects erotic frolics and political horrors, from a DC07 vacuum cleaner to a detention center for refugees; from little irons, socks, and sweaters to the particulars of post-Soviet power and Vladimir Putin. Roee Rosen: Desire and Dust collects poems, eighteenth-century jokes, a sci-fi text based on files from Mars, a retro-garde manifesto and, in Roee Rosen's Vengeful Animism, biographies of both objects and subjects. Rosen has created an artistic universe that undermines normative hegemonies, using fiction and satire as he merges Israeli and global politics with myths and historical references. This book, with images of artworks, stills, and sketches, examines works from The Mosquito-Mouse and Other Hybrids and the process behind them. It includes the newly commissioned text "The Dust Files," written by Paul B. Preciado, and the classic "The Biography of the Object" by Sergei Tretíakov as well as texts by Roee Rosen and his fictive identities, Maxim Komar-Myshkin and the Buried Alive Group. Contributors The Buried Alive Group, Maxim Komar-Myshkin, Paul B. Preciado, Roee Rosen, Sergei Tretíakov
Author: Justine Frank
Publisher: Sternberg Press
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
Sweet Sweat, the only novel by Belgian artist Justine Frank, is unusual, to say the least—a blend of feminism, pornography, Judaism, and art, written in French in 1931. Its heroine is a Jewish girl named Rachel, born in the South of France, who has an outstanding talent for debauchery and crime. She takes up with the sybaritic Count Urdukas and sets out with him on an odyssey of pleasure and corruption marked by bizarre events in which horror and humor mingle. This comprehensive new edition of Frank's novel includes an essay and an extensive biography by Israeli American writer and artist Roee Rosen and a timeline tracing key moments in Frank's life, providing a definitive analysis of this once-scandalous novel and its historical and cultural contexts. [As he hovered] over the skinny body, his nostrils were filled with the aroma of horror-sweat that poured from Rachel. He was swept by the scent. His breathing became a guttural purr and his eyes glazed over. Oh, shrewd liqueur of tropical fruits! Ah, venomous crème de cassis! Hurrah, distilled, tyrannical sweetness, tainted neither by a salty tint nor sour hint! Never had the Count been caught by such a fire as was ignited by this sweetness... a carnivorous perfume, as seismic as epilepsy... A smut potion worthy of the sacred nostrils of the Pope! —Justine Frank, Sweet Sweat, 1931 Roee Rosen's paintings, films, and writings have become known for their historical and theological consciousness, novelistic imagination, and psychological ambition. His work addresses the representation of history, the political economy of memory, and the politics of identity, often exploring the tension between trauma, horror, humor, and truth. Rosen was born in Rehovot, Israel, in 1963, and received degrees in visual art from the School of Visual Arts and Hunter College, both in New York. He now lives in Israel, where he teaches art and art history at Bezalel Academy of Art and at Beit Berl College. In 1997 Rosen's controversial exhibition “Live and Die as Eva Braun” at The Israel Museum, Jerusalem, was aggressively attacked by Israeli politicians. It won critical praise, however, for its new approach to the representation of the memory of the Holocaust. Rosen's projects include the exhibition “Justine Frank (1900–1943): A Retrospective” (2009) and the films Two Women and a Man (2005) and The Confessions of Roee Rosen (2008). He has authored the books A Different Face (Shva, 2000), Lucy (Shadurian, 2000), Sweet Sweat (Babel, 2001), and Ziona™ (Keter, 2007). Copublished with Extra City
Author: Anne Mikel Jensen
Publisher: MIT Press
ISBN: 3956795458
Category : Art
Languages : en
Pages : 0
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Book Description
The artistic universe of Israeli artist and filmmaker Roee Rosen. "We're all like carpets, craving suction action--or dirty, dirty is the cleaning market!"--Maxim Komar-Myshkin Can fiction be more real than reality? Can hybrids teach us about politics? How do we remember the past, and is satire a tool for both subalterns and power players? In this book, the animation of commodity objects magically connects erotic frolics and political horrors, from a DC07 vacuum cleaner to a detention center for refugees; from little irons, socks, and sweaters to the particulars of post-Soviet power and Vladimir Putin. Roee Rosen: Desire and Dust collects poems, eighteenth-century jokes, a sci-fi text based on files from Mars, a retro-garde manifesto and, in Roee Rosen's Vengeful Animism, biographies of both objects and subjects. Rosen has created an artistic universe that undermines normative hegemonies, using fiction and satire as he merges Israeli and global politics with myths and historical references. This book, with images of artworks, stills, and sketches, examines works from The Mosquito-Mouse and Other Hybrids and the process behind them. It includes the newly commissioned text "The Dust Files," written by Paul B. Preciado, and the classic "The Biography of the Object" by Sergei Tretíakov as well as texts by Roee Rosen and his fictive identities, Maxim Komar-Myshkin and the Buried Alive Group. Contributors The Buried Alive Group, Maxim Komar-Myshkin, Paul B. Preciado, Roee Rosen, Sergei Tretíakov
Author: Ernst van Alphen
Publisher: University of Chicago Press
ISBN: 0226015297
Category : Art
Languages : en
Pages : 251
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Book Description
Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. Art can be considered as a commanding force with the capacity to shape our intellect and intervene in our lives. Art is a historical agent, or a cultural creator, that propels thought and experience forward. The author demonstrates that art serves a socially constructive function by actually experimenting with the parameters of thought, employing work from artists as Picasso, Watteau, Bacon, Dumas and Matthew Barney. Art confronts viewers with the 'pain points' of cultural experience, and thereby transforms the ways in which human existence is concieved.
Author: Stephen C. Feinstein
Publisher: Syracuse University Press
ISBN: 9780815630838
Category : History
Languages : en
Pages : 392
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Book Description
Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. As it analyzes a cross section of Holocaust art within the context of art history, Absence / Presence addresses the discussion head on and explores the interchange between media and horror. The book's contributors include case studies from a broad spectrum of artists in North America, Europe, and Israel to examine some of the more dominant themes in these artists' work. In addition to standard readings of Holocaust art, the essays help illuminate the issues of eugenics; the importance of art for Hitler and the Nazis; the immense pilfering of art that occurred during World War II; and the length and degree of the destruction of European Jewry, which forced artists to reinvent their work through their own fate. This selection of essays also provides alternative views to more typical readings on the Holocaust, specifically, to the story of the Shoah as a relevant art subject, and to those "who ha[ve] a right to create art about the Holocaust." These issues were the subject of an intense international debate based on an exhibition at New York's Jewish Museum titled Mirroring Evil. The retrospective brought to art a series of contemporary perspectives that represented both the outer edges as well as mainstream postmodern thinking concerning representations of the Holocaust. This book, which covers the art from the late I 980s through 2002, includes the work of an array of scholars, curators, and artists from many co11nlries. It will be of great interest to art historians, Jewish scholars, and anyone interested in learning more about the art and artists of the Holocaust.
Author: Andrea Reiter
Publisher: Routledge
ISBN: 1317330889
Category : Social Science
Languages : en
Pages : 214
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Book Description
Providing an assessment of Jewish identity, this volume presents critical engagements with a number of Jewish writers and filmmakers from a variety of European countries, including Austria, France, Germany, Poland, and the UK. The novels and films discussed explore the meaning of being Jewish in Europe today, and investigate the extent to which this experience is shaped by factors that lie outside the national context, notably by the relationship to Israel. As the recent attacks on Charlie Hebdo, and the targeting of a Jewish supermarket in Paris, demonstrate, these questions are more pressing than ever, and will challenge Jews, as well as Jewish writers and intellectuals, as they explore the answers. This book was originally published as a special issue of Jewish Culture and History.
Author: Shelley Hornstein
Publisher: NYU Press
ISBN: 0814798268
Category : Art
Languages : en
Pages : 311
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Book Description
Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments. Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole. Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 color plates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.
Author: Roane Carey
Publisher: Verso
ISBN: 9781859843772
Category : History
Languages : en
Pages : 378
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Book Description
The second Intifada arose in September 2000. The course of the uprising, its consequences for the Palestinian people and the Israeli state, and its impact on the future of peace in the Middle East are traced here. 30 photos.
Author: Tamar Barzel
Publisher: Indiana University Press
ISBN: 0253015642
Category : Music
Languages : en
Pages : 324
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Book Description
An up-close view of the 1990s music scene that brought us neo-klezmer bands, Tzadik Records, and a new vision of Jewish identity. Coined in 1992 by composer/saxophonist John Zorn, “Radical Jewish Culture,” or RJC, became the banner under which many artists in Zorn’s circle performed, produced, and circulated their music. New York’s downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation, and it is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the “RJC moment” produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians’ dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns. Includes links to audiovisual content
Author: Peter Hayes
Publisher: OUP Oxford
ISBN: 0191650781
Category : History
Languages : en
Pages : 791
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Book Description
Few scholarly fields have developed in recent decades as rapidly and vigorously as Holocaust Studies. At the start of the twenty-first century, the persecution and murder perpetrated by the Nazi regime have become the subjects of an enormous literature in multiple academic disciplines and a touchstone of public and intellectual discourse in such diverse fields as politics, ethics and religion. Forward-looking and multi-disciplinary, this handbook draws on the work of an international team of forty-seven outstanding scholars. The handbook is thematically divided into five broad sections. Part One, Enablers, concentrates on the broad and necessary contextual conditions for the Holocaust. Part Two, Protagonists, concentrates on the principal persons and groups involved in the Holocaust and attempts to disaggregate the conventional interpretive categories of perpetrator, victim, and bystander. It examines the agency of the Nazi leaders and killers and of those involved in resisting and surviving the assault. Part Three, Settings, concentrates on the particular places, sites, and physical circumstances where the actions of the Holocaust's protagonists and the forms of persecution were literally grounded. Part Four, Representations, engages complex questions about how the Holocaust can and should be grasped and what meaning or lack of meaning might be attributed to events through historical analysis, interpretation of texts, artistic creation and criticism, and philosophical and religious reflection. Part Five, Aftereffects, explores the Holocaust's impact on politics and ethics, education and religion, national identities and international relations, the prospects for genocide prevention, and the defense of human rights.
Author: Claudio Fogu
Publisher: Harvard University Press
ISBN: 0674970519
Category : History
Languages : en
Pages : 528
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Book Description
Probing the Ethics of Holocaust Culture is a reappraisal of the controversies that have shaped Holocaust studies since the 1980s. Historians, artists, and writers question if and why the Holocaust should remain the ultimate test case for ethics and a unique reference point for how we understand genocide and crimes against humanity.
