Author: Pierre Klossowski
Publisher: Marion Boyars Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 216
Book Description
Together, these two novels comprise one of the most fascinating, obsessive, and erotic works of contemporary fiction. Both feature Octave, an elderly cleric, his striking, austere, yet sensual young wife, Roberte and their nephew, Antoine. In Roberte Ce Soir, the heroine engages in a ritual of hospitality, designed by Octave, whereby she offers herself to any guest who shows desire for her. This device becomes a circular game of realizing one's own identity through the reaction to a third person since, Klossowski asserts, the body is the envelope of the soul and its every expression is a permissible condition of spiritual progress. In The Revocation of the Edict of Nantes the scholastic aspect of Roberte Ce Soir gives way to a more complex story composed of situations that throw a strange light on human behaviour. Roberte is now a socially and politically well-situated member of the official council for censorship. Dissatisfied by marital legitimacy, she discovers the world of sexual perversion and imposes on herself the duty of exploring it — the ultimate goal of her scandalous yet farcical task is the achievement of complete freedom.
Roberte Ce Soir and The Revocation of the Edict of Nantes
Author: Pierre Klossowski
Publisher: Marion Boyars Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 216
Book Description
Together, these two novels comprise one of the most fascinating, obsessive, and erotic works of contemporary fiction. Both feature Octave, an elderly cleric, his striking, austere, yet sensual young wife, Roberte and their nephew, Antoine. In Roberte Ce Soir, the heroine engages in a ritual of hospitality, designed by Octave, whereby she offers herself to any guest who shows desire for her. This device becomes a circular game of realizing one's own identity through the reaction to a third person since, Klossowski asserts, the body is the envelope of the soul and its every expression is a permissible condition of spiritual progress. In The Revocation of the Edict of Nantes the scholastic aspect of Roberte Ce Soir gives way to a more complex story composed of situations that throw a strange light on human behaviour. Roberte is now a socially and politically well-situated member of the official council for censorship. Dissatisfied by marital legitimacy, she discovers the world of sexual perversion and imposes on herself the duty of exploring it — the ultimate goal of her scandalous yet farcical task is the achievement of complete freedom.
Publisher: Marion Boyars Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 216
Book Description
Together, these two novels comprise one of the most fascinating, obsessive, and erotic works of contemporary fiction. Both feature Octave, an elderly cleric, his striking, austere, yet sensual young wife, Roberte and their nephew, Antoine. In Roberte Ce Soir, the heroine engages in a ritual of hospitality, designed by Octave, whereby she offers herself to any guest who shows desire for her. This device becomes a circular game of realizing one's own identity through the reaction to a third person since, Klossowski asserts, the body is the envelope of the soul and its every expression is a permissible condition of spiritual progress. In The Revocation of the Edict of Nantes the scholastic aspect of Roberte Ce Soir gives way to a more complex story composed of situations that throw a strange light on human behaviour. Roberte is now a socially and politically well-situated member of the official council for censorship. Dissatisfied by marital legitimacy, she discovers the world of sexual perversion and imposes on herself the duty of exploring it — the ultimate goal of her scandalous yet farcical task is the achievement of complete freedom.
The Delirium of Praise
Author: Eleanor Kaufman
Publisher: JHU Press
ISBN: 0801876273
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
The laudatory essay, in which one author praises the work of another, is frequently characterized as an unimportant, even uncritical mode of writing. But as Eleanor Kaufman argues in The Delirium of Praise, this mode of exchange is serious and substantial enough to merit scholarly attention. By not conforming to standard practices of critical discourse, laudatory essays give new status to supposedly inferior forms of communication and states of being—including chatter, silence, sickness, imbalance, and absence of work—and emphasize affective states or emotions such as joy, friendship, and longing. The Delirium of Praise examines a group of five twentieth-century French intellectuals—Georges Bataille, Maurice Blanchot, Michel Foucault, Gilles Deleuze, and Pierre Klossowski—and their laudatory essays about each other. Structured as a circular series of exchanges, the book examines pairings of two thinkers with respect to a given theme. The exchange between Bataille and Blanchot takes up the themes of chatter and silence with regard to the novelist Louis-René des Forêts; the Blanchot-Foucault exchange explores friendship and impersonality through the lens of Jacques Derrida; the Foucault-Deleuze exchange considers "absence of work" (désoeuvrement) and the obscure French philosopher Jacques Martin; the Deleuze-Klossowski exchange revolves around the question of the sick body and the person of Nietzsche; and the final exchange between Klossowski and Bataille focuses on imbalanced economies and the writings of the Marquis de Sade. Where the praise is most excessive, approaching delirium, Kaufman locates a powerful thought-energy that pushes the laudatory essay to its limits. In her conclusion, she presents this unique mode of thought exchange as a form of intellectual hospitality. Kaufman uncovers a suspension of subjectivity, of personality, even of place and time, that is both articulated in the laudatory essays and enacted by them. Her examination of this neglected mode as practiced by five important French thinkers offers a unique perspective on twentieth-century intellectual history.
Publisher: JHU Press
ISBN: 0801876273
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
The laudatory essay, in which one author praises the work of another, is frequently characterized as an unimportant, even uncritical mode of writing. But as Eleanor Kaufman argues in The Delirium of Praise, this mode of exchange is serious and substantial enough to merit scholarly attention. By not conforming to standard practices of critical discourse, laudatory essays give new status to supposedly inferior forms of communication and states of being—including chatter, silence, sickness, imbalance, and absence of work—and emphasize affective states or emotions such as joy, friendship, and longing. The Delirium of Praise examines a group of five twentieth-century French intellectuals—Georges Bataille, Maurice Blanchot, Michel Foucault, Gilles Deleuze, and Pierre Klossowski—and their laudatory essays about each other. Structured as a circular series of exchanges, the book examines pairings of two thinkers with respect to a given theme. The exchange between Bataille and Blanchot takes up the themes of chatter and silence with regard to the novelist Louis-René des Forêts; the Blanchot-Foucault exchange explores friendship and impersonality through the lens of Jacques Derrida; the Foucault-Deleuze exchange considers "absence of work" (désoeuvrement) and the obscure French philosopher Jacques Martin; the Deleuze-Klossowski exchange revolves around the question of the sick body and the person of Nietzsche; and the final exchange between Klossowski and Bataille focuses on imbalanced economies and the writings of the Marquis de Sade. Where the praise is most excessive, approaching delirium, Kaufman locates a powerful thought-energy that pushes the laudatory essay to its limits. In her conclusion, she presents this unique mode of thought exchange as a form of intellectual hospitality. Kaufman uncovers a suspension of subjectivity, of personality, even of place and time, that is both articulated in the laudatory essays and enacted by them. Her examination of this neglected mode as practiced by five important French thinkers offers a unique perspective on twentieth-century intellectual history.
The Cinema of Ral Ruiz
Author: Michael Goddard
Publisher: Columbia University Press
ISBN: 023116730X
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work – with its surrealist, magic realist, popular cultural, and neo-Baroque sources – as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
Publisher: Columbia University Press
ISBN: 023116730X
Category : Performing Arts
Languages : en
Pages : 217
Book Description
Raúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work – with its surrealist, magic realist, popular cultural, and neo-Baroque sources – as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
Nietzsche and the Vicious Circle
Author: Pierre Klossowski
Publisher: University of Chicago Press
ISBN: 9780226443867
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
Long recognized as a masterpiece of Nietzsche scholarship, Nietzsche and the Vicious Circle is made available here for the first time in English. Taking a structuralist approach to the relation between Nietzsche's thought and his life, Klossowski emphasizes the centrality of the notion of Eternal Return (a cyclical notion of time and history) for understanding Nietzsche's propensities for self-denial, self-reputation, and self-consumption. Nietzsche's ideas did not stem from personal pathology, according to Klossowski. Rather, he made a pathological use of his best ideas, anchoring them in his own fluctuating bodily and mental conditions. Thus Nietzsche's belief that questions of truth and morality are at base questions of power and fitness resonates dynamically and intellectually with his alternating lucidity and delirium.
Publisher: University of Chicago Press
ISBN: 9780226443867
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
Long recognized as a masterpiece of Nietzsche scholarship, Nietzsche and the Vicious Circle is made available here for the first time in English. Taking a structuralist approach to the relation between Nietzsche's thought and his life, Klossowski emphasizes the centrality of the notion of Eternal Return (a cyclical notion of time and history) for understanding Nietzsche's propensities for self-denial, self-reputation, and self-consumption. Nietzsche's ideas did not stem from personal pathology, according to Klossowski. Rather, he made a pathological use of his best ideas, anchoring them in his own fluctuating bodily and mental conditions. Thus Nietzsche's belief that questions of truth and morality are at base questions of power and fitness resonates dynamically and intellectually with his alternating lucidity and delirium.
Sacred Eroticism
Author: Juan Carlos Ubilluz
Publisher: Bucknell University Press
ISBN: 0838756255
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Sacred Eroticism addresses a neglected chapter in Latin American literature, namely, the influence of Georges Bataille and Pierre Klossowski's atheist mysticism in the Latin American erotic novel of the twentieth century. Combining a Lacanian analytical framework with an (Inter)textualist approach. Juan Carlos Ubilluz reveals how Julio Cortazar, Salvador Elizondo, Mario Vargas Llosa, and Juan Garcia Ponce adopted Sataille and Klossowski's aesthetic and philosophical models as a point of departure to rearticulate the modern subject's buried dimension of the sacred through various Innovations on the erotic novel's form. Ubilluz examines the dialectical irruption of these literary experiments into their particular aesthetic, theoretical, and political contexts; showing, for instance, that Cortazar's
Publisher: Bucknell University Press
ISBN: 0838756255
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Sacred Eroticism addresses a neglected chapter in Latin American literature, namely, the influence of Georges Bataille and Pierre Klossowski's atheist mysticism in the Latin American erotic novel of the twentieth century. Combining a Lacanian analytical framework with an (Inter)textualist approach. Juan Carlos Ubilluz reveals how Julio Cortazar, Salvador Elizondo, Mario Vargas Llosa, and Juan Garcia Ponce adopted Sataille and Klossowski's aesthetic and philosophical models as a point of departure to rearticulate the modern subject's buried dimension of the sacred through various Innovations on the erotic novel's form. Ubilluz examines the dialectical irruption of these literary experiments into their particular aesthetic, theoretical, and political contexts; showing, for instance, that Cortazar's
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1510
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1510
Book Description
Hospitality, Volume I
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 0226828026
Category : Philosophy
Languages : en
Pages : 292
Book Description
Jacques Derrida explores the ramifications of what we owe to others. Hospitality reproduces a two-year seminar series delivered by Jacques Derrida at the École des hautes études en sciences sociales in Paris between 1995 and 1997. In these lectures, Derrida asks a series of related questions about responsibility and “the foreigner”: How do we welcome or turn away the foreigner? What does the idea of the foreigner reveal about kinship and the state, particularly in relation to friendship, citizenship, migration, asylum, assimilation, and xenophobia? Derrida approaches these questions through readings of several classical texts as well as modern texts by Heidegger, Arendt, Camus, and others. Central to his project is a rigorous distinction between conventional, finite hospitality, with its many conditions, and the aspirational idea of hospitality as something offered unconditionally to the stranger. This volume collects the first year of the seminar.
Publisher: University of Chicago Press
ISBN: 0226828026
Category : Philosophy
Languages : en
Pages : 292
Book Description
Jacques Derrida explores the ramifications of what we owe to others. Hospitality reproduces a two-year seminar series delivered by Jacques Derrida at the École des hautes études en sciences sociales in Paris between 1995 and 1997. In these lectures, Derrida asks a series of related questions about responsibility and “the foreigner”: How do we welcome or turn away the foreigner? What does the idea of the foreigner reveal about kinship and the state, particularly in relation to friendship, citizenship, migration, asylum, assimilation, and xenophobia? Derrida approaches these questions through readings of several classical texts as well as modern texts by Heidegger, Arendt, Camus, and others. Central to his project is a rigorous distinction between conventional, finite hospitality, with its many conditions, and the aspirational idea of hospitality as something offered unconditionally to the stranger. This volume collects the first year of the seminar.
Hospitality and Treachery in Western Literature
Author: James A. W. Heffernan
Publisher: Yale University Press
ISBN: 0300206844
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
In works of Western literature ranging from Homer’s Odyssey to Albee’s Who’s Afraid of Virginia Woolf? the giving and taking of hospitality is sometimes pleasurable, but more often perilous. Heffernan traces this leitmotiv through the history of our greatest writings, including Christ’s Last Supper, Macbeth’s murder of his royal guest, and Camus’s short story on French colonialism in Arab Algeria. By means of such examples and many more, this book considers what literary hosts, hostesses, and guests do to as well as for each other. In doing so, it shows how often treachery rends the fabric of trust that hospitality weaves.
Publisher: Yale University Press
ISBN: 0300206844
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
In works of Western literature ranging from Homer’s Odyssey to Albee’s Who’s Afraid of Virginia Woolf? the giving and taking of hospitality is sometimes pleasurable, but more often perilous. Heffernan traces this leitmotiv through the history of our greatest writings, including Christ’s Last Supper, Macbeth’s murder of his royal guest, and Camus’s short story on French colonialism in Arab Algeria. By means of such examples and many more, this book considers what literary hosts, hostesses, and guests do to as well as for each other. In doing so, it shows how often treachery rends the fabric of trust that hospitality weaves.
Feminine Economies
Author: Judith Still
Publisher: Manchester University Press
ISBN: 9780719045554
Category : Business & Economics
Languages : en
Pages : 224
Book Description
Explores certain textual representations of gift economies, contrasts them with the dominant market paradigm, investigates the values of a utopic horizon of gift exchange, and analyzes how the representation of the sexual or racial Other as economically the same or different can have a repressive force. Highlights two historical moments: the 18th-century transition from feudalism to the capitalist and colonial market economy, particularly in the work of Rousseau; and the purported transition to a post-capitalist and post-colonial economy in the late 20th century, as represented in the works of Cixous, Derrida, and Irigaray. Distributed in the US by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Manchester University Press
ISBN: 9780719045554
Category : Business & Economics
Languages : en
Pages : 224
Book Description
Explores certain textual representations of gift economies, contrasts them with the dominant market paradigm, investigates the values of a utopic horizon of gift exchange, and analyzes how the representation of the sexual or racial Other as economically the same or different can have a repressive force. Highlights two historical moments: the 18th-century transition from feudalism to the capitalist and colonial market economy, particularly in the work of Rousseau; and the purported transition to a post-capitalist and post-colonial economy in the late 20th century, as represented in the works of Cixous, Derrida, and Irigaray. Distributed in the US by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
Norway's Christiania Theatre, 1827-1867
Author: Ann Schmiesing
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641071
Category : Performing Arts
Languages : en
Pages : 284
Book Description
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641071
Category : Performing Arts
Languages : en
Pages : 284
Book Description
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.