Author: Tim Fulford
Publisher: Taylor & Francis
ISBN: 1040250661
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Robert Southey: Later Poetical Works, 1811-1838 Vol 2
Author: Tim Fulford
Publisher: Taylor & Francis
ISBN: 1040250661
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Publisher: Taylor & Francis
ISBN: 1040250661
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Robert Southey: Later Poetical Works, 1811-1838 Vol 4
Author: Tim Fulford
Publisher: Taylor & Francis
ISBN: 1040247083
Category : Literary Criticism
Languages : en
Pages : 576
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Publisher: Taylor & Francis
ISBN: 1040247083
Category : Literary Criticism
Languages : en
Pages : 576
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Robert Southey: Later Poetical Works, 1811-1838 Vol 1
Author: Tim Fulford
Publisher: Taylor & Francis
ISBN: 1040248861
Category : Literary Criticism
Languages : en
Pages : 725
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Publisher: Taylor & Francis
ISBN: 1040248861
Category : Literary Criticism
Languages : en
Pages : 725
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Robert Southey: Later Poetical Works, 1811-1838 Vol 3
Author: Tim Fulford
Publisher: Taylor & Francis
ISBN: 104024887X
Category : Literary Criticism
Languages : en
Pages : 832
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Publisher: Taylor & Francis
ISBN: 104024887X
Category : Literary Criticism
Languages : en
Pages : 832
Book Description
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Christian-Muslim Relations. A Bibliographical History Volume 17. Britain, the Netherlands and Scandinavia (1800-1914)
Author:
Publisher: BRILL
ISBN: 9004442391
Category : Religion
Languages : en
Pages : 654
Book Description
Christian-Muslim Relations, a Bibliographical History Volume 17 (CMR 17), covering Great Britain, the Netherlands and Scandinavia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 17, along with the other volumes in this series, is intended as a tool for research in Christian-Muslim relations. Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Diego Melo Carrasco, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel
Publisher: BRILL
ISBN: 9004442391
Category : Religion
Languages : en
Pages : 654
Book Description
Christian-Muslim Relations, a Bibliographical History Volume 17 (CMR 17), covering Great Britain, the Netherlands and Scandinavia in the period 1800-1914, is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and the main body of detailed entries. These treat all the works, surviving or lost, that have been recorded. They provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 17, along with the other volumes in this series, is intended as a tool for research in Christian-Muslim relations. Section Editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Arely Medina, Alain Messaoudi, Diego Melo Carrasco, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Cornelia Soldat, Karel Steenbrink, Charles Tieszen, Carsten Walbiner, Catherina Wenzel
Album Verses and Romantic Literary Culture
Author: Samantha Matthews
Publisher: Oxford University Press
ISBN: 0192599844
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Publisher: Oxford University Press
ISBN: 0192599844
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Those who Write for Immortality
Author: H. J. Jackson
Publisher: Yale University Press
ISBN: 0300174799
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
"This book offers a fresh look at fame and a fresh way of thinking about both literary fame and literary history" --
Publisher: Yale University Press
ISBN: 0300174799
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
"This book offers a fresh look at fame and a fresh way of thinking about both literary fame and literary history" --
From Little London to Little Bengal
Author: Daniel E. White
Publisher: JHU Press
ISBN: 1421411652
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
How literary and religious traffic between Bengal and Britain in the late 18th and early 19th centuries impelled a complex and contested cosmopolitan imperial culture. From Little London to Little Bengal traces the traffic in culture between Britain and India during the Romantic period. To some, Calcutta appeared to be a “Little London,” while in London itself an Indianized community of returned expatriates was emerging as “Little Bengal.” Circling between the two, this study reads British and Indian literary, religious, and historical sources alongside newspapers, panoramas, religious festivals, idols, and museum exhibitions. Together and apart, Britons and Bengalis waged a transcultural agon under the dynamic conditions of early nineteenth-century imperialism, struggling to claim cosmopolitan perspectives and, in the process, to define modernity. Daniel E. White shows how an ambivalent Protestant contact with Hindu devotion shaped understandings of the imperial mission for Britons and Indians during the period. Investigating global metaphors of circulation and mobility, communication and exchange, commerce and conquest, he follows the movements of people, ideas, books, art, and artifacts initiated by writers, publishers, educators, missionaries, travelers, and reformers. Along the way, he places luminaries like Romantic poet Robert Southey and Hindu reformer Rammohun Roy in dialogue with a fascinating array of lesser-known figures, from the Baptist missionaries of Serampore and the radical English journalist James Silk Buckingham to the mixed-race prodigy Henry Louis Vivian Derozio. In concert and in conflict, these cultural emissaries and activists articulated national and cosmopolitan perspectives that were more than reactions on the part of marginal groups to the metropolitan center of power and culture. The British Empire in India involved recursive transactions between the global East and West, channeling cultural, political, and religious formations that were simultaneously distinct and shared, local, national, and transnational.
Publisher: JHU Press
ISBN: 1421411652
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
How literary and religious traffic between Bengal and Britain in the late 18th and early 19th centuries impelled a complex and contested cosmopolitan imperial culture. From Little London to Little Bengal traces the traffic in culture between Britain and India during the Romantic period. To some, Calcutta appeared to be a “Little London,” while in London itself an Indianized community of returned expatriates was emerging as “Little Bengal.” Circling between the two, this study reads British and Indian literary, religious, and historical sources alongside newspapers, panoramas, religious festivals, idols, and museum exhibitions. Together and apart, Britons and Bengalis waged a transcultural agon under the dynamic conditions of early nineteenth-century imperialism, struggling to claim cosmopolitan perspectives and, in the process, to define modernity. Daniel E. White shows how an ambivalent Protestant contact with Hindu devotion shaped understandings of the imperial mission for Britons and Indians during the period. Investigating global metaphors of circulation and mobility, communication and exchange, commerce and conquest, he follows the movements of people, ideas, books, art, and artifacts initiated by writers, publishers, educators, missionaries, travelers, and reformers. Along the way, he places luminaries like Romantic poet Robert Southey and Hindu reformer Rammohun Roy in dialogue with a fascinating array of lesser-known figures, from the Baptist missionaries of Serampore and the radical English journalist James Silk Buckingham to the mixed-race prodigy Henry Louis Vivian Derozio. In concert and in conflict, these cultural emissaries and activists articulated national and cosmopolitan perspectives that were more than reactions on the part of marginal groups to the metropolitan center of power and culture. The British Empire in India involved recursive transactions between the global East and West, channeling cultural, political, and religious formations that were simultaneously distinct and shared, local, national, and transnational.
English Romantic Writers and the West Country
Author: N. Roe
Publisher: Springer
ISBN: 0230281451
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
Long confounded with a monolithic British entity or misrepresented as 'Lakers' and 'Cockneys', the diverse regional forms of 'English Romanticism' are ripe for reassessment. Ranging west of a line between the Wye at Tintern and Jane Austen's Chawton, this book offers a first reconfiguration of Romantic culture in terms of English regional identity.
Publisher: Springer
ISBN: 0230281451
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
Long confounded with a monolithic British entity or misrepresented as 'Lakers' and 'Cockneys', the diverse regional forms of 'English Romanticism' are ripe for reassessment. Ranging west of a line between the Wye at Tintern and Jane Austen's Chawton, this book offers a first reconfiguration of Romantic culture in terms of English regional identity.
Staging the Peninsular War
Author: Susan Valladares
Publisher: Routledge
ISBN: 1317050711
Category : Performing Arts
Languages : en
Pages : 472
Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.
Publisher: Routledge
ISBN: 1317050711
Category : Performing Arts
Languages : en
Pages : 472
Book Description
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.