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Author: David Marcellus Craig
Publisher: Boydell & Brewer
ISBN: 0861932919
Category : Biography & Autobiography
Languages : en
Pages : 252
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Book Description
A fresh and sympathetic interpretation of Robert Southey's changing social and political ideas, shedding new light on contemporary thought. Like William Wordsworth and Samuel Taylor Coleridge, Robert Southey has been remembered not just as a romantic poet but also as a political apostate. In the 1790s he was fired by enthusiasm for the French Revolution, and was knownas a radical and a republican. By the 1820s, however, he was not only the poet laureate, but a fierce conservative who opposed the reform of Church and State. Yet at the same time his reactionary politics were mixed with anxietyabout the effects of industrialisation and the growth of poverty, leading some commentators to view him as a precursor of socialism and collectivism. This book charts the development of Southey's social and political ideas inorder to throw light on the problems generated by the concept of 'romantic apostasy'. It draws on his poetry, histories, journalism and letters to show that his intellectual evolution was more complex than has previously been thought. In so doing it touches on numerous themes: theological politics, national character, the 'social question', providence and history, questions of race, empire and civilisation as well as the nature of republicanism and the evolution of conservatism. As such it is an important contribution towards the wider understanding of the intellectual aftermath of the French Revolution in Britain. DAVID M. CRAIG is a lecturer in History at the University ofDurham.
Author: David Marcellus Craig
Publisher: Boydell & Brewer
ISBN: 0861932919
Category : Biography & Autobiography
Languages : en
Pages : 252
Get Book Here
Book Description
A fresh and sympathetic interpretation of Robert Southey's changing social and political ideas, shedding new light on contemporary thought. Like William Wordsworth and Samuel Taylor Coleridge, Robert Southey has been remembered not just as a romantic poet but also as a political apostate. In the 1790s he was fired by enthusiasm for the French Revolution, and was knownas a radical and a republican. By the 1820s, however, he was not only the poet laureate, but a fierce conservative who opposed the reform of Church and State. Yet at the same time his reactionary politics were mixed with anxietyabout the effects of industrialisation and the growth of poverty, leading some commentators to view him as a precursor of socialism and collectivism. This book charts the development of Southey's social and political ideas inorder to throw light on the problems generated by the concept of 'romantic apostasy'. It draws on his poetry, histories, journalism and letters to show that his intellectual evolution was more complex than has previously been thought. In so doing it touches on numerous themes: theological politics, national character, the 'social question', providence and history, questions of race, empire and civilisation as well as the nature of republicanism and the evolution of conservatism. As such it is an important contribution towards the wider understanding of the intellectual aftermath of the French Revolution in Britain. DAVID M. CRAIG is a lecturer in History at the University ofDurham.
Author: Lynda Pratt
Publisher: Routledge
ISBN: 1317062116
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Lynda Pratt's collection of specially commissioned essays is the first edited volume devoted to the multiple connections between Robert Southey (1774-1843) and English Romantic culture. A major and highly controversial personage in his own day, Southey has until recently been the forgotten member of the Lake School.
Author: S. Andrews
Publisher: Springer
ISBN: 0230338062
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
In Robert Southey , Andrews argues that Robert Southey's denunciation of global Catholicism is essential to understanding his life, works, and times. On this issue, Southey was absolutely consistent in all his work and the Poet Laureate's partisan rhetoric reveals much about the religious culture of this stormy period in England.
Author: Andrew Warren
Publisher: Cambridge University Press
ISBN: 1107071909
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
This book explores how the Romantic poetry of Byron, Shelley, and Keats engages with tales and themes of the Orient.
Author: David Simpson
Publisher: University of Chicago Press
ISBN: 0226922359
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
In our post-9/11 world, the figure of the stranger—the foreigner, the enemy, the unknown visitor—carries a particular urgency, and the force of language used to describe those who are “different” has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in a tradition that extends from antiquity to today. Simpson shows that debates about strangers loomed large in the French Republic of the 1790s, resulting in heated discourse that weighed who was to be welcomed and who was to be proscribed as dangerous. Placing this debate in the context of classical, biblical, and other later writings, he identifies a persistent difficulty in controlling the play between the despised and the desired. He examines the stranger as found in the works of Coleridge, Austen, Scott, and Southey, as well as in depictions of the betrayals of hospitality in the literature of slavery and exploration—as in Mungo Park's Travels and Stedman's Narrative—and portrayals of strange women in de Staël, Rousseau, and Burney. Contributing to a rich strain of thinking about the stranger that includes interventions by Ricoeur and Derrida, Romanticism and the Question of the Stranger reveals the complex history of encounters with alien figures and our continued struggles with romantic concerns about the unknown.
Author: Tom Duggett
Publisher: Routledge
ISBN: 1351595148
Category : Literary Criticism
Languages : en
Pages : 702
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Book Description
In 1829 Robert Southey published a book of his imaginary conversations with the original Utopian: Sir Thomas More; or Colloquies on the Progress and Prospects of Society. The product of almost two decades of social and political engagement, Colloquies is Southey’s most important late prose work, and a key text of late 'Lake School' Romanticism. It is Southey’s own Espriella’s Letters (1807) reimagined as a dialogue of tory and radical selves; Coleridge’s Church and State (1830) cast in historical dramatic form. Over a series of wide-ranging conversations between the Ghost of More and his own Spanish alter-ego, ‘Montesinos’, Southey develops a richly detailed panorama of British history since the 1530s - from the Reformation to Catholic Emancipation. Exploring issues of religious toleration, urban poverty, and constitutional reform, and mixing the genres of dialogue, commonplace book, and picturesque guide, the Colloquies became a source of challenge and inspiration for important Victorian writers including Macaulay, Ruskin, Pugin, and Carlyle.
Author: Casie LeGette
Publisher: Springer
ISBN: 3319469290
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
This book shows that the publishers and editors of the radical press deployed Romantic-era texts for their own political ends—and for their largely working-class readership—long after those works’ original publication. It examines how the literature of the British Romantic period was excerpted and reprinted in radical political papers in Britain in the nineteenth century. The agents of this story were bound by neither the chronological march of literary history, nor by the original form of the literary texts they reprinted. Godwin’s Caleb Williams and poems by Wordsworth, Southey, Coleridge, and Shelley appear throughout this book as they appeared in the nineteenth century, in bits and pieces. Radical publishers and editors carefully and purposefully excerpted the works of their recent past, excavating useful political claims from the midst of less amenable texts, and remaking texts and authors alike in the process.
Author: Stephanie Elizabeth Churms
Publisher: Springer
ISBN: 3030048101
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated with a reliance on ultimately incarcerating systems of superstition.
Author: J. Darcy
Publisher: Springer
ISBN: 1137271094
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
This book traces the development of literary biography in the eighteenth century; how writers' melancholy was probed to explore the inner life. Case studies of a number of significant authors reveal the 1790s as a time of biographical experimentation. Reaction against philosophical biography led to a nineteenth-century taste for romanticized lives.
Author: Jane Spencer
Publisher: Oxford University Press
ISBN: 019259947X
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
What did British people in the late eighteenth century think and feel about their relationship to nonhuman animals? This book shows how an appreciation of human-animal similarity and a literature of compassion for animals developed in the same years during which radical thinkers were first basing political demands on the concept of natural and universal human rights. Some people began to conceptualise animal rights as an extension of the rights of man and woman. But because oppressed people had to insist on their own separation from animals in order to claim the right to a full share in human privileges, the relationship between human and animal rights was fraught and complex. This book examines that relationship in chapters covering the abolition movement, early feminism, and the political reform movement. Donkeys, pigs, apes and many other literary animals became central metaphors within political discourse, fought over in the struggle for rights and freedoms; while at the same time more and more writers became interested in exploring the experiences of animals themselves. We learn how children's writers pioneered narrative techniques for representing animal subjectivity, and how the anti-cruelty campaign of the early 1800s drew on the legacy of 1790s radicalism. Coleridge, Wordsworth, Clare, Southey, Blake, Wollstonecraft, Equiano, Dorothy Kilner, Thomas Spence, Mary Hays, Ignatius Sancho, Anna Letitia Barbauld, John Oswald, John Lawrence, and Thomas Erskine are just a few of the writers considered. Along with other canonical and non-canonical writers of many disciplines, they placed nonhuman animals at the heart of British literature in the age of the French Revolution.
