Robert Greene's Planetomachia (1585) PDF Download
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Author: Nandini Das
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656616
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This first complete critical edition of Robert Greene's Planetomachia by Nandini Das offers readers an opportunity to examine a unique work of Renaissance fiction, in which the two very different intellectual and cultural spheres of Humanist scientific scholarship and Renaissance popular print engage in an uneasy yet provocative dialogue. The volume includes an extensive introduction and annotations, as well as translations and extracts from significant sources and an up-to-date bibliography.
Author: Nandini Das
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656616
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This first complete critical edition of Robert Greene's Planetomachia by Nandini Das offers readers an opportunity to examine a unique work of Renaissance fiction, in which the two very different intellectual and cultural spheres of Humanist scientific scholarship and Renaissance popular print engage in an uneasy yet provocative dialogue. The volume includes an extensive introduction and annotations, as well as translations and extracts from significant sources and an up-to-date bibliography.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
Author: Bodleian Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Bodleian Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: Mark Fortier
Publisher: Routledge
ISBN: 1317036670
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Elizabeth and James, Sidney, Spenser, and Shakespeare, Bacon and Ellesmere, Perkins and Laud, Milton and Hobbes-this begins a list of early modern luminaries who write on 'equity'. In this study Mark Fortier addresses the concept of equity from early in the sixteenth century until 1660, drawing on the work of lawyers, jurists, politicians, kings and parliamentarians, theologians and divines, poets, dramatists, colonists and imperialists, radicals, royalists, and those who argue on gender issues. He examines how writers in all these groups make use of the word equity and its attendant notions. Equity, he argues, is a powerful concept in the period; he analyses how notions of equity play a prominent part in discourses that have or seek to have influence on major social conflicts and issues in early modern England. Fortier here maps the actual and extensive presence of equity in the intellectual life of early modern England. In so doing, he reveals how equity itself acts as an umbrella term for a wide array of ideas, which defeats any attempt to limit narrowly the meaning of the term. He argues instead that there is in early modern England a distinct and striking culture of equity characterized and strengthened by the diversity of its genealogy and its applications. This culture manifests itself, inter alia, in the following major ways: as a basic component, grounded in the old and new testaments, of a model for Christian society; as the justification for a justice system over and above the common law; as an imperative for royal prerogative; as a free ranging subject for poetry and drama; as a nascent grounding for broadly cast social justice; as a rallying cry for revolution and individual rights and freedoms. Working from an empirical account of the many meanings of equity over time, the author moves from a historical understanding of equity to a theorization of equity in its multiplicity. A profoundly literary study, this book also touches on matters of legal an
Author: Lori Humphrey Newcomb
Publisher: Columbia University Press
ISBN: 9780231123785
Category : Drama
Languages : en
Pages : 368
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Book Description
This volume examines the proliferation of popular romances, their vilification by elite writers, and the ultimate opposition of "popular" and "literary" fiction. Using Robert Greene's "Pandosto" (1585), an Elizabethan prose romance that inspired Shakespeare's late play "The Winter's Tale" as a case study, Newcomb demonstrates that versions of the two texts repeatedly converge, resisting simple high/low division. Because Shakespeare's works are considered timeless literary achievements, critics have distanced his plays from their romance sources--a separation that until now has gone largely unquestioned. Newcomb challenges this assumption, providing a fascinating account of an early best-seller's incarnations over 250 years of literary history.
Author: Alfred Thomas
Publisher: Springer
ISBN: 1137438959
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
Shakespeare, Dissent and the Cold War is the first book to read Shakespeare's drama through the lens of Cold War politics. The book uses the Cold War experience of dissenting artists in theatre and film to highlight the coded religio-political subtexts in Hamlet, King Lear, Macbeth and The Winter's Tale.
Author: Paul Salzman
Publisher: Oxford University Press, USA
ISBN: 9780192839015
Category : English fiction
Languages : en
Pages : 468
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Book Description
This anthology contains five of the most important short works of Elizabethan prose fiction: George Gascoigne's The Adventures of Master F.J., John Lyly's Euphues: The Anatomy of Wit, Robert Greene's Pandosto: The Triumph of Time, Thomas Nashe's The Unfortunate Traveller, and Thomas Deloney's Jack of Newbury. Paul Salzman has modernized the texts for easier comprehension.
Author: Henry Noble MacCracken
Publisher:
ISBN:
Category :
Languages : en
Pages : 254
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Book Description
Author: Naseeb Shaheen
Publisher: University of Delaware
ISBN: 1611493730
Category : Bibles
Languages : en
Pages : 982
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Book Description
The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture. The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed. The study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day. To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood. Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked. .
