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Author: Peter Galassi
Publisher:
ISBN: 9783869307350
Category : Photography
Languages : en
Pages : 195
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Book Description
This book, based on the Frank collection at the Cantor Arts Center at Stanford University, focuses on his American work. Its sequence of 131 plates integrates twenty-two photographs from "The Americans" with more than 100 images to chart the major themes and pictorial strategies of his work in the United States in the 1950s. The text reconsiders Frank's first photographic career and examines how he used the range of photography's 35mm vocabulary to reclaim the medium's artistic tradition from the hegemony of the magazines.
Author: Peter Galassi
Publisher:
ISBN: 9783869307350
Category : Photography
Languages : en
Pages : 195
Get Book Here
Book Description
This book, based on the Frank collection at the Cantor Arts Center at Stanford University, focuses on his American work. Its sequence of 131 plates integrates twenty-two photographs from "The Americans" with more than 100 images to chart the major themes and pictorial strategies of his work in the United States in the 1950s. The text reconsiders Frank's first photographic career and examines how he used the range of photography's 35mm vocabulary to reclaim the medium's artistic tradition from the hegemony of the magazines.
Author: Lisa Volpe
Publisher: Yale University Press
ISBN: 0300270895
Category : Art
Languages : en
Pages : 185
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Book Description
Robert Frank's and Todd Webb's parallel 1955 projects to photograph America are considered in the context of mid-twentieth-century American culture In 1955 two photographers were awarded grants from the John Simon Guggenheim Foundation to embark on trips across the United States. Robert Frank (1924-2019) drove coast to coast, photographing the highways, bars, and people that formed the basis for his widely admired publication The Americans (1958). Todd Webb (1905-2000) walked across the country, searching for "vanishing Americana and what is taking its place." Unaware of each other's work, the photographers produced strikingly similar images of the highway, parades, and dim, smoky barrooms. Yet while Frank's grainy, off-kilter style revealed many inequities of American life, Webb's carefully composed images embraced clear detail and celebrated the individual oddities of Americans and their locales. This revelatory book is the first to publish Webb's 1955 photographs and connects these parallel projects for the first time. More than one hundred images accompany text illuminating Frank's and Webb's different perspectives and approaches to similar subjects and places; the difference in reception of Frank's iconic work and Webb's relatively unknown series; and the place of the road trip in shaping American identity at midcentury. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (October 8, 2023-January 7, 2024) Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts (February 10-July 30, 2024) Brandywine Museum of Art, Chadds Ford, Pennsylvania (February 8-May 4, 2025)
Author: Sarah Greenough
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
A companion book to the National Gallery's exhibition of its recently- acquired Robert Frank Collection, celebrating a lifetime of work by the Swiss photographer who documented the American scene. Frank embarked on a road tour of the country in 1953, resulting in The Americans, a look beneath the surface of the country's wholesome image of itself. After filming Pull My Daisy, with Jack Kerouac and other members of the beat generation, and Cocksucker Blues, a documentary of the Rolling Stones, Frank turned to more autobiographical work. Photos from all of these phases of his career are here, plus his earlier work in Europe, and a sample of his color work. Five essays complement the photographs. Includes a chronology and a list of exhibitions. 9.5x12". Annotation copyright by Book News, Inc., Portland, OR
Author: Robert Frank
Publisher: Scalo Publishers
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
Previously published in 1959, Frank's most famous and influential photography book contained a series of deceptively simple photos that he took on a trip through America in 1955 and 1956. These pictures of everyday people still speak to us today, 40 years and several generations later.
Author: George Cotkin
Publisher: JHU Press
ISBN: 9780801882005
Category : History
Languages : en
Pages : 386
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Book Description
"As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers - from Jonathan Edwards and Herman Melville to Emily Dickinson and William James - who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing the concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus.
Author: RJ Smith
Publisher: Da Capo Press
ISBN: 0306823373
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
From the author of the acclaimed James Brown biography The One comes the first in-depth biography of renowned photographer and filmmaker Robert Frank, best known for his landmark book The Americans. As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it. American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and gifted. Leaving his rigid Switzerland for the more fluid United States in 1947, Frank found himself at the red-hot social center of bohemian New York in the '50s and '60s, becoming friends with everyone from Jack Kerouac, Allen Ginsberg, and Peter Orlovsky to photographer Walker Evans, actor Zero Mostel, painter Willem de Kooning, filmmaker Jonas Mekas, Bob Dylan, writer Rudy Wirlitzer, jazz musicians Ornette Coleman and Charles Mingus, and more. Frank roamed the country with his young family, taking roughly 27,000 photographs and collecting 83 of them into what is still his most famous work: The Americans. His was an America nobody had seen before, and if it was harshly criticized upon publication for its portrait of a divided country, the collection gradually grew to be recognized as a transformative American vision. And then he turned his back on certain success, giving up photography to reinvent himself as a film and video maker. Frank helped found the American independent cinema of the 1960s and made a legendary film with the Rolling Stones. Today, the nonagenarian is an embodiment of restless creativity and a symbol of what it costs to remain original in America, his life defined by never repeating himself, never being satisfied. American Witness is a portrait of a singular artist and the country that he saw.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
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Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Elsa Court
Publisher: Springer Nature
ISBN: 3030367339
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
The American Roadside in Émigré Literature, Film, and Photography: 1955–1985 traces the origin of a postmodern iconography of mobile consumption equating roadside America with an authentic experience of the United States through the postwar road narrative, a narrative which, Elsa Court argues, has been shaped by and through white male émigré narratives of the American road, in both literature and visual culture. While stressing that these narratives are limited in their understanding of the processes of exclusion and unequal flux in experiences of modern automobility, the book works through four case studies in the American works of European-born authors Vladimir Nabokov, Robert Frank, Alfred Hitchcock, and Wim Wenders to unveil an early phenomenology of the postwar American highway, one that anticipates the works of late-twentieth-century spatial theorists Jean Baudrillard, Michel Foucault, and Marc Augé and sketches a postmodern aesthetic of western mobility and consumption that has become synonymous with contemporary America.
Author: Miles Orvell
Publisher: Oxford University Press, USA
ISBN: 9780192842718
Category : Art
Languages : en
Pages : 260
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Book Description
"This comprehensive new survey places American photography in its cultural context for the first time. Prize-winning author, Miles Orvell, examines this fascinating subject through portraiture and landscape photography, family albums and memory, analyzing the particular way in which American photographers view the world around them - from Alfred Stieglitz to Walker Evans, Andy Warhol to Cindy Sherman."--Back cover.
