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Author: Catherine Morgan-Proux
Publisher: Cambridge Scholars Publishing
ISBN: 1527530086
Category : Travel
Languages : en
Pages : 116
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Book Description
How do we imagine the road? If the road inspires freewheeling adventure in the spirit of Jack Kerouac, it can also be a site of our vulnerabilities. This collection highlights the work of artists, writers, and filmmakers from the Anglophone world who have drawn upon the road as a cultural landscape. The road reveals our sense of curiosity, our anxieties, our sorrows, and our disquiet with modern technology or the power dynamics of class and gender. This volume, with a foreword by Jeremy Bassetti, host of the award-winning podcast “Travel Writing World,” brings together international researchers and writers, including two original poems by the French-New Zealander poet, Lynette Thorstensen. This book will be of interest to students and scholars interested in 20th and 21st century art and culture, particularly road narratives.
Author: Catherine Morgan-Proux
Publisher: Cambridge Scholars Publishing
ISBN: 1527530086
Category : Travel
Languages : en
Pages : 116
Get Book Here
Book Description
How do we imagine the road? If the road inspires freewheeling adventure in the spirit of Jack Kerouac, it can also be a site of our vulnerabilities. This collection highlights the work of artists, writers, and filmmakers from the Anglophone world who have drawn upon the road as a cultural landscape. The road reveals our sense of curiosity, our anxieties, our sorrows, and our disquiet with modern technology or the power dynamics of class and gender. This volume, with a foreword by Jeremy Bassetti, host of the award-winning podcast “Travel Writing World,” brings together international researchers and writers, including two original poems by the French-New Zealander poet, Lynette Thorstensen. This book will be of interest to students and scholars interested in 20th and 21st century art and culture, particularly road narratives.
Author: Jorge Almeida e Pinho
Publisher: Cambridge Scholars Publishing
ISBN: 1527558088
Category : Language Arts & Disciplines
Languages : en
Pages : 332
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Book Description
This collection of essays focuses on addressing the imaginative wake of the rebellious late 1960s, with a particular, but not exclusive, focus on word-and-image relations. The volume showcases and discusses the impact of such processes on literature and the arts of that mythologized historical period. It explores the impact of its defining causes, hopes and regrets on the creative imagination. The awakening moment for that extraordinary momentous period in the global socio-political memory was May 1968, which came to be seen as the culmination and epitome of a series of processes involving protest, and the affirmation of previously silent or subaltern causes. Such processes and causes were predicated on challenges to established powers and mindsets, and hence on demands for change, which have had rich consequences in literature and the arts.
Author: Carolyn Abbate
Publisher: W. W. Norton & Company
ISBN: 0393089533
Category : Music
Languages : en
Pages : 648
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Book Description
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Author: David Hockney
Publisher:
ISBN: 9780500280850
Category : Art
Languages : en
Pages : 248
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Book Description
A republication of a classic work by the popular modern artist follows his exploration of numerous artistic mediums, from painting and computer art to photography and printmaking, explaining his experimentation with ways of seeing as well as his philosophies about how art can alter one's perception of the world. Reprint.
Author: Richard Benefield
Publisher: Prestel
ISBN: 9783791353340
Category : Graphic arts
Languages : en
Pages : 0
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Book Description
Accompanying one of the most anticipated exhibitions of the past few years, this catalogue captures the grand scale and vibrant color of Hockney's work of the twenty-first century. Hockney's own insight into this latest chapter of his career is found across the book's pages and is accompanied by thoughtful commentary by renowned critic Lawrence Weschler and art historian Sarah Howgate.
Author: Nick Licata
Publisher: Cambridge Scholars Publishing
ISBN: 1527574032
Category : Social Science
Languages : en
Pages : 205
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Book Description
This book uses humour and personal insight to weave tales, analysis, and history in this insider account of an enlightened populist student movement. The students involved took their citizenship seriously by asking the authorities who they were benefiting and who they were ignoring. They altered the prevailing culture by asking, “why not do something different”? Unlike other books on the Sixties, this book shows how predominantly working middle-class white students in a very conservative region initiated radical changes. They ushered in a new era of protecting women and minorities from discriminatory practices. This vivid account of bringing conservative students around to support social justice projects illustrates how step-by-step democratic change results in reshaping a nation’s character. Across the globe, students are seeking change. In the US, over 80 percent believe they have the power to change the country, and 60 percent think they’re part of that movement. This book’s portrayal of such efforts in the Sixties will inspire and guide those students.
Author: Thomas S. Grey
Publisher: Cambridge University Press
ISBN: 0521417384
Category : Biography & Autobiography
Languages : en
Pages : 421
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Book Description
This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice.
Author: Michael Trimble
Publisher: Cambridge Scholars Publishing
ISBN: 1527575357
Category : Science
Languages : en
Pages : 641
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Book Description
An aspect of dying in opera, rarely observed or commented on, is Sudden Unexpected Death. There are many deaths in this melodramatic genre: most follow expected causes like murder, suicide, or old age. This book explores those deaths which occur without obvious natural causes. These are often central to the overall drama of the opera, representing denouements forming the epiphany of the story and the apotheosis for the audience. The book identifies 50 operas where such events occur, exploring the role of the dramatis personae, the circumstances of their dying, and specific themes that emerge. These include a preponderance of females, especially in the 19th century, who die mainly at the end of the operas, often in the context of tragedy. It charts the growing awareness in the medical sciences of the unconscious forces driving human behaviour, including liminal mental states and trances, which influenced these operas and continue to affect human behaviour to the present day. In addition, the changing philosophies that are intertwined with operatic narratives, in particular stemming from Kant, Hegel, Schopenhauer and Nietzsche, are important in the book’s exegesis, as is the special role of Wagner’s compositions. This leads to the exploration of recurrent concepts such as the Liebestod, the ewig Weibliche and redemption itself.
Author: Boštjan Videmšek
Publisher: Cambridge Scholars Publishing
ISBN: 1527522946
Category : Biography & Autobiography
Languages : en
Pages : 275
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Book Description
This book is an in-depth reportage on some of the most defining issues of our time, namely the global refugee crisis, the conflicts displacing these masses of humanity, and the causes behind them. It is also an ode to the vanishing art of the long-form feature or reportage, which is disappearing because many media organisations can no longer afford it, or are unwilling to pay for this kind of time-consuming, on-the-ground journalism. It is essential to keep alive old-school reportage from the field because it provides a human face to the issues challenging our world. It helps pierce the bubble of propaganda with a needle of truth and, beyond the political and human, it is a beautiful art form in its own right. This book showcases a keen eye for the human story and a profound commitment to the human family. By telling the stories detailed here, it helps put a human face on the suffering that is too often viewed statistically and quantitatively.
Author: Rico Sneller
Publisher: Cambridge Scholars Publishing
ISBN: 1527555801
Category : Psychology
Languages : en
Pages : 389
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Book Description
This book explores the notion of the human psyche (‘soul’) and its continuing usefulness in the background of the ongoing and always accelerating techno-scientific revolution. The main argument here follows the assumption that this revolution, while not necessarily being a threat to humankind, is often blind or ignorant as to its subject, the ‘human being’. In the first chapters, the reader is invited to reflect on the notion of ‘thinking’ as a phenomenon of consciousness that transcends merely ‘having thoughts’. Relating thinking to consciousness requires reconsidering the phenomena of ‘inspiration’ and ‘ecstasy’. Provided that such a thing as ‘inspiration’ exists, it makes sense to revise the solipsist or substantialist account often given of the human mind. The book defines inspiration as a ‘clairvoyance of one’s psyche’, and ecstasy as the experience of this clairvoyance. Next, a case is made for synchronicity experiences as a key to a better understanding of the human psyche. While being enigmatic all throughout, synchronicity experiences, both on the individual and on the collective level, help overcome both subject/object and body/mind dualisms. It is not likely, though, that the solution they could offer will be readily accepted by (what is called) ‘science’ today, since it challenges one of the latter’s basic premises, ‘causality’. As a more concrete example of a condensed synchronicity experience, the author dwells on ‘physiognomy’. In the final chapter, death and suffering are discussed as extreme, and therefore relevant, experiences of consciousness. The book interprets death in terms of ‘enhanced subliminality’, and ‘suffering’ as unconscious resistance against maturing. Generally, this book explores a psycho-philosophical tradition, rooted in Romantic thinking (from Schelling and Schopenhauer until Klages and Jung), which has hitherto been unjustly neglected, if not repressed, by mainstream materialism and positivism. It makes a strong case for an intellectual account of the soul.
